Once you get your eye in with a particular artist, you start to see their work scattered all over the place, as well as digging their stuff out of the archives. Nice One has been painting some great stuff around Bristol in recent months, and I am trying to catch up a little with their work.
Nice One, Brunel Way, Bristol, July 2024
This column piece under Brunel Way is a fabulous portrait, modestly placed out of the way by the DIY skate park. The pastel shades are difficult to photograph especially in the dappled light, but I think these pictures give some idea of just how good and different this sketch-like piece is. I am very much looking forward to Nice One becoming a regular contributor to Natural Adventures.
Bristol’s smallest street art festival in Muriel Alleyway was a joyous occasion where some twenty or so artists gathered together to decorate a row of garage doors and garden back doors, bathed in glorious sunshine. This was Billy’s contribution to the event, and completely in keeping with the positive energy generated during the day.
Billy, Muriel Alleyway, Bristol, August 2024
I think that Billy had to paint some of this over an extended period, because she and Merny were swapping parenting duties while attempting to complete their respective works. This is pure Billy, with here naïve style front and centre in the form of a portrait of a girl. Painted in bright and happy colours, this is a great example of her uplifting work.
Over the past few months some rather nice script writing has appeared all over Bristol, with the words ‘Nice One’. I had nothing more to go on about the artist, until now, when a signed portrait by the artist appeared in Dean Lane recently. Unfortunately the identity of the artist remains a mystery, and until I know more I will refer to them as Nice One.
Nice One, Dean Lane, Bristol, August 2024
This is a fantastic portrait piece painted in a ‘brush-stroke’ style, as if it were a charcoal sketch in a black book. The proportions and perspectives are superb, the work of a trained artist I would guess. I love the expression on the character’s face. The bold ‘e’ in the signature is something I’ll be looking out for. More to come from this Natural Adventures debutant soon.
This was a bit of a red-letter day… not only was it gorgeous weather, but I got to meet Mind 49 for the first time, having been following his work for a number of years. He was painting alongside the Bristol Mural Collective at Bristol’s smallest street art festival at the end of July.
Mind 49, Muriel Alleyway, Bristol, July, 2024
This is the first shutter piece that I have seen Mind 49 paint, and although the portrait is magnificent, I’m not convinced that the uneven surface lends itself well to his style, or at least in a narrow lane, where you can’t stand back to get the overall impression of the piece.
Mind 49, Muriel Alleyway, Bristol, August, 2024
This is one of the first times that I have seen a full face portrait piece by Mind 49, as he usually likes to paint heads from all sorts of different angles, or with obstacles hiding parts of the face, creating a sense of mystery. A very nice piece indeed from a lovely artist.
Stivs is something of an enigma, you never really know quite what you are going to see from him next. He is both an accomplished portrait and scene artist, as well as an exceptional calligraffiti writer. In this piece, he has created a wonderful cartoon book style portrait.
Stivs, M32 roundabout, Bristol, August 2024
I took this photograph on my second trip to the wall, because the sun wasn’t quite right on my first visit. Unfortunately, by the time I returned, YSAE and Solar (one of them) had tagged it. At least they were respectful enough not to go over the portrait itself. The piece is called (I presume) ‘moody boys start wars’.
Stivs, M32 roundabout, Bristol, August 2024
The artwork itself is exceptional, and it is one of the best renditions of comic-book style artistry I have seen, and at scale too. I have included a photograph I took on my first visit, which has no tags, but bright vertical strips of light where the sun has caught the wall and corresponding shadows. Phenomenal stuff from Stivs.
This amazing portrait piece by Pekoe is simply perfect. It appeared shortly after the far right riots that flared up recently in the wake of the stabbing of three girls in Southport. I won’t share my thoughts on the riots here, but I suspect that my feelings are consistent with the vast majority.
Pekoe, M32 Cycle path, Bristol, August 2024
Pekoe has her own way of answering back at the far right thugs, by hitting them where it hurts, their ego, with a speech bubble that puts down fascism in a single blow, “hot girls hate fascists”. The words alone are enough, but she accompanies it with one of her fabulous portraits. The right piece in the right place at the right time. Bravo Pekoe.
I am quite fortunate that my job takes me around the country from time to time, and I get to visit different cities. Of course, while I am passing by, I never pass up the opportunity to stroll about the place and take a few photographs. I have visited Leicester twice recently. Once before the Bring the Paint 2024 festival, and once afterwards. These pictures were taken afterwards, so the pieces are recent – unlike many pictures that I take as a visitor, which are often of old pieces. This is a fabulous collaboration from Philth and N4T4, who have teamed up at Upfest on several occasions.
