LRS – Page 2 – Natural adventures

6444. River Avon (66)

Werm, River Avon, Bristol, September 2024

Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.

The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.

6298. Cumberland Basin

Werm, Cumberland Basin, Bristol, August 2024

I like the way that Werm is constantly trying to find new ways to present his letters, and explores different looks, while retaining his essential style. This piece takes him into the realms of bilateral symmetry of his letters WERM, which works surprisingly well.

The letter colours contrast strongly with the green background, helping the piece to stand out… it will not be ignored. There is something quite mesmerising about the symmetry, and I like the direction this idea is taking. The left-hand side is stretched a little bit, knocking the symmetry out a fraction, but this is all something that Werm can work on and improve. Great new innovation from Werm.

6071. M32 Spot (185)

Zaenone and The Mole, M32 Spot, Bristol, May 2024

For most people, coming across a street/graffiti artist while they are actually painting is probably something of a rarity. Because I am out most days in all the most popular spots, it is quite unusual not to meet someone while they are painting, and on this day I happened upon Zaenone and The Mole as they were working on this collaboration.

I had not met Zaenone before, although we have exchanged a few words on social media before. He was fairly quiet when I met him, and I mostly spoke with The Mole. This is a classic piece from Zaenone, typically bookended with characters and the letters ZAEN sandwiched in the middle. The combination has a psychedelic buzz going on, with the hippy characters and the multicoloured fills, topped off with peace symbols.

The Mole has written INCA and included his familiar mole character on the right of the piece, beautifully filled I might add. I asked him where the inspiration for the word Inca came from, and it is completely as you might expect, he has an interest in the Incas. The Mole character was created and developed during the first lockdown (if I remember correctly). As ever it is always great to welcome these LRS lads back to Bristol for a paint.

5948. Sparke Evans Park (93)

Decay, Sparke Evans Park, Bristol, March 2024

This is just brilliant, a new piece from Decay. A while back, Decay was a regular painter on Bristol’s streets, often teaming up with Rezwonk, but then he moved away, and his pieces pretty much dried up except for the odd appearance at a festival or occasional paint jam. I understand that there is a chance that he might be hitting Bristol’s walls a little more often, due to his business settling down a little and having a bit more available time.

Decay holds a special place in my journey as a recorder of street art because he was the first artist I ever spoke to while he was painting a piece down in The Bearpit. I am so pleased to see that he has lost none of his creativiy and skill and has produced this beautiful DK incorporating, of course, his Chuck character. I cannot tell you how pleased I was to find this piece, and I am greatly encouraged by his little message at the bottom of the piece, “Back in the Room”. Bravo!

A reminder of his work here in this gallery.

5896. Greenbank (111)

Over the last few months Werm has calmed his pieces a little, from the highly complex and technically brilliant pieces into something slightly easier on the eye, and this piece, for me, represents a mature approach from an artist who doesn’t need to impress any more, but rather, can concentrate on creating a thing of beauty.

The colour palette for this piece seems to work really well, and Werm has blended the fill colours expertly. The orange border and accompaniments augment the writing perfectly, the test of which is to imagine the piece without that splash of colour, rendering it greatly diminished. I like and welcome this new direction from Werm, and greatly admire this piece.

5825. St Werburghs tunnel (406)

Werm and 3F Fino, St Werburghs, Bristol, January 2024

What a nice surprise it was to find this collaboration from Werm and 3F Fino, who I thought may have left Bristol (which he might have done), given the almost total drop-off in his work in the city. It felt coincidental, too, that I found this piece only a day or two after publishing a gallery of 3F Fino’s work.

Werm, St Werburghs, Bristol, January 2024

To the left, Werm has worked a wonderful piece of writing painted using a fabulous colour palette of purple shades and gold. This sumptuous colour scheme creates an interesting effect, where the letters, counterintuitively, are a little more disguised than you might expect. The gold colour, although contrasting with the purple colours, doesn’t ‘pop’ the piece as much as you might expect, instead it has a rather more subtle impact.

