I have a feeling that Short, like many other graffiti writers who stick to a general style of letter shapes and play with the colours and fills, will be making regular appearances in this blog. While this is only the second piece I have posted, I have plenty more in my files, and they seem to be coming at a steady rate.
Short, Brunel Way, Bristol, February 2025
The fat script-style letters, with a nice deep drop shadow are beautifully filled with a burst of yellow and orange colour and some purple decorative touches, are nicely arranged and presented. The piece is painted over a Hire piece which acts as a contrasting background – no buffing here for Short. Watch out for more.
Mr Draws is an artist who never seems to fuss or bluster, rather he goes about his painting in a deliberate and consistent manner, almost like clockwork. Modest and never showy his familiar pieces are part of the fabric of Bristol city.
Mr Draws, Brunel Way, Bristol, April 2025
This is really nice piece under Brunel Way, with four horizontal colour layers running through the letters DRAWS, the uppermost one of which is dripping, like a chocolate sauce topping. A deep 3D drop shadow separates the letters from a contrasting red background, and the piece is finished with some horizontal yellow and grey oval lines dotted across the piece. A really nice piece from Mr Draws.
I don’t go out drinking very often, but last night I joined some colleagues to bid farewell to one of my longest-standing work friends, who has decided to take early retirement. It was a fabulous evening reconnecting with people I haven’t seen for many years, and I will treasure the occasion. On the downside, I drank a little more than I am used to and have a sore head this morning. My posts today will be necessarily brief as a result.
Trafficity, Cumberland Basin, Bristol, April 2025
This is an outstanding piece by Trafficity with a simpler fill style than many of his pieces, but sticking to the overall design with determination. Looking good on the blue background. The letters spell ZIOS in case you were wondering.
Urban Solid, Camden High Street, London, April 2025
I always like to see a bit of installation art, but it is always a bit of a rarity, especially in the UK. It seems to be far more popular in other countries. I remember seeing a lot in Barcelona, for example.
Urban Solid, Camden High Street, London, April 2025
This is a fine ear piece (no pun intended) by Urban Solid, stuck high up on a wall with no danger of it being removed or vandalised. The ear, which looks like it has been there for some time, is accompanied by the words ‘audio surveillance zone’, which is all rather clever and imaginative really. I’d love to see more of this kind of art in Bristol, although we do still have a couple of Gregos masks that remain just about intact.
Apparan, Chalk Farm Road, Camden Town, London, April 2025
One of the most noticeable things about photographing street art in London is that there seem to be a great deal more paste ups and wheatpaste artists than in Bristol. Perhaps this is a function of a huge amount more wall space to choose from, as well as a cultural thing.
Apparan, Chalk Farm Road, Camden Town, London, April 2025
This wonderful wheatpaste piece, by Apparan (no stranger to Natural Adventures), features a beautiful portrait of a woman and a snail. The piece is called ‘way home’ and was pasted up in December 2023 during a bit of a wheatpaste jam as far as I can make out. It has worn very well indeed.
Irony, Harmood Street, Camden Town, London, April 2025
On 8 April this year, I took a trip to London to watch the mighty Arsenal swat away Real Madrid in what was without doubt the best football match I have ever been to – and I have been to a fair few. The kick-off was a late one, so rather than catch a very late train home to Bristol I decided to stay over in London with my sister, and then visit my uncle and aunt the next morning. After my visit, I had a few hours to kill and decided to walk to Camden Town and snap up a few doors and some street art. This outstanding portrait piece from Irony was one of the first I saw on my ten-mile walk.
Irony, Harmood Street, Camden Town, London, April 2025
Irony, who is one of the most talented street artists ever in my view, is known for his portraits of young women, and this one has been plastered all over social media recently, so it was a genuine surprise and pleasure to come across it.
Irony, Harmood Street, Camden Town, London, April 2025
The artist has captured a mood so perfectly in this piece and the slight downward tilt of the subject’s head conveys some kind of body language that the viewer can pick up on. Obviously, the most striking part of the piece is the stunning blue hair, perfectly presented. This is a great piece from a great artist.
Back to work today after the Easter break, and, of course, it is a bit of a struggle getting my head around returning to work. Getting back into the routine of writing my blog posts before work is helpful in recalibrating and preparing my mind.
Daz Cat, M32 roundabout, Bristol, April 2025
This is a fine example of a quick(ish) one from Daz Cat. Painted in chrome on a dramatic red background with some imaginative decorations, this three-quarter profile of a cat is just the ticket for starting off the short week positively. I imagine that Daz Cat can knock these characters off in his sleep – goodness knows how many he has painted over the last decade or so.
Although he has had a relatively quiet winter, Noise has woken up for the Spring and is starting to make his presence felt once more. This is a wonderful big bold piece of graffiti writing and is set in a Vaughn Bode landscape.
Noise, Cumberland Basin, Bristol, April 2025
It is customary for most graffiti writers at some point in their ‘career’ to pay tribute to the American underground cartoonist who was active in the 1960s and 70s, and Noise has done so with a fabulous Cheech Wizard on the left and a scattering of toadstools along the base of the piece. Nice work.
