6448. St Werburghs tunnel (451)

Kosc and Humor, St Werburghs, Bristol, October 2024
Kosc and Humor, St Werburghs, Bristol, October 2024

Every now and again, something very special appears on the walls of Bristol, without warning or fanfare, and when you find them they blow your socks off. This collaboration between Bristol artist Kosc and Tunbridge Wells-based artist Humor is one such collaboration.

Kosc, St Werburghs, Bristol, October 2024
Kosc, St Werburghs, Bristol, October 2024

The collaboration, I gather, celebrates the birthday of actor Jenna Ortega, who I must admit is a little bit off my radar, although I faintly recognise her from her Wednesday Addams character, and the 2021 film The Fallout looks like it might be worth watching. She clearly has a large fan base, which I assume would include Kosc and Humor. Kosc has painted a gorgeous piece of graffiti writing which picks up the colours used for the birthday candles.

Humor, St Werburghs, Bristol, October 2024
Humor, St Werburghs, Bristol, October 2024

I haven’t come across Humor’s work before, but this photorealistic portrait of Jenna Ortega is quite stunning, and something we don’t see nearly enough of in Bristol, outside of festivals or commissions.

Humor, St Werburghs, Bristol, October 2024
Humor, St Werburghs, Bristol, October 2024

On the day I originally photographed this collaboration, there was quite a lot of glare on the wall, it can be a difficult wall to photograph, because it gets impacted by shadows and sunlight at all times of the day. I did return on a duller day, and think I got a slightly better picture with less glare (and a few more autumn leaves on the ground). Stunning work, especially when you consider it is a greyscale portrait. I would love to think that this might be the first of many visits to Bristol by Humor, but I won’t be holding my breath.

6418. Brunel Way (295)

Kosc, Brunel Way, Bristol, September 2024
Kosc, Brunel Way, Bristol, September 2024

I am still a little under the weather with Covid this morning, so only short posts today. This is a wonderful piece of chrome graffiti writing from Kosc in a spot that he has painted before, but I don’t usually associate with him.

Kosc, Brunel Way, Bristol, September 2024
Kosc, Brunel Way, Bristol, September 2024

The letters are made up in the style of riveted sheets of metal, a device used by many writers and one that is very effective. Kosc has perfected this style.

6336. M32 roundabout J3 (621)

Saor and Kosc, M32 roundabout, Bristol, August 2024
Saor and Kosc, M32 roundabout, Bristol, August 2024

Oof! what a belter of a collaboration. Sometimes fortune smiles upon you, and on the day I found this outstanding piece, the artists, Saor and Kosc had literally just finished and were packing up their stuff and saying their goodbyes. Just looking at this collaboration, you can see that it oozes class.

Saor, M32 roundabout, Bristol, August 2024
Saor, M32 roundabout, Bristol, August 2024

Saor, to my mind, is the perfect antidote to losing Epok, an artist who no longer paints in Bristol (alas), because his style is similar, crafting pieces of such precision and disguising his letters, SAOR,  perfectly. The colour palette is beautifully thought out and parts of this piece remind me of the work of the great Miro conflated with the Cubist movement. Wonderful stuff.

Kosc, M32 roundabout, Bristol, August 2024
Kosc, M32 roundabout, Bristol, August 2024

Kosc opted for a skull on this occasion, and told me that he finds it easier to paint skulls than fully-fleshed portraits, because the viewer is less familiar with the anatomy of a skull than of a face, which allows for more wiggle room regarding accuracy. Funnily I found that slightly counterintuitive, but maybe that is my naturalist background. Anyhow it is a great piece and such a contrast with Saor’s piece. Chalk and cheese.

6318. M32 roundabout J3 (619)

Kosc, M32 roundabout, Bristol, August 2024
Kosc, M32 roundabout, Bristol, August 2024

It can be a little confusing when one artist writes the name of another artist, but in this case Kosc writing Mudra was unlikely to cause misidentification due to their very different styles. I think that Mudra had been expected to join Kosc and Stivs painting this wall, but he didn’t make it, so Kosc gave him a rather large shout-out.

Kosc, M32 roundabout, Bristol, August 2024
Kosc, M32 roundabout, Bristol, August 2024

Kosc’s writing style is so cleverly done, with a midline through the letters, and shading either side of it, creating an amazing 3D effect, a device used by many graffiti writers, but mastered only by a few. The grey tones create an almost metallic sheen to the letters and the starbursts around the outside add to the shiny effect. A very nice piece of writing from Kosc.

6100. Sparke Evans Park (97)

Kosc, Sparke Evans Park, Bristol, May 2024
Kosc, Sparke Evans Park, Bristol, May 2024

It is too easy to be seduced into expecting outstanding work from Kosc, and what I mean by that is that it isn’t easy to turn out unbelievably great from work every painting session, and it shouldn’t be taken for granted. Kosc works really hard, continuously improves and seems to be reaching another level these days.

Kosc, Sparke Evans Park, Bristol, May 2024
Kosc, Sparke Evans Park, Bristol, May 2024

This piece was painted alongside Stivs (to follow) in a collaboration that shares a colour scheme and combination theme. It would seem that the creative ideas were liberally shared, with Kosc creating some calligraffiti letters in a kind of Gothic font which have turned out really well. The eye though is drawn to the extraordinary portrait replacing the ‘O’ of Kosc. The fine detail and sheer beauty of the portrait is unbelievable, and that it is painted in two shades simply adds to the wonder of the piece. Kosc’s portrait work is magnificent, and this piece showcases it perfectly. We are blessed in Bristol.

