7624. River Avon (116)

Seam, River Avon, Bristol, April 2026
Seam, River Avon, Bristol, April 2026

I took these photographs on one of those rare occasions that my wife joined me on a ‘street art’ dog walk. She doesn’t share my enthusiasm for paint chucked at walls, but to be fair, not many people do. On the upside I did manage to introduce my wife to a new route for her road runs, for which she was most grateful.

Seam, River Avon, Bristol, April 2026
Seam, River Avon, Bristol, April 2026

These letters from Seam spell out his name with a series of characters in monochrome colour. There is a lot to like about this line up of cartoon-style characters, which although quite crudely drawn, have something about them. I love this take on combination graffiti writing.

Oblivious

Rabbits, Bristol Avon, Bristol, April 2026
Rabbits, Bristol Avon, Bristol, April 2026

.

Close-cropped sandy bank

three nonchalant rabbits munch

the earth still spinning

.

by Scooj

7604. River Avon (115)

Vermo, River Avon, Bristol, March 2026
Vermo, River Avon, Bristol, March 2026

It has taken me a long time to figure out the letters in this writing, and I am not too sure I would have done so without Paul H’s recent posting of a piece by the artist. The letters spell VERMO, but you have to study them pretty hard to figure it out, as they are deliberately deceptive. Once you know them you can see them, but it is that first time of working it out that takes the time.

Vermo, River Avon, Bristol, March 2026
Vermo, River Avon, Bristol, March 2026

I have a lot of Vermo’s pieces to share from my archives, but I decided to start with this combination piece alongside the river. Unusually this piece of writing includes a character, where most of his pieces contain only the ‘floating’ letters that are made up of component shapes, for example, both the ‘E’ and the ‘M’ are composed of three ovals of increasing size in different orientations. I wouldn’t quite know how to classify Vermo’s writing, but it might fall into the category of abstract graffiti writing, a bit like Mr Klue, but quite different in appearance. Watch this space for more from Vermo.

7520. River Avon (114)

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

Werm has been on fire this year, turning out a variety of tight pieces, each with a slightly different look. This piece brings us back to his favoured structural letter style with a solid bilateral symmetry.

Werm, River Avon, Bristol, February 2026
Werm, River Avon, Bristol, February 2026

What makes this one stand out for me is the superb colour selection and freshness of the piece. Everything is near perfect. The letters are beautifully proportioned. The turquoise fill with its contiguous pattern of blue circles joined with lines has a molecular model feel to it, and is simply amazing. The red border is regular and clean and the piece sits on a beige buffed wall with superb red bricks randomly distributed. A very classy piece from Werm.

7493. River Avon (113)

Fasho, River Avon, Bristol, November 2025
Fasho, River Avon, Bristol, November 2025

Recently I posted the first piece by Fasho on Natural Adventures, and I said that I’d dig out some of his pieces from my archive, and here I am staying true to my word. I haven’t met Fasho, but I think he? belongs to a group of graffiti artists who like to stay under the radar a little, so I will respect that until such time as I meet him.

Fasho, River Avon, Bristol, November 2025
Fasho, River Avon, Bristol, November 2025

I have many more photographs of his pieces in my archives, because I like the unconventional structure of his letters, and I will endeavour to dig more of them out. The letters spell FASHO, and have this curious rounded knobbly look to them, I guess a device to stand out from the crowd, which seems to work. The letters are filled with vertical purple and red stripes of varying width, and contained within a yellow, white and black triple border. Nice work.

7488. River Avon (112)

Kush, River Avon, Bristol, January 2026
Kush, River Avon, Bristol, January 2026

I’ll be in meetings in London today, so I wrote this post quickly last night. Kush has been appearing more frequently in the pages of Natural Adventures recently. Whether it is because he is painting more or I am seeing his pieces more is open to debate.

Kush, River Avon, Bristol, January 2026
Kush, River Avon, Bristol, January 2026

This is a rather nice straightforward piece on a new stretch of rather horrible white shiny hoarding around a new development alongside the river. The letters. KUSH, are nicely filled with grey and gold colours with reversed out bubbles and a touch of pink. A confident red border finished the piece well and separates it from the ghastly hoarding.

7465. River Avon (111)

Creamylines, River Avon, Bristol, September 2025
Creamylines, River Avon, Bristol, September 2025

Going through my archive, I found this beauty by Creamylines, which I photographed last September. I don’t quite understand how this one slipped through the cracks, as I like to post every piece of his that I find… but it did, so I am posting it now.

Creamylines, River Avon, Bristol, September 2025
Creamylines, River Avon, Bristol, September 2025

The theme is what I’d expect to see; The sun, some clouds, a landscape, this time with mountains and a number of figures, faces and eyes scattered throughout the piece. There is joy and humour here, and a connection with our landscape that is most potent. Creamylines’ pieces are a wonderful distraction from the urban grind of everyday life. Thank you Creamylines.

 

7463. River Avon (110)

Haka, River Avon, Bristol, January 2026
Haka, River Avon, Bristol, January 2026

Haka is another of those artists who is at the very heart of the Bristol graffiti art scene. His authentic and good-natured style, and occasionally, although less so in recent years, politically motivated work has been replaced in the last three or so years with lighthearted children’s picture book combinations. This piece is just a straightforward piece of graffiti writing.

Haka, River Avon, Bristol, January 2026
Haka, River Avon, Bristol, January 2026

This bright and optimistic piece is painted on some relatively new hoardings alongside the River Avon, surrounding a new development – you can see the initial concrete pillars, which I am guessing will be lift shafts for the new building. Haka has produced a lovely clean piece with great yellow and orange colour separation and plenty of fill decorations. A drop shadow veers off to the right, and the whole thing is contained in a green background splat with orange crack lines. A really nice piece of graffiti writing.

7456. River Avon (109)

Malibueb, River Avon, Bristol, January 2026
Malibueb, River Avon, Bristol, January 2026

Many times I go out to photograph street art, I come away empty-handed, especially when it has been raining a lot, but every once in a while I get lucky, not only with finding new pieces but also meeting the artists who paint them. This trip to the River Avon was particularly fruitful.

Malibueb, River Avon, Bristol, January 2026
Malibueb, River Avon, Bristol, January 2026

I caught Malibueb while he was finishing this piece off, and chatted with him, because I wasn’t familiar with his work, and guessed he was visiting. It turns out he is a Swiss musician and was doing a set in Bristol that evening, but he also paints a bit – well he was just being modest I think, because this is a fine chrome combination piece with an excellent old school character rounding it off. It is always good to welcome visiting artists to Bristol.

7435. River Avon (107)

Squire, River Avon, Bristol, December 2025
Squire, River Avon, Bristol, December 2025

Squire is an artist whose graffiti writing I see from time to time, and which I rather like. I know very little about him, other than that he likes to paint alongside another artist, whose letters I can’t decipher and so don’t post their collaborations.

Squire, River Avon, Bristol, December 2025
Squire, River Avon, Bristol, December 2025

This might be the best piece I have seen to date by Squire. The asymmetrical chrome letters are bounded by a black drop shadow of sorts and a thick red border. To complete the piece, a dark blue line crashed horizontally through all of the letters. Nice work from Squire.