I cannot really find the words to express just how good an artist Kosc is. His work seems to get better and better and as he progresses, he keeps raising the bar. Here we have an artist who seems to be at ease with his chosen materials and who creates outstanding work, but continues to push his boundaries.
Kosc, Picton Lane, Bristol, April 2022
This amazing piece in Picton Lane has a hint of the Sistine Chapel about it with two outstretched hands making finger contact set against a green leafy backdrop, including shadows cast against it. Kosc enjoys his anatomical pieces and appears to study the shape and form of bodies.
Kosc, Picton Lane, Bristol, April 2022
This piece feels like a study, and something that would sit comfortably in an artist’s studio, and is simply amazing to see in its location. Difficult to photograph without a wide-angle lens, but I think you can get a sense of it, and quite weird to think that there is door behind this. A supreme work from Kosc.
Although this masterpiece has been around for a little while, I have only recently photographed it. What an absolute stunner, it is amazing what Kosc is doing these days and I really feel that he has raised his game massively into the top half of the top division, and all this has happened over just a few years.
Kosc, Picton Lane, Bristol, April 2022
His pieces pretty much always stand out and completely command attention. How can you not look at something like this and not say ‘wow’ (or some other more contemporary exclamation). The crispness of the writing, repetition of background patterning, bright orange ribbon and sharp portrait are all elements that brought together have a huge impact.
Kosc, Picton Lane, Bristol, April 2022
I think that this ranks as my favourite piece by Kosc so far. There is something quite cheeky and up-front about it. Confident and assured, this is an absolute jewel that deserves accolades from all who take an interest in street art. Bravo Kosc!
There seem to be an extraordinarily large number of roadworks happening around the city at the moment (I put it down to council year-end spending), and my journeys to street art spots are being somewhat disrupted. Mostly this is an irritation, but in this instance I was diverted down a road I rarely drive along, and my prize was finding this magnificent Kosc piece that I have known about for a while, but just wasn’t too sure where it was.
Kosc, Brigstocke Road, Bristol, March 2022
Kosc has been knocking it out of the park lately with his distinctive black and white portraits set on a vibrant scarlet-orange background. This is a fabulous portrait of Lady G, Angela Frances, about whom I know precious little and am unable to find anything on the Interweb. The BS2 refers to the Bristol post code that covers much of the St Paul’s area, including Brigstocke Road.
Kosc, Brigstocke Road, Bristol, March 2022
Finding pieces like this, that are off the beaten track, is one of the most rewarding things about photographing and cataloguing street art, and this left a very large smile on my face.
Wowzer, a throwback word I rarely use, this is an absolute stunner from a pair of artists I wouldn’t have imagined working together, but as it happens the resulting collaboration is fabulous. The piece by Mudra and Kosc is a wonderful fusion of styles that is symmetrical and pleasing to the eye.
Mudra and Kosc, St Werburghs, Bristol, February 2022
Set on a black background, which immediately gets things going in the right direction, the colourful writing and monochrome character complement each other very well. The letters spelling out MUDRA are by Mudra include a little character bird, adding a special touch to the letters.
Kosc, St Werburghs, Bristol, February 2022
The central character is another banger from Kosc, whose work is simply getting better and better. It is quite a disturbing portrait of a young woman with a section of her face, her left side, exposing her skull and teeth beneath. Exquisite work from Kosc, and a really nice and unusual collaboration from this pair. I sincerely hope it is the start of something rather than a one-off.
This outstanding Frankenstein’s monster piece is definitely a Halloween contribution from Kosc, an artist on fire at the moment. Look at how the piece stands out and demands to be looked at against the dreary backdrop of hoardings and buffed wall outside the Blue Mountain.
Kosc, Stokes Croft, Bristol, October 2021
This series of greyscale pieces set on an orange background is becoming a bit of a strong theme in Kosc’s portfolio, and a thoroughly enjoyable one at that. There is great use of tone in this piece, providing depth and facial contours that lift the features on the monster’s face so well.
Kosc, Stokes Croft, Bristol, October 2021
I first came across this artist’s work in Moon Street, which runs parallel with Stokes Croft at the back of Blue Mountain, and it would seem that this is a spot favoured by Kosc. This is good news indeed, because few artists seem to bother with the area these days, compared to a few years ago. Great stuff, and enjoy a spooky evening.
Kosc really is an extraordinary talent, especially as, under a different name, he is a graffiti writer with an utterly different style. Pieces like this are serious business for Kosc who is fine-tuning his skills for these photorealistic portraits and writing.
