A gallery of fabulous, cheeky character and combination pieces from Bristol graffiti artist Jevoissoul AKA Slow.
Instagram : @slowityeah
All photographs by Scooj
Jevoissoul
Tag: Street art
7347. M32 roundabout J3 (731)
Every once in a while, the walls of the M32 roundabout are treated to a new coat of grey paint courtesy of the council and courts in the form of community service. It is a marginally futile exercise, because it never takes too long for freshly buffed walls to be tagged and painted by street/graffiti artists. A blank canvass is an irresistible itch that needs to be scratched.
Lupa, who has been fairly quiet this year, has painted this rather nice chrome piece in one of the tunnels under the roundabout. The chrome has picked up some of the colours of its immediate environment, such as the glow of the orange lighting and the light reflecting in from the ends of the tunnel, creating a warm effect. Her chunky letters are bordered with a pink line, although there is a small mistake on the top of the ‘U’ where the border encroaches too far (nit-picking). I love the happy/sad faces, and it is great to see her work again.
7346. River Avon (105)
Haha! I love this tidy piece of graffiti writing from Zinso alongside the banks of the River Avon. Every element of this nicely thought out piece works well and from my perspective, the best thing to do is respect it and enjoy it.
It was a sensible move to buff the wall first, because a cool piece like this could be lost if simply dropped onto existing graffiti. The letter fills are made up of a lovely blend of blues, greens and purples, including spots and drips. The doughnut at the end is simply perfect and adds a touch of humour to the piece. A black drop shadow and orange border round the piece off nicely. I also like the inverted ‘i’ and the little heart above the writing. Very nice work from Zinso.
7345. St Werburghs tunnel (553)
There is still plenty more to share with you from Minto’s birthday paint jam in the tunnel, which was so incredibly well attended. This is a fine contribution from Hire, which was near the entrance to the tunnel.
Hire has written MINTO, which, although difficult to see, becomes more obvious each time you look at it. His distinctive spiky letters appear to emanate from a bright light, like a golden sun, with a central vanishing point above the piece. The piece is nicely finished with a some softer curls of green decoration. A great piece from Hire.
7344. Peel Street Green (55)
I am really impressed that Face 1st has kept up with his intention to visit Bristol from time to time after his move to Herefordshire last year. I guess he knows he can paint freely in Bristol, and he probably has plenty of friends here to visit.
This is a rather unusual combination piece from Face 1st and Zake, featuring some fancy ‘gold’ letters by Face 1st with an incredibly deep drop shadow, and a (satanic) portrait piece in the middle by Zake. Set on a fiery background, there is a hint that this might have been a Halloween piece, but I am not too sure. Some nice shout-outs to Soap and Chill from the PWA crew.
7343. Cumberland Basin
I was lucky enough to meet 2Face when he was painting a piece in Dean Lane some months ago, and at the time I think I was expecting to see more of his work about the place. As it happens, this is only the second one I have found, so either he doesn’t paint all that often, or I simply haven’t found his pieces.
These richly decorated letters spell out FACEY in nicely formed shapes with plenty of space for playing with the fills. The palette spans several colours, but it is the eye-catching pink organic looking threads that stand out to me. I think that the bright upper surface of the letters is a little overpowering and unbalances the piece slightly, perhaps dialling it back a bit might’ve worked better. Great to see more from this writer.
7342. Jamaica Street (31)
There was a time a few years back when this superb hoarding, the People’s Republic of Stokes Croft outdoor gallery, would be refreshed on a regular basis with all manner of collaborations, these days it tends to be used more for social commentary and messaging, which is not entirely surprising, and welcome. On the downside, it doesn’t get painted with the same frequency, as the messages have longevity. This is a superb, and rather eclectic collaboration from Aimee’s Esme Lower, Jody and Conrico in support of Bristol’s homeless.
The collaboration begins on the left with a colourful piece by Aimes. The creative piece hints at homes with the brick wall, and also recognises one of the backers of the campaign, the Big Issue, an outstanding set up that has been supporting homeless people for years through a model of engagement in the process of creating and selling print/digital newspapers.
The next piece is by Melo who has been on fire recently. The comforting piece is a combination of an illustrative cartoon style that verges on the abstract in places. Two characters, one of them drinking a hot drink and some beautiful flowers, gives us a scene full of hope and opportunity.
The portrait piece by Jody, is, I believe a copy of the front cover of the Big Issue, featuring DJ James Hype, who was holding a fundraising event at the Beacon to support homelessness. Jody, as ever has smashed it with the greyscale piece.
Finally, Conrico has painted some low-cost container houses amidst a floral display, and the words ‘building homes from house’ making the connection between the fundraiser and the outcomes. All in all these four artists have combined to support a powerful and valuable message to the people of Bristol.
7341. River Avon (104)
I have always liked Nips’ pieces and as a rule her work is getting better and better. This is a gorgeous and uplifting piece of graffiti writing alongside the river, which certainly catches the eye. Impossible to walk past without a quick glance at the very least.
Nips is known for her imaginative and well executed fills, and this piece is no exception the fill colours are so well blended, and the wibbly blue midline is inspired. The little character replacing the tittle (dot on the i) looks to be a nod to Halloween. This is a truly enjoyable piece.
7340. St Werburghs tunnel (552)
A quick one today, written late last night because we are on our way to Milton Keynes today for a family gathering. This superb Halloween collaboration from Andy Council and Ulow was part of the celebration paint jam for Minto’s birthday.
To the left is an amazing wizard hat by Andy Council, made up of a spooky graveyard scene. There is so much detail in this piece, but it is suffering a little from the low light levels in the tunnel. Next to the hat is a menacing pumpkin character by Ulow, which is the perfect Halloween monster. Both pieces are outstanding and a fitting tribute to Minto.
7339. River Avon (103)
Some artists are underrepresented on Natural Adventures, and I strive to work out why this might be. Sometimes it is simply that I don’t like or rate their work (sad but true). Sometimes it is because I don’t really know too much about them, and sometimes it is because I sense that they might rather like the anonymity or simply to keep a low profile. But here’s the thing, painting huge letters or characters on public walls is hardly keeping a low profile, and remaining anonymous or under the radar is a rather high expectation, I would say.
Kush is an established artist whose work has been dotted about the place for a long while. Having said that, I know nothing about him at all. I am guessing he has been around for some time because he has a tribute shout out to CKOne. The letters are nicely rounded, with a three-layer fill and some tidy white highlight lines to give the piece some perspective and depth. Nice work from one of the quieter graffiti writers in Bristol.
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