527. Moon Street (16)

This is one of the best walls in Moon Street (Stokes Croat even). It stands out, is a great size, and allows only for one piece at a time, giving the artist space to frame the piece nicely. Mr Klue is, I would suggest, the best abstract street artist in Bristol – instantly recognisable and very easy on the eye.

Mr Klue, Moon Street, Bristol, March 2016
Mr Klue, Moon Street, Bristol, March 2016
Mr Klue seems to be comfortable working alone, or working in collaboration with others, and I have many examples of both in this blog. Consistently good, and some of his more recent work is looking very interesting indeed. I just have to get out and find it.

526. St Werburghs tunnel (3)

I have been holding back from posting these pictures, because although the collaboration between Kid Crayon and SPZero76 is magnificent, the photographs are pants. I have manipulated the light a little bit, but the colours simply don’t do the piece justice. The flash, used in one of the pictures simply bleaches the colours. All a bit rubbish and it exposes me as a non-photographer.

Kid Crayon, St Werberghs tunnel, Bristol, June 2016
Kid Crayon, St Werburghs tunnel, Bristol, June 2016

The composition is just crazy, characters firing water pistols at each other from flying cardboard boxes. Where did that idea come from? The styles of these two artists are quite contrasting, but the end result works really well.

SPZero76, St Werberghs tunnel, Bristol, June 2016
SPZero76, St Werburghs tunnel, Bristol, June 2016

Who is the lady and who is the bulldog in SPZero’s  half of this collab? This is a really fun piece, long since gone. I have to say at this point that Kid Crayon really is one of my favourite Bristol artists, and finding his work anywhere is a real treat for me. To find it together with the great SPZero76 makes it just that little bit more special.

SPZero76, St Werberghs tunnel, Bristol, June 2016
SPZero76, St Werburghs tunnel, Bristol, June 2016

525. Dean Lane skate park (28)

This is a bright and cheerful piece from back in August by Laic 217. Remember, it was warm and sunny then. This nice bit of writing follows the format favoured by Laic 217, that is, to write his name and add a feature, normally a face or figure.

Laic 217, Dean Lane, Bristol, August 2016
Laic 217, Dean Lane, Bristol, August 2016

Of course he also sprays the acid house melting faces, which I have featured on these pages before and which I rather like. I think I may have mentioned it before, but Laic 217 is one of those artists whose work can be found at most of the hotspots around the City. Many others tend to restrict their work to specific areas.

Laic 217, Dean Lane, Bristol, August 2016
Laic 217, Dean Lane, Bristol, August 2016

There is always more to come from this quiet talent.

524. North Street, Standard (3)

It would appear that the wonderful Hannah Adamaszek recently paid a visit to Bristol and left us with this beautiful portrait on North Street. The colours and earthy tones are typical of her amazing work, and the face is calmness itself.

Hannah Adamaszek, North Street, Bristol, November 2016
Hannah Adamaszek, North Street, Bristol, November 2016
All of Hannah’s work has this peaceful quality…perhaps if there was more of her work out there the world would be a more peaceful place. I know it sounds cheesy, but that’s how I feel about a lot of street art.

Hannah Adamaszek, North Street, Bristol, November 2016
Hannah Adamaszek, North Street, Bristol, November 2016
Come back soon Hannah, you are always welcome.

523. Raleigh Road (4)

The second of two recent works by Voyder, following on from my previous post. This is a highly accomplished piece that on first inspection looks like a giant sticker that has a couple of kinks and tears in it, but take a closer look and it is just an illusion, the whole piece is sprayed.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I love this amazing attention to detail and deception, this really is a very clever piece, and demonstrates the versatility of Voyder. The work sits comfortably alongside Deamze on one side and a Beastie and Decay collaboration on the other. Both to follow soon.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I have to keep checking this piece to look at how Voyder has sprayed the crease. It really is masterful and creative. One of the best.

522. M32 Roundabout, J3 (24)

This is the first of two recent works by Voyder that mark him out as one of the truly outstanding graffiti writers in Bristol. This piece of writing, set to his typical hand-writing style, shows off his incredible use of colours, providing an effect that makes the whole thing look like it is illuminated.

Voyder, M32, Bristol, December 2016
Voyder, M32, Bristol, December 2016

I have said before when writing about Voyder that it is great to see his work in an accessible setting, as many of his grand pieces are sprayed in derelict buildings where one requires more guts than I have to enter such places. I love this work.

521. Wapping Wharf (1)

Wapping Wharf is a new Harbourside development in Bristol that includes residential flats and some rather upmarket restaurants and food outlets. At one end there is a rather unusual block of ‘container’ shops and cafes called @cargo.  It would appear that at one end of this block there is a public art space, and the first piece to be displayed there is this beautiful work by Gemma Compton.

Gemma Compton, Wapping Wharf, Bristol, November 2016
Gemma Compton, Wapping Wharf, Bristol, November 2016
Gemma is no stranger to the street art scene in Bristol and indeed her artworks were the promotional face of Upfest 2016. You may recall the post I wrote about her lovely work on the front of the Upfest shop in North Street. This work carries the same characteristic blue colours (reminiscent of spode pottery) she uses and is adorned with flowers and butterflies. A lovely piece, and just look at those drips.

520. Partition Street (2)

It has been a long while since I saw anything new from Silent Hobo, and this one is mercifully close to where I work, so taking a look is a daily occurrence. This will actually be the first of two posts on this piece, as it is unfinished in these pictures, and was completed about a week later.

Silent Hobo, Partition Street, Bristol, November 2016
Silent Hobo, Partition Street, Bristol, November 2016
I have to say that it feels a little incongruous being so close to the Zesk piece next to it as the styles are quite different, but considering it on its own, it is a lovely piece.

https://scooj.org/2016/01/12/101-partition-street-2/
https://scooj.org/2016/01/12/101-partition-street-2/
The hashtag #standwithscotty is a reference to Scotty Cranmer, a BMX professional cyclist who earlier on this year had a very bad accident. He is making a slow recovery, and for all updates on his progress, you can look at the link.

Look out for the update when this character will be joined by his posse.

519. Dean Lane skate park (27)

It would appear that Mr Draws has recently had an epiphany. The master of drawing mountains has started to do some writing, which is all rather exciting really. I have seen several of his new pieces in the Stokes Croft area, and this one in Dean Lane is rather good.

Mr Draws, Dean Lane, Bristol, November 2016
Mr Draws, Dean Lane, Bristol, November 2016

I enjoy his selection of colours and the block capitals. Turning the A upside down seems to work really well. Adding this new dimension to his portfolio can only be a really good thing. I wonder where this adventure will take him. I note it has recently taken him to Leake Street in London.

518. Moon Street (15)

Off the beaten track, DinDin left this little treat behind in Moon Street while she was over for Upfest this year. Unfortunately, even though I found the piece quite soon after it was completed, it was already slightly damaged.

DinDin, Moon Street, Bristol, August 2016
DinDin, Moon Street, Bristol, August 2016

I love it nonetheless. It is a swanky, stylish wheatpaste that somehow blends in really well with the brick wall it is pasted to. It is very close to another of her pieces I posted about a little while back. DinDin is my favourite discovery from Upfest this year, and I dearly hope she returns next year. Always welcome.