Portrait – Page 16 – Natural adventures

5912. Brunel Way (265)

Abbie Laura Smith, Brunel Way, Bristol, March 2024

It is such a pleasure to have a wheatpaster in Bristol, and one who pastes her pieces just often enough to make discovering each one an exciting event. This is a small one by Abbie Laura Smith on the bridge (Ashton Avenue Bridge) that crosses the River Avon, joining the south bank with Spike Island.

The black and white portrait is beautifully drawn and conceals a whole ton of writing in the hair, which I am guessing is a poem or lyrics to a song. I can make out some phrases, but not the whole thing. I have a feeling that the piece might be called “When you can’t sleep…”, as that is the label Abbie Laura Smith gave the piece on her Instagram, although that might be a reference to when she created the portrait. All good stuff and I am looking forward to finding more.

5908. Greenbank (113)

Rozalita, Greenbank, Bristol, March 2024

You might have sensed my excitement a few posts ago with the return of Rozalita (Rozilitaa), and here she is again with another outstanding portrait piece, in the same venue, and again featuring Frida Cahlo, who has come to represent so much about female art, strength and vulnerability.

This time, the portrait is painted in shades of blue and turquoise, which contrasts brilliantly with the four surrounding orange flowers. There is a lot of passion and emotion in Rozalita’s work which works hard to combine people with the natural world. This is another belter, and there is still more to come soon.

5907. Easton Road

Caryn Koh, Easton Road, Bristol, March 2024

Another diversion away from my usual routes took me to Easton Road where I came across this magnificent mural from Caryn Koh, possibly the last thing I might have expected to see in this part of town. What is disappointing is that my son’s work is very close to this mural, and he never thought to let me know it was there.

This is a powerful portrait of a woman superimposed or floating over a pond with beautiful water lilies in it, but look a little closer and you can see that the pond is polluted with plastic bags and bottles and straws, a commentary and observation in the state of our environment. One day it would be nice to think that people, those in power and citizens alike, would learn to value nature and habitats because we live here and now. Who wants to live on a planet with diminishing beauty and wildlife?… let’s watch the hands go up. Nobody. So we must do what we can do to live in a better world, and that doesn’t have to equate to one where financial wealth is the only goal.

Thank you Caryn Koh for using your art to socialise the issue.

5902. Greenbank (112)

Rozalita returns! This is exceptional news. After a long lay-off, in part down to travelling, during which time I wondered whether she might abandon her street art altogether, she has returned in style, with several pieces in short succession. This is how to announce your return. In another name change (from Rosalita to Rozalita (Rhozi) to Rozilitaa) she has hit the ground running with a bolder presence, and a sense of confidence that hasn’t always been obvious from her work.

This portrait piece, I believe of Frida Kahlo, is bursting with passion, where the determination and status of the subject, looking skywards, is beautifully presented. The white border accentuates the pose and creates an aura that is augmented by the burst of energy of flowers and decoration in the background. Without the border, the piece could be at risk of being busy, but its presence is masterful. This is brilliant in my view, and what a way to make a comeback. I bloody love this piece!

5899. St Werburghs tunnel (414)

Jest Soubriquet, St Werburghs, Bristol, February 2024

I am not sure whether this wonderful portrait piece by Jest Soubriquet was painted as part of Ryder’s RAW paint jam, or was simply painted at the same time (update – it was painted as part of the paint jam). Either way, it brightened up my day, because it is always a bit of a thrill to see new or visiting artists enjoying their passion in Bristol.

By the look of it Jest dropped a couple of pieces in Bristol while visiting, but I have struggled to find out where he is based. The portrait piece in the tunnel is beautifully painted and unusual in its incorporation of striking colours, which, whilst disruptive, somehow manage to carve out the features and depth in the face. Very clever stuff. It would be nice to think that Jest will return to Bristol and decorate a few more walls for us.

5881. Picton Lane (18)

Amy Magee, Picton Lane, Bristol, February 2024

One of the most fulfilling things about wandering around the known street art spots in Bristol is finding pieces that are beyond my expectations. I mean that I can go to spots and either be searching for something specific that I have seen on social media or be pretty sure what kind of artwork I am likely to find and by whom. So when an outlier like this one by Amy Magee comes along, I get extra excited.

Although Amy Magee comes from Bristol, I am not familiar with her work and I don’t recall seeing anything by her before, and I suspect that she doesn’t often paint walls. This beautiful portrait piece was painted alongside a piece by Kosc, and I am guessing they were painted at the same time, with Kosc sharing one of his favourite spots with Amy Magee.

