6080. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, May 2024
Mind 49, Cumberland Basin, Bristol, May 2024

There is an artist in Bristol whose steady progress over the last year or two has elevated him to a high status, and deservedly so. Mind 49 has been painting from an early age, and his development has been a joy to witness, and now he is turning out outstanding pieces on a regular basis. He seems to have found his style and his work reflects a greater confidence.

Mind 49, Cumberland Basin, Bristol, May 2024
Mind 49, Cumberland Basin, Bristol, May 2024

This is one of a few recent pieces that showcase Mind 49’s portrait style, in which he practically always obscures part or most of the face either by its orientation or the use of clothing or accessories, like these sunglasses. Because of this his portraits feel more grounded, and less posed than some portrait pieces that we see. Brilliant zip by the way. This one is so much better in ‘the flesh’ because my photographs are a little washed out, which can happen on this wall in the afternoon/early evening light. Keep watching this space for a whole lot more from Mind 49.

6074. Upfest 2024 (11)

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

Liam Bononi is right up there with some of the best street artists in the country and beyond, and it is a great privilege that he has returned to Bristol and Upfest with this outstanding portrait piece in Lime Road. I got a little lucky with these pictures, because there is usually a car parked in the bay, partially obscuring this wall.

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

The portrait piece is different from work I have seen before by the artist, in that usually he distorts the image in some way through ‘cracks’ or obscured features and so on, but here he appears to have gone with a straightforward portrait. His photorealistic work is outstanding and manages to convey more than simply an accurate portrayal by capturing both emotion and movement in the subject.

Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024
Liam Bononi, Lime Road, Upfest 24, Bristol, May 2024

There is one nod to obscurity in this piece in the form of the golden violin bow, which is lacking in any detail. I am not too sure what to read into this deliberate mechanism, and may have to do a little research. One of the highlights of Upfest this year.

6058. Upfest 2024 (7)

The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass, North Street Green, Upfest 24, Bristol, May 2024

The Hass is an exceptional street artist whose talents never cease to amaze me, and he has knocked it out of the park with this extraordinary piece for Upfest this year. The long wall is at the back of the brick building on North Street Green, and I believe that this is the first year it has been ‘commandeered’ for the festival.

The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass, North Street Green, Upfest 24, Bristol, May 2024

I think I got lucky with the gorgeous weather on the day I photographed this piece, because the colours of the grass and sky are reflected in the artwork. The whole piece is a mash-up of stunning portraits and a peacock and peacock feathers.

The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass, North Street Green, Upfest 24, Bristol, May 2024

The Hass has made a clever play with the eye patterns on the feathers and the eyes in the portraits, quite deliberately I’m sure. Not only does the piece blend perfectly with some abstract shapes and patterns, but there is also some incredible detail throughout the work. It is unbelievable that the whole thing is painted using spray cans. Outstanding work.

The Hass, North Street Green, Upfest 24, Bristol, May 2024
The Hass, North Street Green, Upfest 24, Bristol, May 2024

6047. Hepburn Road (23)

Zake, Hepburn Road, Bristol, May 2024
Zake, Hepburn Road, Bristol, May 2024

This curious portrait piece from Zake is part of a PWA collaboration, but because of parked cars in Hepburn Road (formerly known as crack alley), I was unable to capture the whole collaboration. That kind of thing happens sometimes.

Zake, Hepburn Road, Bristol, May 2024
Zake, Hepburn Road, Bristol, May 2024

As I have said in previous posts, Zake seems to be pushing his boundaries all the time with his portraits, and although they all retain his clever use of light and shade to create depth, the characters and their expressions are constantly evolving. This rather dapper and shady fellow looks perfect for this dark narrow alleyway.

 

 

6044. Upfest 2024 (3)

Abraham.O, North Street, Upfest 24, Bristol, May 2024
Abraham.O, North Street, Upfest 24, Bristol, May 2024

Wow! This is an utterly awesome portrait piece from El Salvadorian artist Abraham.O who is now based in London. He is well-known for his greyscale portrait pieces, and this is what I would describe as ‘high-end’ street art, the kind of thing that makes you gasp in amazement.

Abraham.O, North Street, Upfest 24, Bristol, May 2024
Abraham.O, North Street, Upfest 24, Bristol, May 2024

I understand the piece is a portrait of his wife, and what a wonderful way to demonstrate your love and affection. In photographing street art every day, one gets used to ‘street furniture’ getting in the way f things, and the gate across the right-hand edge of this one is annoying, but no more than that, as the piece stands out irrespective. The flower petals with the faintest hint of blue is a wonderful touch.

Abraham.O, North Street, Upfest 24, Bristol, May 2024
Abraham.O, North Street, Upfest 24, Bristol, May 2024

Abraham.O, Dean Lane, Upfest 24, Bristol, May 2024
Abraham.O, Dean Lane, Upfest 24, Bristol, May 2024

At Upfest, artists often leave behind little ‘extras’ and I believe this one in Dean Lane skate Park is by Abraham.O. There is a nice little biography of the artist on the Upfest artist pages of their website.

