Sparke Evans Park – Natural adventures

7103. Sparke Evans Park (139)

Dirtygypo and Posh, Sparke Evans Park, Bristol, July 2025

Although this superb piece of graffiti writing from Dirtygypo isn’t really a collaboration, it does have a cheeky collaborative element from the inclusion of one of Posh’s distinctive characters, of which there appears to have been an outbreak of across Bristol in the last couple of months.

As with many of Dirtygypo’s pieces, each of the letters are assigned a different colour and the word it interspersed with bolts of lightening. I won’t drift into trying to interpret the word this time, I’ll simply have to wait until I meet him to find an answer. All good stuff, and another fine piece from Dirtygypo.

7090. Sparke Evans Park (138)

Stivs, Sparke Evans Park, Bristol, July 2025

It looks like Stivs will once again be dividing opinion with this combination piece on the long wall at Sparke Evans Park. Although it was painted alongside the countless Paroe tribute pieces, it is not clear that this is one of them, and even if it were, it would seem a little inappropriate.

This is not the first time Stivs has painted a topless woman, but I worry that he might have missed the mark with this one, accompanying it with the words ‘Equal opportunities’. I’m not too sure what point he is trying to make, but it doesn’t sit all that comfortably with me. Don’t get me wrong, I am not a prude and am all for nudity in street art (as in all art), it is the messaging that worries me. The artwork is good, and the calligraffiti spelling out DSC – 25 – Stivs is totally in keeping with his style and talent.

Metallic Harpalus

A beetle scuttles

it is what beetles do best

catching the old eye

by Scooj

7080. Sparke Evans Park (137)

Pekoe, Sparke Evans Park, Bristol, July 2025

This is a tribute piece, one of many to the late Paroe, on the long wall at Sparke Evans Park. Pekoe’s stylised portrait pieces are no stranger to Natural Adventures and I have observed over the years that emotions underpin her pieces and that is for sure the case here.

The woman has a sorrowful expression, somewhat amplified by the tear of sadness. Tears used to be a common feature of Pekoe’s pieces, but of late they have been less common, perhaps reflecting her own happier disposition.

This piece is archetypal Pekoe, and that is a wonderful thing. A beautiful portrait with strong features, especially eyes and lips, and some great shading. The wonderful hair is a trademark element of Pekoe’s work which is nicely coloured with green and yellow bands. Another fine portrait piece from Pekoe.

7075. Sparke Evans Park (136)

Vesar, Sparke Evans Park, Bristol, July 2025

Recently, almost the entire wall at Sparke Evans Park, and it is a long wall, was filled with tribute pieces to Paroe (or Paro). I know little about Paroe (Oliver Andrews), but it would seem from the huge turnout and the large number of tribute pieces all over Bristol, that he was well-known and much loved. This is one of those tribute pieces, by Vesar.

I have only recently been posting pieces by Vesar, despite having many of his pieces in my archive, and I am certainly noticing them much more when I go out on my walks. This is a beautifully presented piece with skilfully worked red fills and a stunning green splash behind. A worthy tribute piece.

7028. Sparke Evans Park (135)

Totosoapcity, Sparke Evans Park, Bristol, June 2025

What is a little peculiar is that if I look back through my archives I would probably find half a dozen or so pieces by Totosoapcity, but it is only recently, once I found out the artist’s name, that I have actually started to post his distinctive writing.

There is a symmetry to Totosoapcity’s writing, and I am never too sure what the letters spell, but I think it is ARSA. There are some good blues, pinks and purples in the piece with a deep 3D drop shadow vanishing in the centre, below the wall. There are a few decorative circles filling and breaking up the white space around the background. A nice piece. I will have to trawl through my archives and dig out some old ones.

7021. Sparke Evans Park (134)

Noise, Sparke Evans Park, Bristol, June 2025

Noise consistently turns out great graffiti writing pieces. Never too showy or ostentatious, he always puts his big letters to good use. I have noticed that of late he has been using quite dark colours and tones, which adds a weight to his work.

This is a superb display from Noise, with slightly more elaborate letters than normal, but it is the fill that is most captivating. The lower half of the deep red letters has an incredible cloudy marbling effect, simply stunning, and the white highlights on the letters create superb depth, giving texture to the letters, lifting them off the wall. A top piece of graffiti writing from Noise.

7014. Sparke Evans Park (113)

Oust, Sparke Evans Park, Bristol, June 2025

I said in a post recently that Bristol graffiti writer, Oust, is a little underrepresented in Natural Adventures. I am attempting to redress the balance a little now and posting his pieces that I find.

This is a really beautiful piece of writing, set on a murky green and blue splash with the letters OUST seeming to drift in and out of the background. The contrasting red, orange and yellow fills and blended beautifully, and the whole piece is given depth by the drop shadow with a central vanishing point and picked out with a thin blue line. This is a classy piece of writing from Oust.

7010. Sparke Evans Park (132)

Endz, Sparke Evans Park, Bristol, April 2025

It took me a while to work out who this piece was by, and it wasn’t until I saw another that I could see that it was by Endz. There are no strong clues to go with – the letters may or may not spell ENDZ, the pieces are not signed, and the style is vague enough to be really difficult to place. However, all of these attributes come together, ironically, to make identification a little easier, as there care only a few artists who meet these criteria.

The sketchy style, once you register it, is a feature of some (but not all) of the artist’s work. The letters spell ENDZ with the ‘N and D’ conflated in the middle. The soft cream tones work well against the blue and white background and the writing is beautifully finished with a scattering of green leaves, without which the piece wouldn’t be complete. Lovely and unusual writing.

7004. Sparke Evans Park (131)

Hire, Sparke Evans Park, Bristol, June 2025

2025 has been a dry year so far, and we have had an unusually sunny time of it, and although this is in part driven by a changing climate, it still feels good after the rather wet years we have had in the last decade or so. I mention this, because in these sunny conditions, photographing certain walls in Bristol has been a bit of a nightmare and this one was particularly challenging.

Despite the difficulties (you can just make out my arm in the top left trying to block out the glare), It was well worth the effort to capture this beauty from Hire. This piece is like some of his earlier spiky pieces, but with slightly softer edges. Some great autumnal colours and fabulous highlights surrounding the HIRE letters instead of a drop shadow give this piece a distinctive look that is a hallmark of the artist. A very nice piece of graffiti writing.

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

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