2472. St Mark’s Avenue (1)

Life is full of surprises, and earlier this week I took the dog for a road walk because it has been a bit wet and the parks are getting muddy. On the walk I took a few turns down roads I have never been to before. The reward… I discovered St Mark’s Avenue – a little secret in the heart of Easton where there are stunnung pieces by Bristol artists going back several years and quite untouched by taggers. How could I have not been here before and how many other little oases like this are there in Bristol?

Silent Hobo, St Mark's Avenue, Bristol, September 2019
Silent Hobo, St Mark’s Avenue, Bristol, September 2019

This piece dates back to 2012 and is by the magnificent Silent Hobo and what’s more remarkable is that it is pretty much in mint condition – only one of the eyes has been goofed up by some idiot. It is a great tribute to the artist that it is still here but it is more than that, it is a yardstick from which to measure his development over the last seven years. It is a beautiful portrait piece painted on a pebble dash wall which in itself is something of an accomplishment. The girl has a soulful look but her eyes are looking straight at you, something that his more recent figures don’t do in the main.

I can’t tell you how exciting it was to find this piece and indeed the whole road, I felt a bit like an archeologist uncovering an ancient tomb. More to come from this gold mine.

2454. Cheltenham 2019 (2)

How can this not be an enlarged photograph? Sam Art is surely playing with our eyes and deceiving us. This incredible piece was one of the first I saw at the festival and was in place early on the Friday when all the walls around were yet to be painted. I believe that he painted it off-site before installing it in Cheltenham North Place car park.

Sam Art, Paint festival 2019, Cheltenham, September 2019
Sam Art, Paint festival 2019, Cheltenham, September 2019

The theme for the festival was literature or books to celebrate the 70th year of the Cheltenham Literature Festival and this portrait of J.K. Rowling could hardly be more fitting.

Sam Art, Paint festival 2019, Cheltenham, September 2019
Sam Art, Paint festival 2019, Cheltenham, September 2019

It is way beyond my comprehension how artists produce photorealistic art like this so I prefer not to understand it but to wallow in its glory. An extraordinary piece from Sam Art.

2451. Cheltenham 2019 (1)

What a cracker! This is an absolutely stunning piece by Dice67, AKA Andy ‘Dice’ Davies, the architect and organiser of the Cheltenham Paint Festival which was held this year on 5-8 September. This colourful piece is a portrait of Debbie Harry and I think is probably the best freehand piece I have seen from Dice67 yet.

I felt it appropriate to start my Cheltenham posts with this piece and I’ll be interweaving more of them into my regular posts over the coming weeks/months.

I have not been to Cheltenham since I was a little kid, and so on this visit I was able to catch up with some of the pieces from last year’s festival too, and they really are rather impressive. Dice67 has tried to find new walls each year of the festival so that the old ones can remain in all their glory alongside the new ones rather than being over-painted. Let’s hope he doesn’t run out of walls!

Dice67, Paint festival 2019, Cheltenham, September 2019
Dice67, Paint festival 2019, Cheltenham, September 2019

Back to this piece… it is so beautifully worked, especially the amazing reflections on the glasses, and this is all a far cry from his stencils which was my introduction to his work. There was a festival theme this year which I think was books and in this piece the link is that Debbie Harry will be atending the Cheltenham Book Festival later this year – Dice67 is rather hoping that she’ll be photographed standing next to this portrait of her. A great way to introduce the Cheltenham Paint Festival to Natural Adventures.

2436. Upfest 2018 (158)

I have already posted a very striking Upfest piece by Brighton-based Mazcan but this one slipped a little under my radar until I recently started sorting through another batch of pieces from last year’s festival.

Mazcan, Upfest, Bristol, July 2018
Mazcan, Upfest, Bristol, July 2018

This is a superb work that looks like it has just dropped off the page of a rather dark comic strip book. There is drama and movement in the way the hair sweeps across the portrait… what is going on here? Her eyes give nothing away. Lovely piece.

Mazcan, Upfest, Bristol, July 2018
Mazcan, Upfest, Bristol, July 2018

2434. Upfest 2018 (156)

Deuz is another artist who was at Upfest 2018 who didn’t appear in the Upfest official programme, which is always a bit troublesome for me because I have to do my own research rather than rely on others. Deuz is a French artist who cut his teeth by writing graffiti on the streets of Marseille in the 1990s. He went on to study art and now his work is largely portraits of Africans, his ‘faces’ that were inspired by hip hop culture.