3F Fino, St Werburghs, Bristol, January 2024

To the right, a character that 3F Fino has painted many times, is holding up letters that are painted in the same colour scheme used by his neighbour. The letter fills are very nicely painted and go a long way to obscuring the letters themselves. I would like to think the letters spell FINO, but can’t be certain, and have a feeling that the fills might also spell something out. Altogether, this is a very nice collaboration from the LRS pair.

5812. M32 roundabout J3 (549)

Werm, M32 roundabout, Bristol, January 2024

Having not seen Werm for an eternity, it was really nice to bump into him while he was painting this piece. What made the encounter stranger still was that we had been communicating the day before about a RichT piece that I had posted. Sometimes it is difficult not to believe in coincidence, although I know there is a whole ton of evidence to dismiss it.

Werm is trying out something a little different in this piece, and has definitely edged away from his ultra-complex wildstyle pieces of the last year or two. The notable thing about this piece is the gently pastel colours softly transitioning across all of the letters in a seemingly random sequence. The strong 3D shadow, green border and trimmings and the black buffed wall help the piece to stand out nicely. A good start to the New Year from Werm.

5784. Dean Lane skate park (682)

This sumptuous red and gold piece of graffiti writing is one half of a collaboration with Noise, which I posted a few days ago. The pieces were painted as a contribution to the World Wall Stylers theme for December. On reflection I perhaps should have posted the pieces together, but firstly I couldn’t capture both pieces in one photograph and secondly felt they both deserved to have a post of their own.

I met Werm a week or so back for the first time in a while and it was great to catch up. I like this piece a lot. Werm has started to simplify his work a little, and in my view that is a good thing, concentrating on the impact of the piece rather than its technical complexity. Sometimes less is more, and definitely it works in this instance. The colours go a long way to enhancing the quality of this one. Great stuff from Werm.

3F Fino

A gallery of character pieces and graffiti writing from 3F Fino or simply Fino

Instagram: @f1no_lrs

Crew: LRS

all photographs by Scooj

3F fino, St Werburghs, Bristol, January 2023

3F Fino, Greenbank, Bristol, October 2022

Werm and 3F Fino, Chatterton Square, Bristol

Full Time Ghoul and 3F fino, Dean Lane, Bristol, May 2022

3F fino, M32 Cycle path, Bristol, February 2022

3F fino, M32 Spot, Bristol, January 2022

3F fino, M32 Cycle path, Bristol, January 2022

3F fino and Werm (Eman), Cumberland Basin, Bristol, December 2021

3F Fino, Dean Lane, Bristol, November 2021

3F Fino, Cumberland Basin, Bristol, July 2021

3F Fino, Leonard Lane, Bristol, May 2021

3F Fino, M32 cycle path, Bristol, January 2021

3F Fino, M32 Spot, Bristol, December 2020

Rosalita and 3F Fino, M32 cycle path, Bristol, November 2020

3F Fino, Cumberland Basin, Bristol, October 2020

5776. Mina Road (23)

One of the nice things about pausing and going back through archives is that it gives me a chance to post those pieces I had always intended to, but never quite got round to doing. This fun spray can character piece by 3F Fino is one of those.

This piece in Mina road spent much of its time being obscured by all sorts of shop paraphernalia and rarely saw the light of day, however, I got lucky and managed to capture it when it was partially exposed. The character, with a nozzle for a head, is standing in a pile of what look like banana caps. I felt, that this was a piece that demonstrated 3F Fino’s development really well, and he did a great job on the fabric shadows and textures, and the same with the shapes and orientations of the caps. A really good piece from the artist, who appears to have stopped painting in Bristol (although I saw a piece by him last week). Time for a gallery? I think so.

	scooj on Revel Puck Circus
	M. on Revel Puck Circus
	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…

	scooj on Revel Puck Circus
	M. on Revel Puck Circus
	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…

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