7342. Jamaica Street (31)

Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025
Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025

There was a time a few years back when this superb hoarding, the People’s Republic of Stokes Croft outdoor gallery, would be refreshed on a regular basis with all manner of collaborations, these days it tends to be used more for social commentary and messaging, which is not entirely surprising, and welcome. On the downside, it doesn’t get painted with the same frequency, as the messages have longevity. This is a superb, and rather eclectic collaboration from Aimee’s Esme Lower, Jody and Conrico in support of Bristol’s homeless.

Aimes, Jamaica Street, Bristol, November 2025
Aimes, Jamaica Street, Bristol, November 2025

The collaboration begins on the left with a colourful piece by Aimes. The creative piece hints at homes with the brick wall, and also recognises one of the backers of the campaign, the Big Issue, an outstanding set up that has been supporting homeless people for years through a model of engagement in the process of creating and selling print/digital newspapers.

Esme Lower, Jamaica Street, Bristol, November 2025
Esme Lower, Jamaica Street, Bristol, November 2025

The next piece is by Melo who has been on fire recently. The comforting piece is a combination of an illustrative cartoon style that verges on the abstract in places. Two characters, one of them drinking a hot drink and some beautiful flowers, gives us a scene full of hope and opportunity.

Jody, Jamaica Street, Bristol, November 2025
Jody, Jamaica Street, Bristol, November 2025

The portrait piece by Jody, is, I believe a copy of the front cover of the Big Issue, featuring DJ James Hype, who was holding a fundraising event at the Beacon to support homelessness. Jody, as ever has smashed it with the greyscale piece.

Conrico, Jamaica Street, Bristol, November 2025
Conrico, Jamaica Street, Bristol, November 2025

Finally, Conrico has painted some low-cost container houses amidst a floral display, and the words ‘building homes from house’ making the connection between the fundraiser and the outcomes. All in all these four artists have combined to support a powerful and valuable message to the people of Bristol.

6983. Jamaica Street (30)

Bethcub, Jamaica Street, Bristol, June 2025
Bethcub, Jamaica Street, Bristol, June 2025

It looks like wheatpastes are having a mini-surge in popularity in Bristol, and these are a couple of little cut-out sketches in Jamaica Street by Bethcub. What I particularly like about these is that they look like original pencil sketches, which somehow gives them a high One-off value (in my eyes).

Bethcub, Jamaica Street, Bristol, June 2025
Bethcub, Jamaica Street, Bristol, June 2025

Bethcub is an artist who is known for her studies, particularly of the human body, but occasionally ventures out onto the streets to paint, and now, it seems, to leave some wheatpaste gifts for us to enjoy. I am no art critic, so I don’t really know what I am talking about, but these line sketches are so beautiful, and capture the poise of the subject perfectly.

To find these little paste ups absolutely made my day, and I was sorely tempted to try and peel one off to keep as a piece of original artwork, but that would be against everything I stand for – public art for all. I’ll be looking out for more from Bethcub in future, and have at least one other of her recent pieces to share… watch this space.

6877. Jamaica Street, Liverpool

LostHills, Jamaica Street, Liverpool, March 2025
LostHills, Jamaica Street, Liverpool, March 2025

A quick couple of posts today, written last night, because I have an early start today, running a workshop in the middle of nowhere, somewhere in rural Shropshire. This is another fine piece from my short visit to Liverpool from one of my favourite wheatpasters, LostHills.

LostHills, Jamaica Street, Liverpool, March 2025
LostHills, Jamaica Street, Liverpool, March 2025

You might notice that this isn’t a paste up, but a painting, something LostHills has been doing more of in recent years. His characters are based on Jake the Dog from Adventure time, but I am not sure what the cultural reference is in the piece. A nice one to find.

6875. Jamaica Street, Liverpool

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

There are many parallels between Bristol and Liverpool, in part due to the established trading routes with America and the West Indies. Unfortunately, both cities prospered through the trade in slaves, alcohol and tobacco, along with a huge amount of other less controversial goods. Place and street names tend to reflect the development of a city, and it is no surprise that both Bristol and Liverpool have a Jamaica Street, and that both are in areas that have seen a lot of change.

In Liverpool, the area around Jamaica street is a hotspot for street art, and I was lucky enough to find some superb pieces during my recent visit there, including this old piece by Liam Bononi.

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

Liam Bononi has become one of the great high-end artists in Europe and is a favourite for premium walls and festivals, and this piece, I think, was painted sometime last year. Much of his work contains contorted, agonised or corrupted portraits, perhaps reflecting an inner struggle. This beautiful portrait piece appears to be cracked and disfigured as if it were a broken mirror, and as a result is a little unsettling. Although based in the North of England, Liam Bononi does manage to travel around the country a little, which is great news.

6587. Jamaica Street (29)

Zubieta, Jamaica Street, Bristol, November 2024
Zubieta, Jamaica Street, Bristol, November 2024

This was my second attempt at photographing this piece by Zubieta, just outside the People’s Republic of Stokes Croft. The first time I came, there were significant shadows across it, and some people sitting on chairs in front of it – all quite unhelpful. The piece is painted on the PRSC blanket and tent exchange, which in itself tells a story of the times we live in.

