Tucked away in this little lane in Montpelier is this nice work by Jee See. Here he combines his ‘seismic’ writing with his stencil favourite of a military style girl, both of which can be found separately in Bristol.
Jee See, Picton Lane, Bristol, September 2016
The colours of this piece are what really make it stand out from the other graffiti in the area. Jee See is an artist with a different and interesting style and is starting to make his mark in this incredible city.
One of the things I love about Bristol is the tight street art community that exists here, it feels like something really significant and special. I guess all cities with well developed graffiti scenes feel the same. It is really nice though when visitors come and spray the streets and bring something different with them.
RUN, Picton Lane, Bristol, April 2016
This is an established piece in Picton Lane by RUN with some additions by Rowdy (who kind of owns this lane).RUN, you might remember is responsible for this wonderful piece in London, and I believe he has been busy in Camden just recently. Here we have a colourful celebration of love and friendship, expressed on the slightly unlikely front and doors of a small local garage.
RUN, Picton Lane, Bristol, April 2016
Men kissing might be the subject of scorn or defacing, but not here. Bristol is a tolerant and progressive city and this subject matter barely turns heads, which (apart from the masterful artwork) is how it should be.
RUN, Picton Lane, Bristol, April 2016
I love the sharp lines and colours of RUN’s work. You might spot a Rowdy crocodile sitting on what looks like a London cab on one of the panels too. A fun piece from RUN – you’re welcome to return anytime.
More from the wonderful Rowdy in this Montpelier hotspot for street art. This mural is called ‘Lilo’. I am not too sure what it depicts, but it may have a ‘fat cat’ reference there. Who knows? I’d better find Rowdy and ask him.
Rowdy is best known for his pictures of crocodiles with large triangular teeth (see the trousers?). He is a Bristol artist whose work is very well known locally, but he has painted throughout the country and internationally. He has been spraying for a long time and is well established on the Bristol scene. He has a playful mischief in his work.
Rowdy, Picton Lane, Bristol, November 2015
This mural is called ‘Boxing Fox’ and is sprayed on a garage door, only a few yards away from his collaboration with Mau Mau, and another of his pictures called ‘Lilo’ which I will post soon. A Rowdy hot-spot.
Rowdy, Picton Lane, Bristol, November 2015
As with a great many of the Bristol artists, there is a respectful nod to Mibsy and to Robbo (King Robbo, a street artist and ‘competitor’ of Banksy’s, who died in August 2014 aged 45).
Rich pickings indeed from Picton Lane. This is the first solo 3Dom wall that I have featured in my posts, and a bit of a curious one to start with. Entitled the Dream Machine Tardis, it is typical of his use of vibrant colours and surreal imagery. I don’t know what it is about, but is is pleasing to my eye.
3Dom, Picton Lane, Bristol, November 2015
It is well worth reading this brilliant interview with the Bristol-based street artist and finding out why he goes under the name Mike 22 for his indoor gallery work. I am looking forward to posting more of his work.
My lunchtime stroll today took me to Montpelier, the heart of alternative Bohemian Bristol. Although I live nearby, I don’t know the area well, so I was in for a treat. I veered off the main roads into the back streets, and found walls festooned with murals, mostly by very local artists.
Mau Mau and Rowdy, Picton Lane, Bristol, November 2015
I came across this political piece, which speaks volumes about the severe cuts which are destroying public services. It is a collaboration between Rowdy and Mau Mau. Rowdy is known as one of the longest-standing graffiti artists in the UK, and paints a lot of crocodiles and jagged teeth. Mau Mau’s trademark is a fox, which features in most of his works.
Mau Mau and Rowdy, Picton Lane, Bristol, November 2015
This was, as far as I can make out, painted on 27 October 2015; so really recent. I am pleased to have seen it so soon after completion.