6037. Cumberland Basin

Daz Cat, Cumberland Basin, Bristol, May 2024
Daz Cat, Cumberland Basin, Bristol, May 2024

From what I can gather, Daz Cat has been away for a little while travelling in Southeast Asia, and has recently returned to Bristol not only with some vigour but also with a newfound inspiration that is coming across very clearly in his new pieces, like this one in Cumberland Basin.

Daz Cat, Cumberland Basin, Bristol, May 2024
Daz Cat, Cumberland Basin, Bristol, May 2024

I can’t say I have really seen anything like this from Daz Cat before, it is like his work has taken a significant step change. There is more sophistication and depth to his character portrait, who appears to be a hybrid between a human and a cat. There are some great colours used in this piece, and the hair is just something else. Daz Cat has come a long way, and his journey is getting really interesting.

6033. Lawrence Hill roundabout (18)

Mind 49, Lawrence Hill roundabout, Bristol, April 2024
Mind 49, Lawrence Hill roundabout, Bristol, April 2024

Lawrence Hill roundabout is a spot that is a little off the beaten track, and most of the graffiti down there is average at best, with a lot of bombers and taggers getting in some practice. Decent pieces tend not to last too long in a pristine state, but having said that turnover  is pretty slow. I was therefore privileged on a recent speculative visit to find this beauty from Mind 49.

Mind 49, Lawrence Hill roundabout, Bristol, April 2024
Mind 49, Lawrence Hill roundabout, Bristol, April 2024

It has been wonderful to watch Mind 49’s development from a young artist at Upfest 17 when he was a youthful 16 year old painting under the name Mind Control. This piece follows the theme of concealed portraits that he has been painting in which parts of the face are obscured by hoods or glasses or other things and in this case by the fact that the subject is looking away. This style leaves more to the viewer’s imagination and is quite unusual in the street art world. This is a really wonderful piece tucked away from the more common spots.

Mind Control, Upfest, Bristol, July 2017
Mind Control, Upfest, Bristol, July 2017

6032. St Werburghs tunnel (424)

Fade and Pekoe, St Werburghs, Bristol, May 2024
Fade and Pekoe, St Werburghs, Bristol, May 2024

Ah! Bravo! Bravo! What a magnificent and, if I am honest, slightly unexpected collaboration from Fade and Pekoe in the tunnel. Although the pair have painted together in the past, it still somehow feels like a surprise when they hook up to paint together.

Fade, St Werburghs, Bristol, May 2024
Fade, St Werburghs, Bristol, May 2024

I was going to write that this might not be the tightest of pieces, but the more I look at it the better it gets I’m my view. The sumptuous colour palette of gold and light purple ticks all the boxes and turns a good wall into a great one. Fade has kept the purple flashes to a subtle minimum, with just enough colour to complement the wonderful gold writing. Lifting the letters further is the beautifully clean white accent line along the upper edges of the letters. Brilliant.

Pekoe, St Werburghs, Bristol, May 2024
Pekoe, St Werburghs, Bristol, May 2024

I wasn’t too sure about Pekoe’s portrait on first glance, but I am sure now that it is absolutely on point. The lady is wearing a gold hoody that frames a beautifully expressive face and flowing hair. The woman’s face looks quizzically amused about something, and seems to be suspended in that moment before breaking into laughter, at least that is what I see, and that is the joy of art, we each take home what we see. I really love this collaboration and look forward to their next project together.

6024. Anchor Road (5)

Inkie, Anchor Road, Bristol, May 2024
Inkie, Anchor Road, Bristol, May 2024

This container, behind the Watershed, is one of the more curious spots in Bristol. I am not sure who owns the container, nor do I understand quite why the council has given permission for it to be sited here, but here it is and fortunately for us, it has played host to a series of high-end commissions over the years. Inkie replaced the Paul Monsters piece that had been here before a little while back, but I have only recently photographed it.

Inkie, Anchor Road, Bristol, May 2024
Inkie, Anchor Road, Bristol, May 2024

There are several Inkie elements that have come together in perfect harmony in this combination piece. The print background runs through the whole piece and sets a regular patterned backdrop. Of course the distinctive writing in very Inkie colours is as good as you’ll see and to the right is one of his beautiful Art Nouveau style characters. The only board of the piece that leaves me scratching my head is the cartoon-style spray can, which doesn’t look like an Inkie piece at all and doesn’t quite fit with the rest of it.

6018. M32 Cycle path (265)

Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024
Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024

Regular readers may be experiencing ‘déjà vu’ on seeing this fine collaboration from Wxttsart and Mind 49, as they have overwritten and incorporated elements of their last collaboration on this exact spot, and the unobservant might have missed the ‘update’ altogether.

Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024
Mind 49 and Wxttsart, M32 Cycle path, Bristol, April 2024

The ‘old’ work is the purple and cream script by Wxttsart running through the middle of the piece which has a clever ‘ripped wallpaper’ look to it and has been augmented with fresh writing at the top and bottom of the piece that appears to spell out MYLK, (milk being Wxttsart’s moniker). The portrait, by Mind 49, is rather larger than its predecessor and beautifully executed. Mind 49 manages to paint informal portraits in a photorealistic style while retaining a softness about them, and this is a prime example. Both artists have combined (again) perfectly to create this striking collaboration piece.

Wxttsart and Mind 49, M32 Cycle path, Bristol, January 2024
Wxttsart and Mind 49, M32 Cycle path, Bristol, January 2024