Kosc, Picton Lane, Bristol, August 2021
Picton Lane is a wonderful Bristol backstreet in Montpelier that plays host to some classic pieces, of which this is one. I remember seeing it as a work in progress a long time ago, but didn’t get back until quite recently to enjoy it as a finished piece. I am full of admiration for the piece. It is so good, and I am not sure that I would be doing it justice by waffling on like I usually do, and I am doing right now.
Kosc, Picton Lane, Bristol, August 2021
Kosc has reached a new level this year, and it is difficult to know how much higher he can take it. I wonder whether he should do a street art festival circuit to get better known outside Bristol, but that takes a lot of commitment. This black and white face is just awesome.
Kosc, Picton Lane, Bristol, August 2021
The tiniest tinge of colour is provided by the magpie’s tail, but it is enough to lift the whole piece just that little bit more. It is Kosc’s attention to detail that makes this piece sing. An absolute beauty.
Back in February 2020 I published a post for Thursday doors that featured the Charley Box in Montpelier. Kosc has gone one step further and produced this extraordinary piece on the side of the Charley Box depicting a miscreant who would have been caught while up to no good by the local nightwatchman and locked up in the little jail for the night to cool down.
Kosc, Picton Mews, Bristol, August 2021
Kosc has been producing some of the best portrait pieces in Bristol lately, with his greyscale faces and bright, vibrant backgrounds. In this piece, Kosc is playing with us duplicating the face of the character in a double exposure manner that we used to see a lot of in the days when we used little Kodak Instamatics to take pictures of our families or pets. He has also created a scene so totally relevant for the place and is helping to bring local history to life. An outstanding artwork.
I ran past this piece from Kosc this morning, and in a curious way I felt rather proud that I live in a city where public art is embraced, albeit sometimes reluctantly embraced. When the artwork is as good as this, then surely a painted hoarding is better than a bare/tagged piece of construction infrastructure.
Kosc, Gloucester Road, Bristol, July 2021
The most obvious thing about the piece is the striking contrast between the scarlet background and the grey-scale character and writing. The background is more than a simple backwash, it has been overprinted with a roller with the letters KOSC on it, giving a texture to the background.
The character and writing are absolutely exceptional. The lady in the photograph? Well it seems that she was selected by Kosc from a gallery of pictures on Instagram by @pit_lad, who was more than happy to have it used for this outstanding piece. Kosc is going from strength to strength.
There is little more I can say about this piece other than it is utterly outstanding. Of course, I can’t leave it like that, so I’ll give you a bit more background. I am guessing it is a commission, because it is on a business wall, but what a commission. The artists are Smak, Sled One and Kosc, and they have smashed this wall out of sight. The only downside is that it is an absolute beast to photograph on account of being in a narrow lane and on a curved wall.
Kosc, Picton Lane, Bristol, January 2021
From left to right the artists are Kosc, Smak (SM), Sled One and Smak (AK) and they have used a wonderful combination of black red and grey colours. Decay of old would be in his element. Kosc has painted an amazing photorealistic portrait with a bit of a glitch in it and has spelled out his name. This is simply magnificent. On its own this one third of the piece would be worth the trip.
Kosc, Smak and Sled One, Picton Lane, Bristol, January 2021
Smak, Picton Lane, Bristol, January 2021
Smak has spread his letters either side of the Sled One piece with the SM sandwiched between Kosc and Sled, with the AK rounding off the piece on the right-hand side. As you would expect from Smak, the letters are flawless and the design simply brilliant.
Sled One, Picton Lane, Bristol, January 2021
Taking up centre stage in this three-way collaboration is a celebration of the wolf from Little Red Riding Hood. Sled One is the king of crazy creativity, and here the wolf is chewing on a spray can, which is squirting paint on one of two ladybirds in the piece. Look closely at the picnic basket, and you might just see a hint that the wolf hasn’t gobbled our heroine up but has instead squished her into the basket.
This is a glorious collaboration from three of Bristol’s best street artists. get yourslf down there.
Sled One and Smak, Picton Lane, Bristol, January 2021
Kosc is and artist whose black and white portraits are in complete contrast with his other street art work that goes under a different name. He keeps these personas separate and I respect that and will do the same. This is the fourth archway piece that I have posted from this amazing street gallery in John Street. If you live in Bristol, it really is worth seeking out.
Kosc, John Street, Bristol, September 2020
The portrait (thank you Paul) is of an Australian gangster called De Gracy who was picked up by police in Sydney and his mugshot photograph taken, alongside another gangster called Edward Dalton. I guess Kosc chose this portrait because it works well with light and dark shades and shows off his skills. This is a striking addition to the Archways in John Street.
Natural adventures 