The portrait is stunning and is greatly enhanced by the colourful surrounding wisps of cloud and the atmosphere generated. The beautifully proportioned subject has a wistful expression, and incredible eye makeup. It would appear that colour is very important in Amy Magee’s work, which comes across in this piece. I hope that this adventure into painting a mural on the streets isn’t a one-off, and would encourage her to do it again – perhaps at this year’s Upfest.

5874. Greenbank (108)

Laic217, Greenbank, Bristol, February 2024

Laic217 seems to have a plethora of ways to surprise me. Often his pieces appear unannounced, and so discovering them definitely feels special, but what surprised me with this piece is that it immediately took me back to some of the very earliest pieces of his that I started photographing a few years back.

The character, for once, not a skull, is wearing a bucket hat with a satanic protection mask strapped to it. To the right of the portrait is a letter ‘L’ for Laic which has been hollowed out and blocked with a deep 3D drop shadow.

The face, with its harsh features, could only be by Laic217. I don’t know what it is about his style, but it is quite unique. Looking at the close up, it almost looks like it has been painted on a canvas with brushes, and maybe that is what gives Laic217 his uniqueness. This is yet another awesome piece from one of Bristol’s very best street artists.

5872. Dean Lane skate park (694)

Pekoe and Fade, Dean Lane, Bristol, February 2024

It is not often that you find a Fade/Pekoe collaboration, but I have been photographing street art and graffiti writing for long enough to know that you should always expect the unexpected. I wonder whether this was a planned thing or whether they found themselves at the same place at the same time and decided to paint together. I guess I’ll only ever know if I ask them.

Pekoe, Dean Lane, Bristol, February 2024

Pekoe has smashed it again with this wonderful portrait piece, and there is something about the presentation of her work these days that makes me think she is in a good place emotionally and that it is surfacing in her paintings. The subject has wonderful full lips, dark eyes, hoop earrings and an absence of tears. The decorative shapes help to break the piece up a little and add to it significantly.

You simply can’t hold Fade back at the moment – not that you’d want to – and his enthusiasm for painting walls is not only expressed in the quantity of the pieces he paints, but also in the incredibly sharp quality of his work. The letters here are very crisp, the transitions of the fills are exceptional and the 3D drop shadow nicely uniform. Fade comes across as a bit of a perfectionist, which is probably why he enjoys painting with Dibz so much. This is a very nice collaborative wall.

5871. Manchester, Northern Quarter

C215, Northern Quarter, Manchester, February 2024

When randomly walking the streets of a town or city I am unfamiliar with, I am reminded of the iconic line from the film Forrest Gump “Life is like a box of chocolates, you never know what you’re going to get”, and that is pretty much how my recent stroll in Manchester unfolded.

I turned a corner and found this incredible stencil portrait piece by C215 staring out at me. He is an artist who has made a couple of appearances on this blog before, but I don’t think that he has ever painted anything in Bristol, surely it is time to change that (Upfest?). The stencils that C215 uses range from very small up to this kind of size, and he achieves this scaling without compromising his style at all. A memorable piece from my recent trip.

5870. Manchester, Northern Quarter

Liam Bononi, Northern Quarter, Manchester, February 2024

Natural Adventures is a blog with three or four strands, the most dominant of which is the street/graffiti art of Bristol. I am finding it increasingly difficult to feature art from other cities and countries, that I would like to share, but without compromising Bristol posts. I have been pondering this conundrum for a little while and decided that my posts from other places will more likely be galleries, which makes sense because I don’t know very much about the artists in other places, This way I get to share a whole load more pieces. Having said that there are some pieces that simply deserve their own post, and this awesome portrait piece by Liam Bononi is one of those.

One of my Favourite ever Upfest pieces is by Liam Bononi, and I have posted a different piece from a previous visit to Manchester where the artist is based. His incredible photorealistic portraits are disrupted by fractures and cracks, creating distortions, which I would guess are metaphors for disrupted and fractured minds behind the faces. The artwork is meticulous and beautifully presented. This piece was tucked away in a street with low foot fall, and you’d certainly have to go out of your way to find it. I only found it, because I was conducting a forensic tour of the streets of the Northern Quarter in Manchester. Another piece in my favourites folder (which incidentally doesn’t actually exist anywhere other than in my mind).

	cjsmissionaryministe… on Thursday doors – 5 Febru…
	cjsmissionaryministe… on 7442. St Werburghs tunnel…
	scooj on Thursday doors – 5 Febru…
	scooj on Thursday doors – 5 Febru…
	scooj on 7449. Greenbank (180)

	cjsmissionaryministe… on Thursday doors – 5 Febru…
	cjsmissionaryministe… on 7442. St Werburghs tunnel…
	scooj on Thursday doors – 5 Febru…
	scooj on Thursday doors – 5 Febru…
	scooj on 7449. Greenbank (180)

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