St Werburghs – Page 8 – Natural adventures

6897. St Werburghs tunnel (491)

Mr Klue, St Werburghs, Bristol, April 2025

I am writing this from a tired Travelodge in Warrington, having watched Arsenal lose to PSG in the second leg of the Champions League Semi Final in an equally tired and slightly empty Irish Pub. I have had a long day, and still have this blog post to write. At least I am writing about this fabulous Mad Hatter piece in the tunnel by Mr Klue.

I think Mr Klue painted this as a bit of an extra, after he has finished another piece that I watched him complete. He is on a roll this year and has been churning out some great pieces. I particularly like these little characters that he paints and I have seen several of them over the years. This character is a little more solid than his ephemeral abstract writing and manages to convey a certain amount of mystery and intrigue.

I am always reminded when I see this character, of a wonderful double LP that me and my sister had as children, which was a musical version of Alice in Wonderland, and thanks to the Interweb, here is a picture of it. Try and find an online version to listen to, you won’t regret it.

Alice in Wonderland album cover. A brilliant musical version with a star-studded cast.

6891. St Werburghs tunnel (490)

DFC1848, St Werburghs, Bristol, April 2025

It is always a pleasure when DFC1848 comes to visit, and sometimes I even manage to catch up with him, but unfortunately not on his most recent visit, during which he dropped a few pieces about the place, including these ones.

He has become an accomplished character painter, coming up with a raft of different cartoon-style creatures for us to enjoy. I’m not sure what this little fellow is, a beaver? A meerkat? It doesn’t really matter. The animal is holding up a placard which simply reads ‘smile’. Unfortunately, yellow text on a white background is a real ‘no no’ in the world of communications, as for many people it is difficult to pick out the writing.

Not content with his first creature, DFC1848 also painted a ‘sticker’ character a few yards away, for good measure. Decent fun stuff.

6859. St Werburghs tunnel (489)

Kool Hand, St Werburghs, Bristol, April 2025

This piece by Kool Hand was part of a recent collaboration in the tunnel, but alas his third only lasted about 24 hours. On the upside I was fortunate enough to see it, literally moments before it was painted over by Mr Klue.

I have said it before, but Kool Hand is a bit of an unsung hero of Bristol street art. His unique blend of colour, characters and writing is a central part of the heartbeat of the Bristol scene, without which it would feel diminished. The letters KOOL and nicely presented in very Kool Hand orange, with some great solid fills and spots. The background in softer purples and blues provides a perfect counterbalance to the graffiti writing. Nice work from Kool Hand.

6835. St Werburghs tunnel (488)

Hemper, St Werburghs, Bristol, March 2025

More from the irrepressible Hemper, this time at the farm end of the tunnel. His recent run of form has been quite extraordinary, and I imagine quite liberating for the artist himself. Although he always paints original designs, he has been pushing the boundaries a lot lately.

This is a chrome piece with brass knobs on, and unusually for Hemper it looks to be rather political or at least a social commentary piece. The chrome letters have anthropomorphic limbs which are crushing and vandalising a Tesla Cybertruck, a sentiment probably shared by many people in the current political climate. I feel that Cybertrucks should be side lined on their ugly appearance, let alone the hideousness of their owner. I am teetering on a bit of a rant, but simply don’t have time, so I will round off the post here. Superb work from Hemper.

6824. St Werburghs tunnel (487)

Mr Klue, St Werburghs, Bristol, March 2025

I would say that Mr Klue is the (undisputed) king of St Werburghs tunnel, on a measure of number of pieces painted there. It seems to be the place he enjoys painting most, and it is rare to not be able to find something of his at any one time.

This is a colourful one, as ever spelling out KLUE, which is notable perhaps for the way the wispy tops of the letters bleed into a cloudy mass, which might have been there from a previous piece. The central colours are green and orange, which often work well together, but there are also injections of purple and white. The use of these colours combines to create depth to the piece which is on the cusp of being anamorphic. We can be certain that there will be more to come.

6818. St Werburghs tunnel (486)

Badger Feral and Stivs, St Werburghs, Bristol, February 2025

This slightly unusual collaboration from Badger Feral and Stivs has been turning a few heads, and not surprisingly, as it is rather striking. While I am very familiar with Stivs’ work, I believe this is the first piece I have come across by Badger Feral.