5995. M32 roundabout J3 (570)

Kosc, M32 roundabout, Bristol, April 2024
Kosc, M32 roundabout, Bristol, April 2024

I feel that I have almost exhausted superlatives when describing Kosc’s work, and this piece leaves me scratching around for something to say that isn’t already clichéd in some way. How about this: Kosc is a great artist who has painted a fascinating and touching tribute to the American cartoon artist and graffiti-world favourite Vaughn Bode.

Kosc, M32 roundabout, Bristol, April 2024
Kosc, M32 roundabout, Bristol, April 2024

The writing alone is worthy of praise, but it is the Cheech Wizard and Lizard characters that augment the letters so well and bring the whole piece alive and straight into the crazy world of Vaughn Bode. Kosc is on a roll and just seems to get better and better, and this is a truly masterful piece.

5983. Frome Side (31)

Kosc, Frome Side, Bristol, April 2024
Kosc, Frome Side, Bristol, April 2024

Some outstanding writing from Kosc underneath the M32, which amply demonstrates his versatility and comfort with both graffiti writing and photorealistic characters and scenes. This particular stretch of wall is up a bank, and all photographs, unless photographed from the opposite back, are prone to slight distortion due to looking upwards at the piece.

Kosc, Frome Side, Bristol, April 2024
Kosc, Frome Side, Bristol, April 2024

The colour selection reminds me of a packet of boiled sweets that you might take with you on a long car journey – I can see lots of flavours there. Kosc has incorporated one of his trademark features in the writing that gives it an industrial feel, which is the inclusion of ‘rivets’ holding the ‘sheets’ of writing in place. Great stuff from a brilliant artist.

5934. Dean Lane skate park (702)

Kosc, Dean Lane, Bristol, March 2024
Kosc, Dean Lane, Bristol, March 2024

Bursting onto the walls in Dean Lane was this stunning and vibrant piece of writing from Kosc. Kosc is an artist who appears to be equally at home with writing or character/scenic pieces, and only a few posts ago I shared an amazing Samurai mask that he painted as part of an NTS Crew collaboration. He is a master of his styles and designs.

Kosc, Dean Lane, Bristol, March 2024
Kosc, Dean Lane, Bristol, March 2024

This piece cries out to be seen, with its bright colours and busy letters spelling KOSC. As I look at it now, I wonder to myself whether he ran out of the orange colour for the ‘O’, or whether the letter is deliberately more yellow to create a focal point to look at. I guess I will only find out by asking him in due course. A great find, that didn’t last too long, if my memory serves me right.

5932. M32 Spot (184)

Saor, Kosc and Mudra, M32 Spot, Bristol, March 2024
Saor, Kosc and Mudra, M32 Spot, Bristol, March 2024

Although this outstanding collaboration from Saor, Kosc and Mudra was painted a few weeks ago, it has taken me quite a long while to get round to posting it, which is largely down to the sheer volume of new art appearing on the walls of Bristol at the moment. I would say that this winter, in spite of the appalling weather, has been one of the busiest I have know for street/graffiti art and my archives are bulging.

Saor, M32 Spot, Bristol, March 2024
Saor, M32 Spot, Bristol, March 2024

Saor has made a few visits to Bristol lately, and has smashed each piece out of the park, and this is another in a succession of unbelievable artworks. In line with the overall collaboration colours, Saor has disguised his SAOR letters in an outstanding geometric design. What I love about Saor’s work is the blended of borders, which means that all of his lines have to be ultra crisp and sharp, which, of course, he excels at.

Kosc, M32 Spot, Bristol, March 2024
Kosc, M32 Spot, Bristol, March 2024

In the middle of the triptych is a brilliant samurai portrait piece from Kosc, unfortunately a little obscured by the street sign. There is a lot of precision in the detail of the mask and Kosc has achieved incredible depth and texture in the piece. Kosc is an artist who appears to be at the top of his game these days and is producing some outstanding work.

Mudra, M32 Spot, Bristol, March 2024
Mudra, M32 Spot, Bristol, March 2024

Rounding off the collaboration is this unusual piece of pixelated writing from Mudra, which seems to be playing with the letters ‘.CON’ (dot con). The skull in the middle of the letters, is a little strange, in fact I find the whole piece odd, and a bit out of kilter with the rest of the collaboration. There might be a story about the piece that I don’t know about which might explain it. Altogether though this is yet another amazing collaboration from the NTS crew.

5860. M32 roundabout J3 (557)

 

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

Oh my! This is Kosc at his very best, and even by his high standards, he has excelled himself. It is obvious that Kosc works very hard to develop his skills and looks to improve from piece to piece, stretching his repertoire and pushing boundaries. When you strive and work hard, you get your returns and this feels like a landmark piece to me.

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

From the background I would guess that this is an oriental scene and portrait, featuring a beautiful woman with flowers in her hair. The greyscale portrait has a softness of touch about it, accentuated by the solid chunky letters either side. I am not too sure why the ‘C’ melts away, but there must be a reason behind it.

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

To me, what absolutely makes the piece perfect, is the stunning landscape setting featuring mountains and trees and old buildings, painted in subtle shades of blue. Whether it is deliberate or not, the spilt paint on the ground draws the piece out towards the viewer and adds to the overall impression.  Brilliant work from an artist at the top of his game.