4317. Greenbank (30)

On the long wall at Greenbank, which really is very long indeed, is this magnificent collaborative effort from Conrico and Rozalita. The writing and portrait combo is bursting with life and colour, and is rather spectacular.

Conrico, Greenbank, Bristol, March 2022
Conrico, Greenbank, Bristol, March 2022

To the left, Conrico has gone for some pretty wicked writing set on a fanciful sea, woodland and mountainous landscape. The letters have an animated feel about them and look lively on the calm and tranquil backdrop.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

To the right, Rozalita is continuing on her extraordinary journey of improvement and diversification. The girl with a yellow face, green hair and red beret is arguably one of her best portraits yet, and is a perfect example of how far she has come in a relatively short space of time. We are spoilt in Bristol to have Rozalita and her amazing portraits appearing all over the place.

Conrico and Rozalita, Greenbank, Bristol, March 2022
Conrico and Rozalita, Greenbank, Bristol, March 2022

Overall this is a lovely, cheerful collaboration. I look forward to so much more from both artists.

4307. Greenbank (29)

Just because I haven’t posted much from the PWA boys lately, doesn’t mean they haven’t been painting, it is more a reflection of just how much street art is being created in Bristol at the moment. This is a rather nice piece from Face 1st, alongside Soap.

Face 1st, Greenbank, Bristol, March 2022
Face 1st, Greenbank, Bristol, March 2022

Face 1st has been painting these blocky letters a lot recently and has managed to include one of his faces, although it is rather obscured by the letters A and C. Fun stuff from this prolific artist.

4303. Greenbank (28)

The blue and yellow colours used in this piece give it away as another reference to the war in Ukraine. There is so much to like about this scene, by Sled One, painted alongside Smak, and it is typically full of fine detail and great composition, let alone the outstanding execution.

Sled One, Greenbank, Bristol, March 2022
Sled One, Greenbank, Bristol, March 2022

I have noticed that Sled One does enjoy painting cheese, and he has excelled himself with this cheese character, full of holes and a couple of cheeky mice. His work is always fantastical, combining characters with abstract shapes sprinkled with surrealism and always with outstanding results. I like that this piece references Ukraine, without being in your face, it demonstrates that there are so many ways to support the Ukrainians.

4270. Greenbank (27)

In this piece we have something a little different from Kool Hand, different and really interesting. Painted alongside the unforgettable sushi box by Conrico, this is a letter/portrait combo.

Kool Hand, Greenbank, Bristol, February 2022
Kool Hand, Greenbank, Bristol, February 2022

The letters are ‘KH’ for Kool Hand and are being sprayed by the character. The character is unlike anything I have seen from Kool Hand before and may mark a shift in direction for his work. I am excited to see where this development takes us. A work nicely done.

4256. Greenbank (26)

Instead of turning right onto the Bristol to Bath cycle track at Greenbank as I normally do (I am a creature of habit), I decided to buck the trend and turned left towards the road bridge and was rewarded with this rather nicel little piece of graffiti writing from Mr Riks.

Mr Riks, Greenbank, Bristol, February 2022
Mr Riks, Greenbank, Bristol, February 2022

I have said before that I have a great many pieces by the artist in my archives, but I think I have only posted one before, which is rather remiss of me. This is a really nicely worked piece, neat and tidy. The fills transition beautifully from pale to dark blues, and I rather like the swishy feature that zig-zags out of the piece. All in all, very well worth turning left… a first class effort.

4253. Greenbank (25)

I think the thing I love most about this outstanding piece from Conrico is that it is probably the most surprising subject for street art imaginable. A Japanese takeaway sushi meal, still in its plastic container, is either completely bonkers or utterly inspired, and I prefer to err on the side of the latter.

Conrico, Greenbank, Bristol, February 2022
Conrico, Greenbank, Bristol, February 2022

There is no question that this is brilliantly painted in Conrico’s paint brush style, the plastic transparent box alone is worth a mention. Take a look at the delicacies inside the box, and you will notice that they spell out Conrico Steez, the full signature of the artist. I love, love, love this creative food fiesta – bravo!

4249. Greenbank (24)

It would seem that Rozalita is on something of a mission at the moment, and her work rate is on an exponential growth. But it is not only her work rate that is impressive, but the subject matter of her pieces that is changing dramatically, and this is all fantastic to see.

Rozlita, Greenbank, Bristol, February 2022
Rozlita, Greenbank, Bristol, February 2022

There is so much to like about Rozalita’s work, not only her compositions, but her paintwork itself which looks more like it has been applied with a brush than spray paint. Each component of this piece is wonderful, the portrait and horses in a blue monochrome style and the extraordinary pink orchid flowers framing the piece. Such a great surprise and yet another fine piece coming off the Rozalita conveyor belt lately.

4207. Greenbank (23)

Well, it turns out that I was rather lucky with these photographs on two counts. Firstly, I was lucky to catch up with Werm and Stika who were painting this wall as part of an LRS collaboration, 3F fino had also been painting but had gone home by the time I arrived. Secondly, I understand the collaboration only lasted about a day before being painted over… the law of the jungle.

Werm, Greenbank, Bristol, January 2022
Werm, Greenbank, Bristol, January 2022

Once again, Werm is working hard on his block letters, andI think he has smashed it with this piece. The rich blue colours are blended perfectly, but it is the stars running horizontally through the letters that steal the show for me, adding interest and a touch of class. The cloudy background is one that was shared by all three pieces in the collaboration. Some fine work from Werm (Eman).

4182. Greenbank (22)

For every piece that I post on Natural Adventures from Greenbank, there are probably a further twenty or so that never actually make it, which gives you some idea of just how many pieces there are on this long wall (hoarding).

Stika, Greenbank, Bristol, November 2021
Stika, Greenbank, Bristol, November 2021

This rather unusual piece, but all the better for it, is by Stika, AKA Apex_aloy, who has made a couple of appearances on this blog before. Everyday objects can be a surprising inspiration for artists, as this ‘camcorder’ seems to be for Stika. Another artist who is inspired by everyday objects is Merny, and both uses colour to the max. There is a charm about this piece, and an artist’s signature to be proud of. I’ll be on the hunt to find another Stika piece soon.

4126. Greenbank (21)

Laic217 has three or four main themes that he likes to return to. Most of his characters are skeletons, often spraying, but he has also painted a lot of melting faces and face distortions, of which this is a fine example.

Laic217, Greenbank, Bristol, December 2021
Laic217, Greenbank, Bristol, December 2021

This one is a newish piece on the long Greenbank wall, which surely only has a few more months left, as the development behind it seems to be moving with some pace now. The distortion is deliberately unsettling and challenging, especially as it is confined to the face and the hand with a spray can in it. The rest of the character is normal, so there is a lot of confusion and deception going on. I love Laic217’s creativity and mischief, and this piece ticks all my boxes. Beautifully executed too.