Zubieta, Jamaica Street, Bristol, November 2024
Zubieta, Jamaica Street, Bristol, November 2024

Zubieta is a muralist whose work often encompasses nature, particularly floral scenes. I think she uses brushes to paint her murals, rather than spray paints. This decorative piece includes some pink flowers with lips in the centre, a caterpillar, a heart and a figure, and many of the leaves contain beady eyes. The content of the work is not so different from Peggy, but the styles are worlds apart. A nice piece enhancing an otherwise utilitarian storage facility.

6429. Jamaica Street (28)

Vane, Jamaica Street, Bristol, July 2024
Vane, Jamaica Street, Bristol, July 2024

When I first came across this piece, I really wasn’t too sure what it meant, but photographed it anyway, because it is a clean and classy piece of writing with an important message. It turns out that it is by Vane and is a get well shout-out to his friend Holly, AKA Mena – regular readers will know that she is a Bristol writer who had an accident in Thailand recently and is currently recovering in the UK.

Vane, Jamaica Street, Bristol, July 2024
Vane, Jamaica Street, Bristol, July 2024

This is a heartfelt and touching piece by Vane, who, although he is a Bristol artist, hasn’t appeared on Natural Adventures all that often. I think it says much about the graffiti/street art culture in the city that so many artists have rallied around Mena and painted messages of support for her over the last few weeks. I hope her recovery continues well.

4750. Jamaica Street (57)

Erviti, Jamaica Street, Bristol, August 2022
Erviti, Jamaica Street, Bristol, August 2022

I understand that Erviti, who has brought so much fine art to the streets of Bristol, is leaving/has left the great city, which is a real shame. Her impact, alongside the Bristol Mural Collective, has been noticeable and welcome, and her memorable cat under Brunel Way remains intact.

Erviti, Jamaica Street, Bristol, August 2022
Erviti, Jamaica Street, Bristol, August 2022

This piece was painted on the People’s Republic of Stokes Croft (PRSC) open air gallery in Jamaica Street, and was one of several pieces supporting the ‘My Body – My Rights’ campaign, shortly after the abortion ban in the USA. The piece was painted using Graphenstone paint that absorbs CO2 and is, I believe, a self-portrait. Lots to like here.

4651. Jamaica Street (26)

Tanith Gould, Jamaica Street, Bristol, August 2022

Tanith Gould, Jamaica Street, Bristol, August 2022This piece by Tanith Gould, from the Bristol Womxn Mural Collective (now seemingly the Bristol Mural Collective), is direct and straight to the point. It is one of several pieces on the Jamaica Street gallery highlighting reproductive rights.

Tanith Gould, Jamaica Street, Bristol, August 2022
Tanith Gould, Jamaica Street, Bristol, August 2022

The political piece is nicely done, and is a sentiment I happen to agree with.  The message is assertive, but not aggressive. The use of scissors in a piece like this could be construed as threatening, but somehow feels more illustrative. I am a fan of political statements in street art, and this one from Tanith Gould ticks my boxes.

4335. Jamaica Street (25)

Jamaica Street is one of the more vibrant and interesting streets in Bristol; it is a spur running off Stokes Croft at Turbo Island and is well known for its addiction clinic, and the People’s Republic of Stokes Croft. There is a row of houses that over the years have been heavily tagged, adding to the rather grubby feel of the place, but recently Hazard has been commissioned to paint the front of these houses, in an effort to breathe new life into and respect for the area. Her subtle pieces are just the ticket, and thoroughly uplifting. They are, however, also almost impossible to photograph. I managed to capture one recently and am sharing it with you now.

Hazard, Jamaica Street, Bristol, March 2022
Hazard, Jamaica Street, Bristol, March 2022

In addition to her remarkable portrait pieces, Hazard has a supreme talent for painting flowers, and she has worked wonders with these roses and other leaves/flowers on this building. This work reminds me of the kind of decorative painting you see on buildings on the continent, but is much less common here in the UK. Superb work that is utterly uplifting in a place that benefits so much from kindness, love and decency.

I am now getting a little nervous in case this isn’t by Hazard, because I can’t find any verification on the interweb. I am sure I shall be corrected if it isn’t by her.

3311. Jamaica Street (24)

The People’s Republic of Stokes Croft outdoor gallery is a great ‘showcase’ wall that is properly curated and well respected. Rarely is this wall tagged or despoiled in any way. One of the key carers of this wall is Object… so it is great when he gets to put a piece of his own work up, and in this case as part of a collaboration with Msale.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

The collaboration breaks down into three panels and picks up on the coronavirus pandemic theme. On the left we see two people hugging the planet earth which is wearing a face mask, the emblem of 2020.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

The middle panel is a ring and circle of text in a calligraphy style. The outer ring says “apart; together; stay safe”. The inner circle is in a script I can’t read and might be Arabic or something like that.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

On the right is a masked portrait with the word ‘hope’ underneath it and to the right are the words ‘Baki salama’ which means stay safe.

Overall this is a contemporary and uplifting piece from two fine artists.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020