Alongside some of the ramps of the DIY skate park under the M32 are some low hoardings which play host to an array of graffiti, and every once in a while to something quite classy.
Werm, M32 Spot, Bristol, December 2025
This is a piece by Werm, one of the most regular and prolific graffiti writers in Bristol. The letters have been reduced in height from his normal proportions, and are nicely designed to fit into this low space. |There is a winning colour combination of red and lime green going on here, with some nice darker green lines, adding perspective and seven starbursts to finish. Nice work from Werm.
Nice One has been my favourite discovery of 2024. His unique brand of combination pieces incorporating his beautiful font writing and colourful sketches of characters or scenes has been both refreshing and intriguing in equal measure. I genuinely look forward to finding his work and have that satisfied glow when it happens.
Nice One, Stapleton Road, Bristol, February 2025
This piece was painted over another of his, in fact, you can just see the remnants of the word NICE below it, and it is a very respectful way of keeping things fresh. The letters are a little bolder than in some of his pieces and remain impactful. His bear is painted as if it were a sketch in a sketchbook, this style of spray-painting is in stark contrast to the solid fill, black border approach that we see so much of. The bear looks pretty fearsome, and looks better and better the further away you stand from the piece. Lovely work from Nice One.
The great thing about a new graffiti spot, such as the long hoarding at Greenway Bush Lane, is that you can spread your wings a little and occupy as much space as you like without the awkwardness of painting over someone else’s work. Sub has ‘gone for it’ with his large SUB letters and a couple of smaller signatures, just in case you weren’t sure who he is.
Sub, Greenway Bush Lane, Bristol, January 2025
Sub continues to develop his writing, and his familiar chunky letters and deep drop shadow (in two shades) are going from strength to strength. The pink plasma strip runs nicely through the letters, which in their monolithic form are rather flat. To me, it feels like he is locked a little into his format, and to go to the next level, he might need to try something different, and then import his discoveries back into his customary style. Having said that, he seems to be very happy doing what he is doing, and that is the most important thing.
SkyHigh, Lighthouse Community Garden, London, April 2023
A super-quick one this morning… lots of housework to do. Tomorrow is my wife’s 60th birthday, and we are having a small family gathering. Our house has been a bit of a tip, so we have spent the last week or so cleaning and clearing. Lots more to do today!
SkyHigh, Lighthouse Community Garden, London, April 2023
As I mentioned in yesterday’s Roo piece, where there is one of hers, a SkyHigh piece is never far away, and this stunner was on the next but one board. Both of these pieces looked relatively fresh, which can’t be said for some of the pieces on these hoardings. This one from SkyHigh is typically brilliant and beautifully designed. Still more to come from this London honeypot.
I ran past this piece from Kosc this morning, and in a curious way I felt rather proud that I live in a city where public art is embraced, albeit sometimes reluctantly embraced. When the artwork is as good as this, then surely a painted hoarding is better than a bare/tagged piece of construction infrastructure.
Kosc, Gloucester Road, Bristol, July 2021
The most obvious thing about the piece is the striking contrast between the scarlet background and the grey-scale character and writing. The background is more than a simple backwash, it has been overprinted with a roller with the letters KOSC on it, giving a texture to the background.
The character and writing are absolutely exceptional. The lady in the photograph? Well it seems that she was selected by Kosc from a gallery of pictures on Instagram by @pit_lad, who was more than happy to have it used for this outstanding piece. Kosc is going from strength to strength.
There is so much construction work going on in Bristol it is quite mind-boggling, and this in the shadow of ten years of austerity and now a coronavirus recession – there are obviously still large bags of money out there. Construction usually means that, for a short while at least, temporary hoardings will be installed, and if you are lucky the constructors may commission street artists to paint them in the hope that they don’t get covered in unattractive tags.
Kin Dose, Temple Way, Bristol, September 2020
Temple way is no stranger to construction, but may be a stranger to the talents of Kin Dose whose meerkat piece is outstanding in every way. Kin Dose uses an airbrush technique that allows him to create the detail in the fur and the tree branch and so on. Sit back and enjoy this wonderful masterpiece from one of the very best.
A whole block of buildings bar one house on Upper York Street has been demolished and the site is being developed. While this meant that some great graff walls disappeared, they have been temporarily replaced with hoardings. A week or two back some Bristol artists hit the hoardings and this piece from Decay was painted then.
Decay, Upper York Street, Bristol, April 2020
This is a really nice piece from Decay in which he has adopted a slightly different typeface design from the one we are used to seeing. The red line outline provides a nice 3D effect and the painted drips (as opposed to drippy drips) are a nice touch.
This wall is not easy to photograph due to the big sky above it, and afternoons are very tricky indeed – I have been foolish enough to walk down there on three sunny afternoons! This might explain the slightly washed-out look in these pictures.
Well, I never did get a clean shot of this great two-tone piece by RichT and now of course it has gone forever, so this is the best I have. RichT has quite an unusual style in which he tends to fill the ‘canvass’ from top to bottom with decoration and detail, there are no ‘white spaces’ in his work – busy and interesting.
RichT, Park Street Avenue, Bristol, December 2018
This piece was painted on a hoarding half way up Park Street on a building that seems to have been going through a renovation for a very long time. The work has been there for most of it, but wheely bins and scaffolding have been at the scourge of decent street photography. I still felt the piece was worth posting though as I do rather like RichT’s work.
What a superb piece by Alex Lucas in the heart of Alex Lucas land. The artist and illustrator fills a niche in the Bristol commission market and is probably one of the most recognised artists in the city. Because nearly all of her work is commissioned, it tends to remain in situ for a very long while.
Alex Lucas, Ashley Road, Bristol, December 2018
This piece, wonderful as it is..and it really is…leaves me a little conflicted, not because of the artwork, but because before the development work behind the hoarding started, this used to be a regular ‘illegal’ wall for artists to try out their work, much of it outstanding. This is the gentrification process in full swing, the succession being; Illegal (tolerated) wall – permitted/commission wall – no wall (policed).
It is a sad but inevitable journey for most of our inner cities, and these areas are often in need of some TLC. My objection is that what will emerge from behind the hoarding will be unaffordable flats, little in the way of community assets and a sterilisation of a colourful area. The only people to benefit will be the people with money and power.
I was very fond of these hoardings in Brunswick Square, but alas, they are long since gone.I still have several pieces that I have not posted, and this is one of them by Dibz. I am more used to seeing his work at Dean Lane or on Instagram, so it is nice to have another location for the collection.
Dibz, Brunswick Square hoardings, Bristol, March 2016
As always his deep shading and complex letter patterns are technically superb, and there is a cleanness of the lines in all his work. The blue line and its glow add something special to a very nice piece indeed.