At last year’s Upfest, 23 Magpies had a board all to herself, rather than her usual wheatpastes dotted around the place on utility boxes and lamp posts. I am a big fan of her work and am the proud owner of one of her small creations.
This work at Upfest is a clever piece of artwork purporting to be a National Geographic cover. A nice political message up front and lovely illustration, which chimes very much with the National Geographic house style. Packing a punch and an evocative image.
What a remarkable collaboration this was for Upfest 2017 between Guy Denning and Yatika Fields. The work can be found on Dean Lane, in one of the more difficult spots to view. There is a tree a few yards in front of it, which presents the viewer and photographer (let alone the artist) with all sorts of light related challenges.
I don’t know if these two regularly collaborate, but their two distinct styles come together to create a fantastic whole. The central face is by Guy Denning which if inspected closely is made up of carefully stencilled letters and patterns to make up the composite face – brilliant work.
The patterning and abstract work either side of the face is by Yatika Fields, who has spent most of his time working on the East coast of the USA. On their own, neither of these pieces would carry the same impact as they do together.
The reference and portrait is of Tara Houska Zhaabowekwe (I had to look her up) who is the national campaigns director at ‘Honour the Earth’, and a native North American.
This sensational piece, which was part of the Ferdinand estate initiative organised by Global Street art and Camden Council, is by Bristol’s very own Andy Council. So good to see an artist’s work in London that I am very familiar with.
This has all the hallmarks of a great AC piece: An animal (in this case a horse with a flowing mane), a fantastic colour palette and the whole being composed of architectural elements and local landmarks.
I remember seeing this on social media when he first sprayed it and thinking that I would probably never see it. When I found it, I certainly hadn’t been looking for it. If I had done my homework properly I would have known where to look. Somehow though I prefer to wander around places using my instinct to track down potentioal street art spots. It is like a sixth sense.
When I first saw this piece, I thought I had found another Gregos mask, but I was wrong. It is a piece by Urban Solid, a street art duo from Italy. To see more of their work, take a read of this great blog by London Calling.
Unfortunately, I looks like the piece has been damaged, there is meant to be something in the mouth of the face, but it has been snapped off. I am a fan of this kind of 3D installation art that challenges the viewer with humour and sometimes political rhetoric. All part of the broad spectrum.
My not-so-recent trip to Camden Town took me back to some places that I had been to on previous visits. This was a particular joy to behold. Always, seeing Dzia pieces is thrilling but to see one so perfectly worked into a wall with an existing piece is just perfect.
I first saw this wall, with only the Dotmaster piece in September 2016, but the additional character that the Dzia pigeon has given it works so well. I love the clever touch of the pigeon’s heart, as if it is saying I love this piece.
One just has to marvel at the way the lines and shapes that Dzia draws, which on their own don’t make any sense, come together to create such astonishingly lifelike creatures that appear to be animated. Such clever work from this exceptional Belgian artist.
The incredible Alex Lucas is pretty well known across Bristol, if not by name then by recognition of her artwork. She seems to have her work all over the place and her commissions definitely brighten up the city.
From shop fronts to indoor murals, barely a day goes by when Bristolians aren’t touched in some way by her work. This is a case in point, the Bluebird Tea Company half way up Park Street.
This isn’t some corporate makeover, but rather a beautifully bespoke design for a particular kind of outlet. It is a one-off, and a glance at the detail in the piece demonstrates this.
Is this street art? some may ask. In my view, absolutely it is. Just because it is paid-for work doesn’t make it any less legitimate. It isn’t edgy or covert, but it is representative of one end of the huge spectrum of public street/graffiti art available to all in Bristol.
The tree in front of this magnificent Sepr piece is always going to make photographing it difficult. A winter shot on a clear day is probably the best you are going to get, but ebven then a shadow of the tree is cast across the mural.
I took several pictures of this piece shortly after it had been started, but they were polluted by the light conditions. I am not entirely sure what this is all about other than it is yet another brilliant monkey in space suit piece. Not far from this spot there is a Zase and Dekor monkey in a space suit, and every Upfest seems to throw up one or two. It is an endearing theme, and one so excellently executed here by Sepr.
This is a deceptively large piece on a fairly irregular wall, and how well Sepr has used the space to tell a humerous story. The monkey is immediately adjacent to the beautiful turtle by Louis Masai, and there we have street art…two classics, one earnest and worthy, the other full of fun…both supreme.
Who doesn’t love Salvador Dali and especially a greyscale multi-layer stencil tucked away in a dark alleyway by John D’oh? OK, so a kind of rhetorical question designed to answer itself. This is a brilliant piece of work. A stencil artist, a surrealist and a cat…it doesn’t get much better.
In my view, John D’oh is a highly talented, prolific and perhaps slightly overlooked artist on the local scene. His pieces, small and large, simple and complex are almost taken for granted, but each is a little gem. It is so utterly worth stopping to look at and admire his work if you get a chance. I doff my cap in his general direction…wherever he is.
I am not entirely certain, but I think this piece is by Hemper. For sure the writing spells HEMP, but it is possiblt this is a drug reference and nothing at all to do with Hemper. Whoever it is by, it is a nice bit of chrome writing set on a green and purple wall for a background.
Walls seem to feature a lot in street art. I suppose that along with spray cans, walls are one half of the tools of the trade. This is a nice piece that seems to have stood the test of time in a location that normally has a high turnover. Finally, who can’t agree with the statement ‘homes for all’?
I have known about this wonderful piece by Loch Ness for an age, but never managed to get near enough to photograph it. It is ever so slightly off the main drag, and too far away for me to reach it in a lunchtime walk.
It is a classy piece from this fine Bristol artist who combines colours and form to great effect. Many of his older murals feature monsters, but more recently he has worked on these wildlife-themed imaginary beings which transform from anumal into pattern and design.
I happen to think that this is a particularly fine example of his work, and really should have brought it to your attention sooner. I will try to do better.
Natural adventures 