Tag: Street art

1228. Dean Lane skate park (99)

Clearly very excited about the release of the recent Star Wars movie (and who wouldn’t be?), it would appear that Soker, who usually writes his name, may have been inspired to spray this R2D2 piece. It is possible there is more to it than that, but it matters not, this is a brilliant clean piece.

Soker, Dean Lane, Bristol, November 2017
Soker, Dean Lane, Bristol, November 2017

On one of the feature walls at Dean Lane, this piece works beautifully, the proportions are all nicely done and the colours assembled well. The piece also generated some good banter on his Instagram account with his stablemates Cheo and Voyder (Darth Voyder).

Soker, Dean Lane, Bristol, November 2017
Soker, Dean Lane, Bristol, November 2017

All great fun.

1227. Ashley Road (16)

This is the second piece by Fiva (Fiver) to appear on this hoarding in recent weeks, the first was featured in a post recently and that one was the first work I have seen from this artist in a while. It seems he is on a roll, and that his inspiration would appear to have come from (I think) recently becoming a father.

Fiva, Ashley Road, Bristol, December 2017
Fiva, Ashley Road, Bristol, December 2017

I do like these kind of writing pieces which conflate words and styles to create a layered puzzle. This is accomplished work from a good artist, and I’d like to see more of his work on the streets – as a new father though I expect his opportunities might be limited.

1226. Wilder Street (21)

Wilder street is home to some of the best walls in Bristol, but the turnover here is not as high as in other parts of Bristol. I think it is because some of the walls are curated and pieces left on show for longer.

Laic217, Wilder Street, Bristol, December 2017
Laic217, Wilder Street, Bristol, December 2017

This is an interesting work by Laic217, who appears to have dropped his activity of late. I expect it is better viewed through 3D glasses, although I am never quite sure if artwork like this is done simply to give the effect of a 3D piece or if they actually work as well.

Laic217, Wilder Street, Bristol, December 2017
Laic217, Wilder Street, Bristol, December 2017

I love the way his signature is cleverly worked into the elbow of the skeleton character. Now where are those cardboard glasses?

1225. Stokes Croft, the Carriageworks (30)

The facade of the Carriageworks is living on borrowed time. The building has been in limbo for many years and is in a state of semi-dereliction. The owners appear to be waiting for the right offer to come in from potential developers before selling up. As a result, the bricked up archways have played host to some exceptional pieces of street art over the years, and has been a ‘go to’ location for locals and international artists alike.

Mr Klue, Stokes Croft, Bristol, December 2017
Mr Klue, Stokes Croft, Bristol, December 2017

The turnover of artwork has reduced dramatically as talk of redevelopment hots up but there has been a recent spate of work from local artists. One of those is the fabulous Mr Klue, whose abstract pieces I love and have featured countless times here before. He described this freestyle piece as a ‘quick ting’ on his Instagram account. I haven’t seen any street pieces by Mr Klue since Upfest, so this was a real pleasure to find and photograph. More please Mr K.

1224. Dean Lane skate park (98)

What a lovely Christmas present from Mr Draws. He sprayed this enormous chrome burner just before Christmas Day and what is difficult to convey is its size. It is an impressive and fun piece.

Mr Draws, Dean Lane, Bristol, December 2017
Mr Draws, Dean Lane, Bristol, December 2017

It is so good to have a regular feed of Mr Draws pieces, which he finds time to spray, in between woking in his studio on his mountains. I love this bloke.

1223. The Bearpit (113)

Back in October 2017, John D’oh had a lot of fun spraying a whole load of stencils in The Bearpit. This was one that he seemed to be particularly fond of.

John D'oh, The Bearpit, Bristol, October 2017
John D’oh, The Bearpit, Bristol, October 2017

It would appear to be a homage to ‘Where the Wall’, a Bristol company that offers street art tours, wall curation and graffiti experiences. This would seem to be a genuine tribute, but with a history of cynicism towards and lampooning of the establishment, one can never be too sure with John D’oh.

John D'oh, The Bearpit, Bristol, October 2017
John D’oh, The Bearpit, Bristol, October 2017

As a group, these stencils take on quite a dynamic colourful feel and it is interesting to see how different they look on different backgrounds. John D’oh has been very busy this winter and long may it continue.

John D'oh, The Bearpit, Bristol, October 2017
John D’oh, The Bearpit, Bristol, October 2017

1222. Dighton Street (3)

There are two small spots at the end of Dighton Street which appear to get a new lick of paint roughly annually. Two years ago there were two musicians by Sepr and last year there were two pieces of wildstyle writing by Deamze. Now it seems the rotation continues between these two ASK members with the emergence of another two musicians by Sepr.

Sepr, Dighton Street, Bristol, December 2017
Sepr, Dighton Street, Bristol, December 2017

On the right there is a trumpeting gentleman. Sepr betrays his long love for music with these pieces and conveys not only the interesting stylised characters but a sense of the music too.

Sepr, Dighton Street, Bristol, December 2017
Sepr, Dighton Street, Bristol, December 2017

The piece on the left is a lady violinist (or is it a viola?). Unfortunately, even though these were only a few days old by the time I got to photograph them, the taggers had been at work. Kind of annoying really. I continue to love Sepr’s work.

1221. City Road (6)

The truth about Face F1st is that I simply can’t keep up with him at the moment, he is being so incredibly productive. Another thing about his work is that it is largely confined to Stokes Croft and the M32 roundabout. I think I have only ever seen one piece of his in Bedminster.

Face F1st, City Road, Bristol, December 2017
Face F1st, City Road, Bristol, December 2017

In this piece we see Face F1st using some rather more upbeat colours compared with the sober tones he usually uses. I’m afraid that the focus in the feature photograph is really poor, and I might have to replace the picture when I next get a chance. I really like this piece.

1220. Dean Lane skate park (97)

It is always a pleasure to see a piece in progress and, if you are lucky enough, to see it again once completed. This was one such work by Ugar, our very own Hungarian Maestro.

Ugar, Dean Lane, Bristol, November 2017
Ugar, Dean Lane, Bristol, November 2017

I am really interested in seeing how he layers his work and that in common with many other writers, he starts with draft outline letters and then fills in the background before filling the letters. This feels counter-intuitive to me…being a non-artist, I would simply slap the background down first and then work up from there…this is one of the reasons why I am not out there spraying (apart from an utter absence of talent).

Ugar, Dean Lane, Bristol, December 2017
Ugar, Dean Lane, Bristol, December 2017

The final piece of wildstyle writing is exquisite and all the more admirable for being worked onto the pre-existing colourful piece beneath it. I must confess that I had come to photograph the Erase piece that Ugar sprayed over, and was a little disappointed initially. That was until I saw the final product. I am looking forward to seeing more from Ugar in 2018.

1219. Stucley Place, London (3)

Immediately adjacent to Gnasher’s chimpanzee in Stucley Place there is a door with a couple of wheatpastes on it. The higher of the two is by Face the Strange and features four brightly coloured suited gentlemen with half fruits or vegetables for faces. I am guessing that this has been around for a while. The piece is actually made up of four individual strips.

Face the Strange, Stucley Place, London, November 2017
Face the Strange, Stucley Place, London, November 2017

The lower pasteup is by Codefc featuring one of his characters with a camera head. Both pieces have similar themes and yet the individual style of the artists shines through.

Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES
Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES

I posted a piece by Codefc from Upfest 2016, but it seems that more recently he has favoured freestyle spraying, judging by his Instagram feed. I enjoy seeing artists moving through different techniques and expressing their work in different ways. This is a nice door.