Tag: Graffiti

793. Stokes Croft, I forget where

I believe this to be the very last set of my images from Tian’s tour of Britain in April 2016. It was an exciting week, discovering all the gifts and surprises he had pasted up all around the Stokes Croft area, and it was great to see his work at Upfest in July too.

Tian, Stokes Croft, Bristol, April 2016
Tian, Stokes Croft, Bristol, April 2016

My knowledge of screen actresses from the fifties onwards is rather poor, and I am not sure who this is, but I am sure she is famous. I’m sure Southampton Old Lady would know. It is a pity that the wheatpaste is tagged, but in a strange way it adds to its ‘street’ credibility (not street credibility) (does that make sense?).

Tian, Stokes Croft, Bristol, April 2016
Tian, Stokes Croft, Bristol, April 2016

I dearly hope Tian will visit Bristol again soon.

792. Dean Lane skate park (47)

This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.

Laic217 and Cort, Dean Lane, Bristol, May 2017
Laic217 and Cort, Dean Lane, Bristol, May 2017

Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?

Laic217 and Cort, Dean Lane, Bristol, May 2017
Laic217 and Cort, Dean Lane, Bristol, May 2017

I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.

The missing Cort photos from March 2016 are below…

Laic217 and Cort, Moon Street, Bristol, March 2016
Laic217 and Cort, Moon Street, Bristol, March 2016
Cort, Moon Street, Bristol, March 2016
Cort, Moon Street, Bristol, March 2016

791. Hepburn Road (4)

I have hung on to this picture for an absolute age. No particular reason. It is by DNT, and it resided in a little side lane off Stokes Croft. I just like it – it is a well crafted piece of writing, and it simply and joyfully says Bristolz.

DNT, Hepburn Road, Bristol, April 2016
DNT, Hepburn Road, Bristol, April 2016

I have nothing more to write – sometimes writing too much takes attention away from the graffiti. Enjoy.

790. The Bearpit (71)

There is a new artist in town (to me at least), and his works have entered my consciousness since March really. It is possible he has been here all the time, but if this is the case I can only apologise. The artist signs his work with the name J. Dior, and try as I might, I am unable to find out anything about him. I know he is a he, because I did spot him creating a piece around Easter time.

J. Dior, The Bearpit, Bristol, May 2017
J. Dior, The Bearpit, Bristol, May 2017

His artwork embraces a naive style and usually features people, colourfully represented often in unusual positions – a touch of Marc Chagall combined with children’s illustrations. This piece doesn’t perhaps portray what I’m saying as well as some of his others. I have a fondness for these works, not because of the quality of the paintwork, but more down to the human story telling that is going on. My father, my mother – what a fine tribute to his parents. I like it, so watch this space for more from J. Dior.

789. M32 roundabout j3 (37)

Yet another excellent Face F1st piece, in fine colours and exhibiting yet another beautiful and simple face.  The wildstyle outline of the word FACE is becoming more cryptic, and he is really going for the beaded decorations.

Face F1st, M32 roundabout, Bristol, May 2017
Face F1st, M32 roundabout, Bristol, May 2017

I have always loved his work, from the very first one I saw, It just does something for me. Face F1st has taken to spraying a lot recently, and it is difficult to keep up with his faces. There are a couple that I have not published from the subways at this roundabout, which are difficult to photograph on account of the poor lighting and narrow passages. Be assured however that there is more from this quiet artist in the pipeline.

Face F1st, M32 roundabout, Bristol, May 2017
Face F1st, M32 roundabout, Bristol, May 2017

788. The Bearpit (70)

This is the second paste up by qWeRT that I have posted in recent days, and it is right in the middle of The Bearpit, but I’ll wager most people who pass through won’t even have spotted it. Another wonderfully happy piece, with a bug-eyed character holding up uits hands and creating a heart shape. Simple but pleasing.

qWeRT, The Bearpit, Bristol, April 2017
qWeRT, The Bearpit, Bristol, April 2017

I really like qWeRT’s work that has started to appear in Bristol. I am guessing that the artist visits from time to time, and lays down a trail of  wheatpastes probably in one session – if you get lucky, like I did, you might find several of them in a single linear walk.

qWeRT, The Bearpit, Bristol, April 2017
qWeRT, The Bearpit, Bristol, April 2017

A really welcome visitor to the streets of Bristol. You might just be able to see that has been placed in front of the Cheba and SPZero76 pieces.

787. Stokes Croft shutter

Mr Penfold is first and foremost a designer, whose work is largely abstract and uses colours and shapes that remind me of a cross between the 1980s and art deco. Clean crisp lines and floating objects.

Mr Penfold, Stokes Croft, Bristol, April 2017
Mr Penfold, Stokes Croft, Bristol, April 2017

His graffiti/street art work is very different to anything else found in Bristol and instantly recognisable. Whilst I like to see his pieces appearing around the city, his style does not pull me in as much as some of the other artists in Bristol.

786. The Bearpit (69)

A nicely done stencil in one of the Bearpit subways by Georgie. It has lasted there for a while having been spared by taggers who these days generally don’t wait more than a day before tagging things in The Bearpit.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

The piece is titled ‘There’s no budget but it will be great exposure’  and is a stencil piece that I think is a wheatpaste. Certainly Georgie pasted this piece up in Shoreditch last year, and it would appear that the whole poster here is the same. Kinky, and fun this is nice work from Georgie.

785. Stokes Croft, No.111

This is another piece that has been waiting and waiting in my archive and which I can at last write about, having recently found out who the artist is. The artist has been something of a mystery, and I have posted two of his pieces here before, the sinister cat and scary clown. It is of course Dose, AKA Kin Dose, AKA Nick Harvey.

Kin Dose, Stokes Croft, Bristol, September 2016
Kin Dose, Stokes Croft, Bristol, September 2016

I found out who he was by accident. I saw a poster advertising an art exhibition in the main street close to where I live, and there was the sinister cat on the poster, so I took a closer look. There was more information that helped me to track down Kin Dose on Instagram. Once on his feed, I looked through his work, and there was this piece…mystery solved.

Kin Dose, Stokes Croft, Bristol, September 2016
Kin Dose, Stokes Croft, Bristol, September 2016

Kin Dose is clearly extremely talented and versatile. I’ve not yet been to his exhibition (at the time of writing) but hope to get there before it closes.

784. Gloucester Street, Weston-super-Mare

Last Summer, on a day trip with my family to Weston-super-Mare, I managed to wander off and grab a few moments to get some street art ‘therapy’. I got to see several pieces by JPS, My Dog Sighs and Dan Kitchener amongst others, but this image of a child on the back of a tortoise holding a stick with a slice of pizza stayed with me.

 

Fawn Artist, Gloucester Street, Weston super Mare, August 2016
Fawn Artist, Gloucester Street, Weston super Mare, August 2016

I didn’t know the artist, and I think I have said many times on this blog that I don’t like posting images unless I know who the artist is, although sometimes I break my own rule. In this instance it was the artist herself who broke cover via her Instagram account. It is by Fawn, a local artist and friend of JPS, who helped her with the piece. It is a lovely, playful stencil and just perfect for the location.