Tag: John d’Oh

4495. St Michael’s Hill (5)

My wife was a little late for work a couple of weeks ago, so I gave her a lift in the car. Our route takes us onto St Michael’s hill, and I glanced (as I always do when passing by) down a little alleyway favoured by John D’oh and by total luck he was there spraying a new stencil. Of course, after dropping my wife off, I made a bee-line for the alley way and stopped for a quick chat with John D’oh. As always it was a genuine pleasure to catch up, and great to see the artist at work. While we were talking, a bird pooped on one of the freshly painted faces… the perils of being a street artist!

John D'oh, St Michael's Hill, Bristol, May 2022
John D’oh, St Michael’s Hill, Bristol, May 2022

The piece is a fantastic awareness work that talks about mental health, in particular depression and anxiety, a topic that resonates for me and my family, and I expect for a great many people in today’s troubled landscape. The words on the stencil piece read:

“Pretending you’re okay is easier than having to explain to anyone why you’re not.

Mental health – don’t suffer in silence

Depression is when you don’t really care about anything, anxiety is when you care too much about everything, and having both is just like hell.”

John D'oh, St Michael's Hill, Bristol, May 2022
John D’oh, St Michael’s Hill, Bristol, May 2022

I believe this to be one of John Doh’s finest pieces. The topic aside (a massively important one), he presents four stunning colourful stencils perfectly and seamlessly joined and topped and tailed with a banner and footer. The whole thing is expertly produced and beautifully proportioned.

John D'oh, St Michael's Hill, Bristol, May 2022
John D’oh, St Michael’s Hill, Bristol, May 2022

The stylised comic-book characters are cleverly selected to be both eye-catching and, to a degree, nostalgic. It was interesting to see that John D’oh brought elements of this piece to his collage of pieces for Upfest this year – the joy of stencil art.

John D'oh, St Michael's Hill, Bristol, May 2022
John D’oh, St Michael’s Hill, Bristol, May 2022

I drove past the spot this morning, on a repeat wife-lift scenario, and saw that he has added another piece to his expanding gallery, so I’ll have to pop up there for another photo session soon. Utterly fabulous work from John D’oh.

4394. St George skate Park (14)

If only I were as quick to post John D’oh’s political commentary pieces as he is to prepare and spray his stencils… Natural Adventures would feel a bit more contemporary, but a trade-off has to happen, because there is so much high-quality street/graffiti art in Bristol, I invariably have a backlog. Within a day or two of the Rishi Sunak Spring Statement (which did little for the poorer communities facing a cost of living crisis) John D’oh had come up with this piece, although I think it was just before the furore of his wife’s non-dom status, it certainly continued to resonate.

John D'oh, St George skate park, Bristol, April 2022
John D’oh, St George skate park, Bristol, April 2022

I like it that John D’oh visits various skate parks around Bristol and beyond, because these are places where more people will get exposure to his art and his observations. It is a joy to capture and catalogue John D’oh’s work because in years to come we will be able to reflect on Tory Britain with some grounded and visceral reflections.

4358. Purdown AA Battery (43)

John D’oh delights us with his stencils. Sometimes they are highly political and a commentary on events and happenings of our time and at other times they are packed with fun and humour, and this Captain Caveman falls into the latter category.

John D'oh, Purdown, Bristol, March 2022
John D’oh, Purdown, Bristol, March 2022

I am a little too old to have watched much Captain Caveman, but I was certainly aware of the cartoon series. In this piece, the mischievous character is looking thrilled to be let loose with a spray can. This is a fabulous small piece from John D’oh.

4322. Horfield skate park (8)

This is a poignant stencil piece from John D’oh up at Horfield skate park. As is so often the case, John D’oh perfectly captures the moment and presents it to us with a political slant. His work can often include strong, assertive and for some, uncomfortable messages, but they capture a mood in a contemporary way.

John D'oh, Horfield Skate Park, Bristol, March 2022
John D’oh, Horfield Skate Park, Bristol, March 2022

The blue and yellow give this piece away as being about the Russian invasion of Ukraine by the ruthless and deluded dictator Putin. A little girl crouches in front of an urban landscape with a red cross emblazoned on it and between them is a hand rising from the ground on which there is a discarded stethoscope. The caption is too awful; ‘war ends lives before they have begun’. This piece speaks to the horrors unfolding in cities like Mariupol, where innocent people, women and children, have been murdered while seeking refuge. I do hope that Putin and his generals and political supporters get lynched when this is all over.

4149. Gloucester Road

The side wall of Bishopston Tiles has been a bit of a honeypot recently with several fabulous stencils by John D’oh, all with an environmental theme, something that the artist obviously cares about deeply. This sensational tiger stencil must have taken forever to cut and prepare. There are at least four layers that I can see, each using a greyscale tone from black to white.

