Mr Crawls, Cumberland Basin, Bristol, September 2023
Demonstrating that he is not a one-trick pony, Mr Crawls has painted this ‘stripped back’ version of one of his bird characters. Painted on a pink background, the chrome and black piece is quite unlike his other work, and shows the artist playing around with his characters.
Mr Crawls, Cumberland Basin, Bristol, September 2023
I am very much enjoying Mr Crawls birds cropping up all over the city, and likening the way that he is switching things up from time to time. It is interesting to see that he has started signing his work, and I wonder if that is something to do with his level of confidence, or maybe even starting to market his brans a little. Unusual and enjoyable.
I think I first became aware of Peggy’s beautiful floral pieces in Dean Lane, a few yards from this one, so it is great to see how much she has come on and how much bolder and confident her work has become. This outstanding piece was painted alongside friends in a recent paint jam that covered as much wall space as possible in this corner of Dean Lane skate park.
Peggy, Dean Lane Bristol, September 2023
The colour selection for the piece is perhaps the first thing that draws the eye, but a closer look at the floral patterns and motifs adds to the overall enjoyment. The middle of the flowers contain little smiley or not smiley faces and Ying Yang motifs. And the trademark eyes at the centre of the larger flowers. A fine piece from Peggy, perfectly fitting the awkward spot.
Mr Draws appears to have found a new energy this summer, which is great to see, and he has been painting both his writing pieces and some interesting studies, mostly linked to nature. This is a colourful piece, notable mainly for its wonderful patchwork of fills.
Mr Draws, Brunel Way, Bristol, August 2023
If I were to categorise Mr Draws’ work I would call it right out of the ‘Bristol School’ of street art. His style and that of others, like the PWA crew and RAW, is a stamp that, while not unique to Bristol, definitely belongs in Bristol. The colour fills appear to be random, not following any particular pattern, but have a freedom that lightens any intensity. A piece that is easy on the eye and full of positive vibes. Off to catch some more fish today.
Cheba is best known for his cosmic murals, many of which are still present after years, due to the locations of them, many being commissions on the sides of buildings. This piece painted as part of the 650 years of Bristol celebrations paint jam is something of a departure from what we are used to seeing, especially as it has been painted using brushes.
Cheba, Queen’s Road, Bristol, August 2023
The first thing I thought when I saw this painting was that it reminded me of Monet’s Water Lillies, which is a complement indeed. I think that scene could be of Brandon Hill and Cabot’s Tower, only a few hundred meters away from this spot. Bright, breezy and colourful, the piece is full of joy, and beautifully painted. Definitely a hidden aspect of Cheba’s talents.
You know it is going to be a good day when you find an Andy Council piece. When it happens, it is like one of those ‘my work is done here’ moments, if that makes sense. Andy council has had a comparatively quiet summer on the streets, so finding new and recent pieces has been something of a treat.
Andy Council, Dean Lane, Bristol, August 2023
This wall is not the easiest to photograph, and before I had the capability to photograph with a wide angle, this piece would have presented me with a bit of a headache, and even with a wide angle aspect, it is still a little awkward. This panther (?) piece is the second animal to be painted by Andy Council on this wall recently (I will post the other one soon) and is styled in his extraordinary component composition. Each element of the creature is made up from bits of grating and pipe work, and other bits that look like they have come from a scrap heap, but combined, they make stunning whole. Beautiful and creative, this is a magnificent piece from Andy Council.
Today is the first day of a short break in Cornwall, and my focus is on dusting off my fishing gear and preparing myself for a day outdoors in the fresh air. Of course, my routine is likely to be a little disrupted, and my posts might get a little erratic as the week wears on, but that is fine. Today’s post features a fabulous piece by Inkie in the tunnel, from a paint jam at the end of August.
