6647. Peel Street Green (36)

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

Werm has had a very good year in 2024, and tried out several new variants of his letters, sticking with some and abandoning others. This was a particular theme that saw him through most of the year, crafting the letters WERM into a bilaterally symmetrical pattern.

Werm, Peel Street Green, Bristol, December 2024
Werm, Peel Street Green, Bristol, December 2024

This one looks like it might have suffered a little at the hands of the weather, or the background wasn’t fully applied, which is a pity, because it distracts a little from the writing itself, demonstrating why backgrounds can be so important. It’ll be interesting to see if Werm moves on from this style in 2025.

6580. Sparke Evans Park (110)

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The Sparke Evans Park wall tends to look rather nice in the autumn and winter, with the browns and golds of the leaf litter beneath it. These colours provide a nice backdrop, and consciously or otherwise, this piece by Werm has picked up on those seasonal surroundings. The other good thing about this wall in the duller months is that it is possible to photograph it without shadows from trees being cast, resulting in horrible dappling.

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The writing, spelling out WERM, is one of the best examples of bilateral symmetry in writing you are likely to see. The symmetry becomes even easier to make out because of the colour regimes Werm has selected, breaking it down into sections, thus making it easier for the eye to make comparisons. The dark green background is just right too. Nice work.

6540. M32 roundabout J3 (640)

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

I find myself sitting on a Great Western train on my way to London to get to a football match between the mighty Arsenal and Nottingham Forest. The journey has provided me with the gift of time that I don’t get too much of these days, and I am enjoying every second. I am even pushing the boat out with the third street art post of the day, something I am finding increasingly difficult to do.

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

This wonderfully symmetrical piece by Werm is typical of his style at the moment, and one in which I think he is hitting his best form. The letters in a script-like pattern spell WERM and are filled with two shades of orange. The drop shadow is dark blue and the border green. I feel instinctively that these colours shouldn’t really work well together, but somehow they do. In true graffiti writing style, Werm has included plenty of shout outs around the perimeter of the piece.

6444. River Avon (66)

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.

Werm, River Avon, Bristol, September 2024
Werm, River Avon, Bristol, September 2024

The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.

6437. St Werburghs tunnel (449)

Hypo, St Werburghs, Bristol, September 2024
Hypo, St Werburghs, Bristol, September 2024

Hypo has been on fire for a couple of years now, re-emerging during Covid, and keeping up a regular rhythm of fine graffiti writing that just seems to be getting better and better. His letters lend themselves to bilateral symmetry like those of Werm, but there the similarity of graffiti writing between the two artists ends.

Hypo, St Werburghs, Bristol, September 2024
Hypo, St Werburghs, Bristol, September 2024

The colours in this piece are its crowning glory. Set on a neutral cream background, the wildstyle letters ‘HYPO’ are festooned with a beautifully blended selection of rainbow colours that manage to remain reasonably subtle, and whilst a colourful piece it avoids being gaudy. Very fine work from a lovely graffiti writer.

6426. Brunel Way (296)

Werm, Brunel Way, Bristol, September 2024
Werm, Brunel Way, Bristol, September 2024

Sometimes wildstyle graffiti writers can be guilty of overthinking their work, and I feel that Werm went through a phase where he did just that, and while his pieces were technically awesome, they were, for my taste, just a little too over-complex.

Werm, Brunel Way, Bristol, September 2024
Werm, Brunel Way, Bristol, September 2024

This one is a recent work in a series of bilaterally symmetrical graffiti writing pieces that Werm has been focussing on. He tends to work in themes and ideas which he runs with for six months or so, and then moves on to some new concept, constantly evolving and improving. The colours palette is very ‘Wermy’, and by that I mean contains reds and cream, which he uses a often as a combination. This is a nice piece, and well worth buffing the wall to provide a clean background.

6415. Dean Lane skate park (762)

Hypo, Dean Lane, Bristol, September 2024
Hypo, Dean Lane, Bristol, September 2024

I am really flagging. This is a beauty from Hypo, who I met at the M32 roundabout a couple of days ago. He continues to turn out quality pieces with great regularity, and this one is so full of energy and effervescence.

Hypo, Dean Lane, Bristol, September 2024
Hypo, Dean Lane, Bristol, September 2024

We talked a little of his penchant for symmetry, and chatted about Werm who is going through a phase of writing his letters with a bilateral symmetry. In symmetry lies perfection… That’s yer lot, back to bed for me.

6352. St Werburghs tunnel (442)

Kool Hand and Werm, St Werburghs, Bristol, August 2024
Kool Hand and Werm, St Werburghs, Bristol, August 2024

I have so much catching up to do, particularly in respect of Kool Hand, who has been trotting out pieces throughout the year, but doesn’t make it into Natural Adventures nearly as much as he should. This is a lovely collaboration between Kool Hand and Werm painted in the tunnel not so long ago.

Kool Hand, St Werburghs, Bristol, August 2024
Kool Hand, St Werburghs, Bristol, August 2024

The dog character painted by Kool Hand, I would guess is a female character on the account of the lipstick, long nails and hoop earring, although I guess it could be a cross-dressing or drag dog. He/she/they is spraying the adjacent piece by Werm, a common device in street art.

Werm, St Werburghs, Bristol, August 2024
Werm, St Werburghs, Bristol, August 2024

Werm is continuing with his newest design incarnation, which presents the letters WERM in long interlocked lettering that uses bilateral symmetry as a clever presentation of his letters, similar to the symmetry common in Hypo’s work. I think it works very well and disguises the letters perfectly. There is a deep stripy 3D drop shadow that helps the piece to pop a little. Nice work from the Bristol duo.

6298. Cumberland Basin

Werm, Cumberland Basin, Bristol, August 2024
Werm, Cumberland Basin, Bristol, August 2024

I like the way that Werm is constantly trying to find new ways to present his letters, and explores different looks, while retaining his essential style. This piece takes him into the realms of bilateral symmetry of his letters WERM, which works surprisingly well.

Werm, Cumberland Basin, Bristol, August 2024
Werm, Cumberland Basin, Bristol, August 2024

The letter colours contrast strongly with the green background, helping the piece to stand out… it will not be ignored. There is something quite mesmerising about the symmetry, and I like the direction this idea is taking. The left-hand side is stretched a little bit, knocking the symmetry out a fraction, but this is all something that Werm can work on and improve. Great new innovation from Werm.

6236. M32 roundabout J3 (605)

Hypo, M32 roundabout, Bristol, July 2024
Hypo, M32 roundabout, Bristol, July 2024

More colourful fireworks from Hypo. This piece reverts to his symmetrical style of lettering, where the ‘H’ and ‘O’ are broadly similar in shape and the ‘Y’ and ‘P’ generally reflect one another. This is a design that Hypo has played with for years and tends to work really well.

Hypo, M32 roundabout, Bristol, July 2024
Hypo, M32 roundabout, Bristol, July 2024

It is the fills though that grab the attention in this piece, with several horizontal layers of colour, I can count at least four, each of which is decorated with well-placed spots. There is a lot of energy piece, which is provided by the depth created and the sparkles at strategic points on the letters. Another great piece of graffiti writing for the collection.