6635. River Avon (73)

Klashwhensober, River Avon, Bristol, December 2024
Klashwhensober, River Avon, Bristol, December 2024

This is a curious piece by Klashwhensober, painted alongside Sworm on a low wall that supports one of the bridges over the River Avon – a bridge that doesn’t actually lead to anywhere. It looks like this might have been a bit of a dregs piece, because there are a few colours involved, that don’t necessarily complement one another, and the light blue and yellow look rather thin, and perhaps were running out.

Klashwhensober, River Avon, Bristol, December 2024
Klashwhensober, River Avon, Bristol, December 2024

Klashwhensober has been painting a lot of character/writing combination pieces over the last year, and as a general rule of thumb, the more time he spends on a piece, the better the outcome. While all the design elements are present in this piece, it feels a little rushed and rough around the edges. The character on the left is a bit strange, and slightly divorced in style and colour from the writing. Overall, this is an interesting piece, but not one of Klashwhensober’s finest.

6624. River Avon (72)

Endz, River Avon, Bristol, December 2024
Endz, River Avon, Bristol, December 2024

It is funny how once you register a new artist, you start to see their work about the place, when before you might have missed their pieces altogether. This throw up by Endz is a great example of this phenomenon.

Endz, River Avon, Bristol, December 2024
Endz, River Avon, Bristol, December 2024

I happened to glance up at this piece alongside the River Avon, and did a double-take having realised that I hadn’t long since met the artist. The style is quite different to the first piece which I posted a little while ago, but nonetheless the work of a talented artist. Looking forward to finding more Endz work in 2025.

6621. River Avon (71)

Nips, River Avon, Bristol, December 2024
Nips, River Avon, Bristol, December 2024

I am happy to include a piece by Nips before we see the year out, as her work has been a highlight for me in 2024. Her letters have a strong identity, and an assuredness about them, being a vehicle for her brilliant and dynamic fills.

Nips, River Avon, Bristol, December 2024
Nips, River Avon, Bristol, December 2024

As ever, her colour selection for this piece of graffiti writing shows her highly developed skills in crafting something that works well and looks beautiful. I am very much looking forward to a repeat in 2025.

6616. River Avon (70)

Sworm, River Avon, Bristol, December 2024
Sworm, River Avon, Bristol, December 2024

To use Sworm’s own words, this was a bit of an odd one. I know this, because I happened to meet him while he was painting in St Werburghs tunnel yesterday alongside Omie. This piece was painted with Klashwhensober on the pathway between Sparke Evans Park and Temple Meads Station… a nice walk if you have the time to do it.

Sworm, River Avon, Bristol, December 2024
Sworm, River Avon, Bristol, December 2024

On first inspection this piece looks like a quick throw up, but the swirly pattern in the letters is a deliberate fill rather than what could look like thin paint over a patterned background. The pink border and drop shadow is an essential ingredient in helping the letters to stand out on the black background. Although not his best piece, this is a rather nice work from Sworm.

6613. River Avon (69)

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm has an amazing capacity to concentrate on a particular style of lettering, focussing on that style for a period of time, and then trying something new and moving on, it feels like restlessness settles in after a few months and new challenges await. This is a wonderful piece that is new to me, and differs from his bilateral symmetry work that has been his hallmark for the last four months or so.

Werm, River Avon, Bristol, December 2024
Werm, River Avon, Bristol, December 2024

Werm paints on this stretch of wall a lot, and many of his older pieces are on display here, it is a bit of a Werm gallery. The colours in this piece work incredibly well together, and the shape and form of the letters with some interlocking between them is a new and exciting aspect. I look forward to seeing whether this is a new phase of design that Werm will be adopting, or whether it is a one-off.

6543. River Avon (68)

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When I first met Jevoissoul, he told me that he had planned to paint his stuff as regularly as he could all over the city, and it would appear that he has lived up to his word. His distinctive character is more frequently these days accompanied by the letters SLOW, to create larger combination pieces.

Jevoissoul, River Avon, Bristol, November 2024
Jevoissoul, River Avon, Bristol, November 2024

While his characters are not necessarily evolving, they are getting tighter, and the same can be said for his letters. It would appear that Jevoissoul is enjoying decorating walls, and It would be great to catch up with him again and chat about his work, past and future. A tidy piece from Jevoissoul.

6526. River Avon (67)

Kid Krishna, River Avon, Bristol, November 2024
Kid Krishna, River Avon, Bristol, November 2024

Completely unplanned I appear to have posted two chrome pieces in a row, from two artists that are known for the colourful work, Nips yesterday and Kid Krishna today. I’m not sure I have seen an entirely chrome and black piece from Kid Krishna before, but I like what I see, and it appears to have worked really well.

Kid Krishna, River Avon, Bristol, November 2024
Kid Krishna, River Avon, Bristol, November 2024

The letters, as always spell out CRIE, and having spoken to Kid Krishna recently, we will soon know why he uses these letters. In the middle of this combination piece is a crazy cartoon character bursting out and looking rather sketch-like. A fun two-tone piece.

6521. River Avon (67)

Grimes River Avon, Bristol, November 2024
Grimes River Avon, Bristol, November 2024

One of the highlights of 2024 has been the appearance and constant presence of the brilliant wildstyle graffiti writer Grimes. I am fascinated and excited by his writing that contains so much energy that it looks likely to burst in an explosion of coloured paint at any moment.. he has a very special talent.

Grimes River Avon, Bristol, November 2024
Grimes River Avon, Bristol, November 2024

This stunner spells GRIMES, which if you look hard is actually quite easy to see, once you have your eye in. The colour selection is, as ever, spot on, but the magic is in the way that all the components come together to create a coherent whole. This is outstanding writing at its best.

6444. River Avon (66)

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.

6442. River Avon (65)

Todoaciem, River Avon, Bristol September 2024
Todoaciem, River Avon, Bristol September 2024

After a short spell away from Bristol, I think in his native Spain, it would appear that Todoaciem has returned recently and started dropping pieces in his favoured haunts. Alongside Stivs and Wxttsart, Todoaciem is a wonderfully accomplished calligraffiti artist, whose work is as tight as a nut.

Todoaciem, River Avon, Bristol September 2024
Todoaciem, River Avon, Bristol September 2024

I would like to say that this is a particularly elaborate example of his writing, but looking back at his work, I would simply say that it is typical and no more elaborate than most of his work. The letters are beautifully filled with a blended gradation of reds. The white border is augmented with a fine 3D drop shadow drifting to the left of the letters. There is enough of a background to mark out the whole piece from the graffiti writing beneath. Great to see Todoaciem back in Bristol.