Inkie, St Werburghs, Bristol, September 2023
I am spoilt. There was a time when I used to get super-excited when I found work by Inkie, whose reputation precedes him, but these days I am fairly nonchalant about it, and even the presence of Goldie in this work in progress shot seem quite normal. Perhaps I have been doing this too long and am losing my edge.
Inkie, St Werburghs, Bristol, September 2023
The piece by Inkie is out of the top drawer, and I guess that in a paint jam of this calibre, everyone is under a little pressure to turn out their best work. Beautiful letters, outstanding fills and a sumptuous 3D drop shadow combine perfectly to render an archetypal Inkie piece. We are blessed.
On a recent drive around Bristol getting from one spot to another, I managed to stumble across a few Merny pieces that I hadn’t been aware of or hadn’t been able to locate. This one is on a shutter in Trinity Street next to a Taboo Pink Panther piece a little bit away from the beaten track. Shutters are tricky, because most of the time they are up and you don’t get to see the artwork.
Merny, Trinity Street, Bristol, September 2023
This philosophical piece features three passers-by and the words; “The earth spins on its axis, one man struggles while another relaxes”. I like that. The characters are painted in Merny’s naïve style and reflect everyday people. Naturally there are little identification numbers and lines dotted about the place, consistent with most of Merny’s recent works.
Dibz, Cheo and Fade, Brunel Way, Bristol, September 2023
I don’t often place work in progress (WIP) shots as the feature image, preferring to have the completed piece in all its glory, but in this instance I have gone for it, showing three masters at work, Dibz, Cheo and Fade.
Dibz, Brunel Way, Bristol, September 2023
The turnover on this wall this year has been quite staggering, and the bar has been raised a few notches on the quality of pieces that appear there. On the left Dibz has done his stuff with pin-point accuracy and a crispness that is synonymous with his work.
Cheo, Brunel Way, Bristol, September 2023
The beast of a piece in the middle is by Cheo, and is frankly utterly brilliant. The overweight character is holding a spray can (a popular theme I have commented on many times in this blog) and looking like he might have had a beer too many the night before. The genius of the piece is the ‘Hello Kitty’ underpants creeping out of the top of the character’s trousers. The hairy belly and five o’clock shadow are nice touches too.
Fade, Brunel Way, Bristol, September 2023
To the right, Fade reflects the colours, and to a certain extent the style, of Dibz’ writing on the other side of Cheo’s character. There is some mirroring of fills and drips too. The key difference between the two is the complexity of the design and thickness of the letters. Perhaps one day it will not be possible to distinguish between the two. A superb Triptych.
Although rather small, this is a rather good piece by Dopes. The choice of hoarding is challenging, being at the top of a DIY skate ramp, and on short boards that have been slapped together. On the upside, anyone who paints this spot is likely to have their work on display for a considerable period.
Dopes, M32 Spot, Bristol, September 2023
Dopes has been out and about a fair bit recently and the quality of his work is always high. Out of necessity, the letters bleed off the top of the hoarding, but in spite of that are nicely proportioned. Great colours and white rather than dark borders and 3D drop shadow. Easy on the eye stuff from Dopes.
I had seen this piece at the entrance to St Werburghs tunnel for a while, and there was something about it that stood out, but I couldn’t pin it down. I didn’t post it because I didn’t know who it was by. A serendipitous catch up with Logoe recently at the other end of the tunnel provided me with some insight about the piece. Logoe was raving about it and said it was by Drax, a highly-regarded old-school writer, and one of the original graffiti writers, from London I think.
Drax, St Werburghs, Bristol, September 2023
Armed with that background, I revisited the piece after our conversation, and the ‘something special’ about the piece is its class. It is fairly modest and unsigned, so definitely a piece for those in the know. The beautifully finished letters spell DRAX, and the more you look at the fills and borders, you can see that it is by a highly experienced and skilled artist. My only slight concern (and this is a me thing) is the colour scheme – regular readers will know that I am not a big fan of brown, and I am not too sure about the brown/blue combo. Great to have the mystery solved.
Natural adventures 