Badger Feral, St Werburghs, Bristol, February 2025

Starting with the Badger Feral piece, we are presented with a portrait of a hooded woman, with red hair and gold earrings. Her blue eyes are matched by the hood around her head. The portrait has a slightly darker side, with an inverted cross on the woman’s forehead, and her hood is suspended by a line of little skulls. Lots to take in here, and plenty of symbolism too.

Stivs, St Werburghs, Bristol, February 2025

Stivs on the other hand has painted a portrait of a jolly fellow wearing a cap. I don’t know who the character is, but there might be a clue in the ‘Jim Bitch’ that accompanies the piece. Stivs has painted the portrait in a photorealistic style, and it looks like, from subsequent pieces, that he is rather enjoying portrait work at the moment. There is so much to take in from this ever so slightly weird collaboration.

6817. St Werburghs tunnel (485)

Hemper, St Werburghs, Bristol, February 2025

This stunner by Hemper (who else?) has caused me a lot of grief. It was painted at the farm end of the tunnel, and had a black van parked in front of it every time I went to visit. I never did get a clean shot of the piece, so I have had to decide whether to share some rubbish pictures of it or not to share at all. I chose the former.

This is one of a series of outstanding pieces from one of the most imaginative graffiti writers in Bristol. He has been operating at full tilt this year, and has already clocked up countless pieces, no two looking even remotely similar. It is probably a good time to update his gallery (I have just done it), which is swelling, in a positive way. These bubble letters spell out HEMS and are set on a delicious red background. The pink and blue fills are expertly worked, as you would expect. So much more to come from Hemper’s renaissance.

6815. St Werburghs tunnel (484)

St Werburghs, Lezaxer, Bristol, March 2025

When I first saw this piece, I was puzzled. The style felt familiar, but I couldn’t match it to any of the artists I am familiar with. There was a reason for that, it is a wonderful piece by visiting artist Lezaxer, and one of at least two painted during a trip to Bristol earlier this month.

The beautifully crafted writing spells out ZAXER, I think, with a perfectly complementary colour scheme, set on a cloudy background. Clearly the work of an experienced graffiti writer, and one who certainly doesn’t look out of place in Bristol. From Lezaxer’s Instagram profile, it appears that home is Sheffield, and we are privileged that the artist made the long trip south.

6808. St Werburghs tunnel (483)

Aha! There is a certain consistency and reliability with Nips’ pieces that I am really attracted to. Her letters tend to be similar in shape from piece to piece, but it is in her fills where she really excels and shows off what she can do.

Set on a fairly elementary yellow backdrop, the letters NIPS are filled with a stunning patterned mix of pinks and blues, with some great designs and reversed out spots. The eye is drawn to the female symbol in the dot of the ‘i’, which is assertive and proud. Nips has included a couple of nice shout-outs to Basik and Roma too. I hope we see plenty more of Nips in 2025.

6798. St Werburghs tunnel (482)

Mr Klue, St Werburghs, Bristol, February 2025

This trio of pieces in the tunnel, show how busy Mr Klue has been of late in his favourite spot. The one on the left was painted a day or two before the other two, which I think might have been created in a single session.

The left-hand piece, as with all of them, spells KLUE and has a green base palette. Ephemeral, smoky, abstract letters are part of the USP I would expect to see from Mr Klue and he rarely disappoints. There is little more to add from these three pieces, other than their colour differences.

Pinks and purples dominate in this middle piece, with some yellow highlights along some edges.

Finally, the trio is rounded off on the right with a piece that is predominantly white, again with some yellow highlights. All three together show how Mr Klue’s abstract writing is based around the same simple concept, but can look completely different depending on the design details and colour palette. A busy man.

	Sheree on 7439. M32 Cycle path (304…
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	paulh121 on 7438. River Avon (108)
	paulh121 on 7436. St Werburghs tunnel…
	Cethru Cellophane on Tales of a telecabine

	Sheree on 7439. M32 Cycle path (304…
	TiffanyArpDaleo on 7437. M32 roundabout J3 (…
	paulh121 on 7438. River Avon (108)
	paulh121 on 7436. St Werburghs tunnel…
	Cethru Cellophane on Tales of a telecabine

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