Deuz, Upfest, Bristol, July 2018
Deuz, Upfest, Bristol, July 2018

I don’t know who Nina Gabriel is but then again I can’t know everything. I would hazard a guess that she is probably a musician. The nicely worked greyscale piece was in the back yard of the Steam Crane, which since Upfest 2018 looks like it might have changed hands, and these hoardings have since come down, which is a pity.

2422. M32 roundabout J3 (165)

I’m on a bit of a Lobe fest at the moment, and this magnificent piece was actually the first of hers that I actually became aware of. It was tucked away on the St Agnes side of the M32 roundaboutand really stood out from the crowd.

Lobe, M32 roundabout, Bristol, June 2019
Lobe, M32 roundabout, Bristol, June 2019

Once more, her careful use of colours and clever design create what looks at first sight  like a simple portrait, but on closer inspection is full of complexity and sophistication. I’m sure that as she works more and more her execution will tighten up, and I am so looking forward to what the next few months will bring from this artist.

2421. M32 roundabout J3 (164)

Having broken the ice with a recent Lobe piece under Brunel Way, I said that I would trawl up some slightly older pieces by her from my archive and true to my word…

Lobe, M32 roundabout, Bristol, June 2019
Lobe, M32 roundabout, Bristol, June 2019

The piece from June this year I have a feeling didn’t last very long, so I was pleased to have managed to capture it. I am a huge fan of her style, a lovely design kept simple using nine colours and shading to die for. The use of orange and pink on the shirt and hat to highlight light and shade is to my mind really clever. Bold and unique, her work is yet another fabulous addition to the vast Bristol spectrum.

2414. Brunel Way Bridge (19)

It is great to be able to post this piece knowing that I don’t have to credit it with ‘unknown artist’ because thanks to the great investigative powers of Paulh121 I know it to be by Lobe (@lobe_ita). This is one of at least three pieces that I have photographed by Lobe (look out for the others coming soon) and each one of them is a cracker.

Lobe, Brunel Way, Bristol, August 2019
Lobe, Brunel Way, Bristol, August 2019

Lobe tends to use only a few colours in her work and creates these styalised faces which are typified by the solid bold fills and shadowing. If I were to describe her work I’d probably say that it is like a fusion of Tasha Bee and Kool Hand. I really like this piece, and it is the details I am drawn to, such as the little spike on the white outline to the left of the left eyebrow. I really hope that what we are seeing from Lobe is just the beginning and that there is more to come.

2397. Brunel Way Bridge (17)

Although I can’t be sure, I think this ephemeral portrait might be the work of Annika Pixie… it certainly has many of the ingredients that are common to her work, the lightness of touch and delicate nature of the subject, but I have not seen her paint many walls like this one.

Annika Pixie, Brunel Way bridge, Bristol, August 2019
Annika Pixie, Brunel Way bridge, Bristol, August 2019

As I write this, my curiosity got the better of me and I had a look at Annika’s Instagram feed, and sure enough there is a little video of this piece, filmed in only the way she can do such things. I love her touch, which is full of subtlety and magic and in such stark contrast to the macho work one is used to seeing. Nice one Annika.

2392. Brunel Way Bridge (16)

Wowzer… this is quite the best piece I have seen by Pekoe yet. It is beautiful and I truly believe that in this piece we are witnessing an artist reaching a new level, I see it as a really significant piece. The blue-faced portrait has something very special about it, the expression, the tone, the confidence and of course that amazing hair.

Pekoe, Brunel Way bridge, Bristol, August 2019
Pekoe, Brunel Way bridge, Bristol, August 2019

In this piece I feel that Pekoe’s naive style has transformed into something altogether more sophisticated and mature, and I love it. I would like to think that a lot of thought, care and effort went into this piece, it certainly looks really tight.

Pekoe, Brunel Way bridge, Bristol, August 2019
Pekoe, Brunel Way bridge, Bristol, August 2019

The patterns in the hair are so typically Pekoe, but the addition of three layers of base colour add an extra dimension. The eyes too work well with several dots in each creating a glassy effect, very clever. There is so much to like about this work. Bravo Pekoe!