John D'oh, Gloucester Road, Bristol, December 2021
John D’oh, Gloucester Road, Bristol, December 2021

I might be doing the piece a disservice because there was some text accompanying the wall as a whole reading ‘Extinction is forever – endangered doesn’t have to mean extinct’. So a message of hope and a stencil of high quality and extreme beauty from John D’oh. Still more to come from this magnificent spot.

4083. North Street

This old piece by John D’oh has been sitting in my ‘departure lounge’ for several years, and at last I have found the space to publish it. I am going to show my ignorance by not having any idea who the character portrayed in the piece is… a bit of popular culture that has passed me by, and maybe this is why I never posted it when I had prepared it way back.

John D'oh, North Street, Bristol, April 2016
John D’oh, North Street, Bristol, April 2016

Placed on a shopfront that I think has changed since April 2016 when the picture was taken, the text states ‘ life is sometimes just torture. As I said earlier I am not sure what the reference is, but I still like it, and the whole rather run-down scene nonetheless. As you might have spotted, I am going through a bit of a John D’oh purple patch and it has no signs of abating.

4075. Gloucester Road

I said that I would be posting more John D’oh pieces from this wall outside Bishopston’s Tiles on Gloucester Road, and true to my word here is another. This wonderful single-layer stencil is so much more than just a cute cuddling Simpsons piece, it is a nod to the genius of Banksy with a John D’oh twist.

John D'oh, Gloucester Road, Bristol, November 2021
John D’oh, Gloucester Road, Bristol, November 2021

Some of you may recall Banksy’s amazing ‘Mobile Lovers’ which appeared on the door of a boxing club in Bristol. Well, this Homer and Marge embrace is a little pastiche of that piece and brought an instant smile to my face. On this occasion John D’oh is not being political, but his humorous look at popular culture and commentary on social behaviours is alive and kicking. Great piece – even down to the detail of placing it on a door.

Banksy, Bristol Museum, Bristol, May 2014
Banksy, Bristol Museum, Bristol, May 2014

4067. Gloucester Road

Since the first lockdown, my daughter and I have watched quite a few old shows by Bob Ross, and been mesmerised by them. Our viewing is interspersed with comments like ‘how does he do that’ or ‘that is just ridiculous’. As amazing as his landscapes are, they are not really my cup of tea, but watching him create them is truly awe-inspiring. This reference piece by John D’oh is a nice nod to the talent of Bob Ross.

John D'oh, Gloucester Road, Bristol, November 2021
John D’oh, Gloucester Road, Bristol, November 2021

This stencil is one of many by John D’oh adorning the walls of Bishopston Tiles, and if you are in the area, it is well worth stopping by for a few moments to enjoy them. The words are another witty commentary on the disastrous state of deforestation, something that the COP26 climate agreement might at long last be starting to address. Our role in all of this is not to let our Government off the hook, even for a moment, and to continue to campaign hard for systemic policy changes in how we do things in the UK. Plastic bag tax was just a start, but shows what can be done.

This is the first of many posts I’ll be writing about this wall.

4054. Princess Street (4), Burnham-on-Sea

You will be seeing a lot of work by John D’oh on Natural Adventures over the coming weeks, for which I make no apology. I love his stencils and the contemporary commentary accompanying them that give us a sense of time and place, important for chronicling our political and societal landscape.

John D'oh, Princess Street, Burnham-on-Sea, September 2021
John D’oh, Princess Street, Burnham-on-Sea, September 2021

This piece in Burnham-on-Sea was painted a little while back, but seems so very timely, and the message is clear, it is just such a shame that we need reminding. Greta, behind the mask, has been instrumental in galvanising the popular discourse on climate change and I’m sure she will not stop now. If anything the hard work of putting pressure on governments, and holding them to account, begins now.

4048. Princess Street (3), Burnham-on-Sea

Now I know that this classic piece from John D’oh has been here for a while, but as I only recently visited Burnham-on-Sea for the first time, I have not seen it before, but what a fabulous shutter piece it is. Beautifully executed and witty.

John D'oh, Princess Street, Burnham-on-Sea, September 2021
John D’oh, Princess Street, Burnham-on-Sea, September 2021

It is a really cleverly constructed pastiche of the work of Lichtenstein, and comes together as such really well. It takes a lot of skill and courage to carry something like this of, but John D’oh has managed it with his customary class. An excellent piece and really worth seeking out if you find yourself in the area.

It is also worth noting the cheeky little Veee character in the left of the shutter in the feature photograph.