Portrait – Page 24 – Natural adventures

4893. Greenbank (61)

Laic217, Greenbank, Bristol, December 2022

As the development alongside the Bristol to Bath cycle track reaches its completion, the long hoarding is being dismantled in sections as each new block of the development is finished. We always knew this would be a temporary spot, but it feels rather sad that it is shrinking away and will soon be gone altogether.

One of the regulars here over the last few years has been Laic217, and here he is with another classic piece. This one, along with other recent pieces, reverts back to his rather sinister distorted faces. Distorted and trippy some might call it. All the elements of a Laic217 piece are there, but once again it is his attention to detail in folds in material that really stands out. He has become a master of painting the clothes worn by his skeletal characters. Brilliant stuff from one of my all-time favourite artists

4889. Upfest 2022 (64)

Lee Ellis, Upfest 2022, Bristol, May 2022

I love it when fine artists paint at Upfest, it affords them the opportunity to ‘go large’ and make a big impression with their studio skills in an open air environment. Lee Ellis is a Bristol-based artist best known for his abstract portraits, which have a slightly sinister or unsettling quality about them. In this Upfest piece, Lee Ellis has treated us to not one but five portraits in this piece.

The portraits feature a blue-faced man (or men) in black shirts, each with a cup of tea. It is the contrasting red background that helps to elevate the work into something quite extraordinary. While the style may not be to everyone’s taste, this was definitely a unique piece that I’m sure would have remained in visitor’s memories for a long while. Striking.

4884. Upfest 2022 (59)

Chi-Yien Snow, Upfest 22, Bristol, May 2022

It never ceases to amaze me just how many artists paint at Upfest, and it is truly a triumph of organisation by Steve and Emma and their team. At the festival, artists can be allocated walls, some of them enormous, temporary hoardings or these 1 meter squares, and it is up to the artists to make the most of the space available. Chi-Yien Snow has done a wonderful job with this board.

Chi-Yien Snow is a fine artist living in Clevedon, who paints in acrylics and oils, and has painted this outstanding and soulful portrait piece for the festival. I would guess that the portrait is of a native South American, perhaps from the Amazon region, or at least that is what it looks like to me. It is always a real pleasure to see the work of new artists and I will be looking out for Chi-Yien Snow’s work from now on.

4876. Moon Street (100)

Zake, Moon Street, Bristol, December 2022

How has it taken me so long to post one hundred pieces from my beloved Moon Street? I guess, in recent years, painting here has reduced as the gentrification of the area has taken a grip, and so it is not so much of a graffiti destination, with artists preferring St Werburghs, Bedminster, St Paul’s or the River Avon. However, we do stopill get some beauties down there, including this very Zake, Zake character piece.

The rather disturbing face, exaggerated by its asymmetry, is arresting to say the very least. A slight reversion to his early form of portrait, his strengths come to the fore, especially his use of shading and highlights to create depth of features on the face. A worthy piece for my one hundredth Moon Street post.

4862. St Werburghs tunnel (324)

Tao.create, St Werburghs, Bristol, November 2022

St Werburghs tunnel is a funny spot. Sometimes you can go for long periods when not much changes, and then you go through a rush of activity, and need to be on top of it pretty much every day.

This glorious piece by Tao.create was painted with the LRS crew, only a short while after the Bnie paint jam on the opposite wall. I haven’t seen much from Tao for a long while, so this was most welcome. There is talent and a style here that we definitely need to see more of on Bristol’s streets. The portrait is captivating, and beautifully shaded in purple tones. More practice will add confidence with regard to proportions and scale of the features. Welcome back… more please.

4860. River Avon (36)

Zake, River Avon, Bristol, November 2022

I should know by now, not to bother with going down to Sparke Evans Park and the River Avon on sunny days. The results are always patchy at best. But there is another school of thought that says always photograph what you can when you see it, because it might not be there the next time you visit. I don’t know if this lovely portrait piece by Zake falls into that category, as I haven’t been back to take a look.

Zake has been enjoying himself recently with these rather more cartoon style pieces that still contain his mastery of light and shade, but have introduced a little bit more in terms of character and emotion. This is a fabulous piece painted alongside PWA crew mates.

4845. Coach and Horses

Qwynto, Coach and Horses, Bristol, November 2022

Visiting artists are always welcome in Bristol, as they bring fresh perspectives and often glorious artwork to the city. On his visit to Bristol in September this year, Qwynto left us with at least two, and I think a third piece. This one is on the far right-hand side of the Coach and Horses wall.

I believe Qwynto is based in London, but I have struggled to find out much more about the artist. There are some similarities with Kid Crayon’s style of portraits, perhaps more to do with the colourful approach. This is a fine portrait, which has managed to remain intact for a couple of months, which is pretty good going really.

4842. Brunel Way (183)

Mote, Brunel Way, Bristol, November 2022

I would guess that I only manage to photograph about one in three of Mote’s pieces, which might give you an indication of how prolific he has been over the last few months. This piece under Brunel Way is a bit of a departure from his regular fare.

The stylised face is not a monster, but a human portrait, although it has all the characteristics of Mote’s work. Strong lines, solid fills and fine details created with black lines. The danger of painting the familiar, as opposed to wacky monsters, is that the piece will immediately be compared to a human face, there is a benchmark that we all have and recognise, and it is easier to criticise. Stylised works like this one work well, because they are self-knowing that they are representative of a face, but not an actual face. Great experimentation from Mote.

4841. St Werburghs

Stinkfish, St Werburghs, Bristol, November 2022

Every now and then you get lucky, being in the right place at the right time. This is particularly true of finding street art on vehicles, and I was fortunate enough to see this Stinkfish piece on the side of a van parked up outside St Werburghs City Farm around a week ago.

Some readers might remember that Stinkfuish visited Bristol in October 2021 to tidy up a couple of his long-standing pieces in the City, and while he was here he left a few other little ‘surprises’ about the place. I imagine he painted this small portrait piece at around the same time, as it is still in great condition.

If you look carefully, you can just see a black line on the left where paint spilled over from the stencil used to create the black and yellow elements of the portrait. The decorative aspect I think light have been painted on with a brush, although it might be a stencil too, I am not sure. Finding pieces like this is so rewarding, and gives me the same tingle of excitement I get when I find a large shark tooth fossil on Bracklesham Bay beach, on my occasional trips to West Sussex.

4818. St Werburghs tunnel (318)

Pekoe, St Werburghs, Bristol, November 2022

There are a handful of artists whose work fills me with a little tingle of excitement each time I came across their work, and Pekoe is right up there with the best of them. Her portraits feel like part of the furniture of the Bristol scene, and represent what is so good about the range and diversity of the city’s street art.

This piece was another RBF contribution to Bnie’s birthday celebrations a week or so back. A three-quarter view portrait with a blue face and ginger hair… what’s not to like about this colourful piece? The downturned mouth makes the woman look a little grumpy perhaps, but there is a friendly sparkle in the eyes. Pekoe has added in some clever shading, both on the face and in the hair, to give the whole portrait depth and texture. This is another fine piece from the wonderful Pekoe.

	hitandrun1964 on 7458. Greenbank (181)
	hitandrun1964 on 7459. Dean Lane skate park…
	cjsmissionaryministe… on Parrot or parakeet
	paulh121 on 7458. Greenbank (181)
	paulh121 on 7456. River Avon (109)

	hitandrun1964 on 7458. Greenbank (181)
	hitandrun1964 on 7459. Dean Lane skate park…
	cjsmissionaryministe… on Parrot or parakeet
	paulh121 on 7458. Greenbank (181)
	paulh121 on 7456. River Avon (109)

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