Philth, High Street, Leicester, July 2024
Philth is known for his large floral repeating pattern pieces, which remind me so much of my childhood in the 1970s and the rebirth of elaborate wallpaper, mimicking our Victorian predecessors. This piece, in sumptuous colours is absolutely stunning and would look amazing if scaled up onto a larger wall, revealing more of the repetition.
N4T4, Leicester, High Street, July 2024
This gorgeous portrait is by N4T4, who, like Philth, is no stranger to Natural Adventures. There are actually two musicians featured in the piece, Gladys Knight (spelling?) and Jon1st, both painted with N4T4’s unusual patterning style that underpins and adds vibrancy to his work. A special and beautiful collaboration on the High Street for shoppers and visitors to enjoy.
Epod 3000, Cheltenham Paint Festival 2024, Dunalley Street, Cheltenham, July 2024
Good morning and welcome to another brand-new week. What better way to kick off than with the third trio of pieces photographed at this year’s Cheltenham Paint Festival? One of the notable things about the festival, which I am sure I will return to at some point, is that Andy ‘Dice’ Davies and his organising team are constantly finding new walls to decorate, meaning that existing murals get to stay where they are, constantly growing the outdoor gallery, which becomes an increasing draw for visitors and inward investment. If only the festival was able to gain more confidence from funders, which I know was a real struggle this year.
Epod 3000, Cheltenham Paint Festival 2024, Dunalley Street, Cheltenham, July 2024
Fresh from his appearance at Upfest in Bristol, Epod, who is firmly on the festival circuit, produced this beauty on the side of the Holiday Inn Express, enhancing the visual value of the building tenfold at least. A stunning portrait of a beautiful woman with a sound system in her hair… and why not?
Fark, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
Next up is this very neat and tidy piece from Fark, who has become a CPF favourite and who managed to wheatpaste up his name pretty much everywhere I went in the town. A view, a rainbow and a bird – you cannot go wrong.
Wolfskulljack, Cheltenham Paint Festival 2024, Two Pigs, Cheltenham, July 2024
Finally, another favourite at the CPF is Wolfskulljack whose Gothic-style Posca pen sketches are utterly captivating and technically brilliant. Her study of animals and their form is a joy to behold, and there is always a sense of menace or threat about her work.
I’ll be posting more from Cheltenham in due course.
Roo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
So this is the second of the first three posts from the Cheltenham Paint Festival 2024. I have had to pull together three pieces in each post, simply so that I can fit them in with my regular posts of Bristol street art. Things have never been so busy, and at the end of each month I still have dozens of unposted pieces, because there is so much great art being produced out there. I can’t get close to posting it all.
Roo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
It was a pleasure to watch as Roo finished off this wonderful piece, and catch up with her in the Two Pigs where she was selling her merch. This is a great piece that tells a fun story of a frog and a ‘no swimming’ sign. I think it might just be one of my favourite Roo piece ever.
Apparan, Cheltenham Paint Festival 2024, East car park, Cheltenham, July 2024
In the car park is this outstanding portrait piece by Apparan, who is not a stranger to Natural Adventures, having posted an Upfest piece and one from Stratford in London in the past.
The portrait is beautifully accompanied with a flower and a beguiling background, which certainly brightens up an otherwise ordinary concrete car park wall.
Codo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
Rounding off this small selection of three pieces from the CPF is this excellent piece by Codo, who I met at last year’s festival and who was very kind to me, giving me some caps and paint. His intricate doodle work is superb, and brings out the best in the central character which is a large version of the smaller background symbols and characters. Some very nice pieces from Cheltenham. Three more to come tomorrow.
I met Hardie while he was painting at Upfest, and what a friendly fellow he is. Although I think I have only ever posted one or two of his pieces on Natural Adventures, he seemed to know who I was and was familiar with my blog, which was most encouraging.
Hardie, Purdown, Bristol, July 2024
The Bristol-based artist doesn’t tend to paint the streets all that often the odd shutter or wall here or there but rarely in the popular hotspots, so it was a super surprise to find two of his pieces side by side in the wartime gun emplacement. His characteristic character portraits are made up of a patchwork of crosshatches, creating a really interesting effect. As you can see from these two pieces, Hardie uses a stencil to create his faces, and it also demonstrates how using different colours can create a different look from essentially the same template. What a pleasure to come across these rarities.
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