.

.
Beneath clear water
a beautiful world unseen
where dainty sprites live
.
by Scooj
.

.
Beneath clear water
a beautiful world unseen
where dainty sprites live
.
by Scooj
.
Party Vice Chairman
favours the death penalty
whipping up hatred
.
by Scooj

I met Desi earlier this week when she was painting a new piece in Dean Lane with her friend Lupa. I took the opportunity to ask Desi why she had started painting the letters VEIL, and her answer was swift and honest – “no reason, I just wanted to play with some letters”. So there you have it, sometimes there simply isn’t a backstory or meaning.

This is a very nice piece, simple in structure and well executed. Desi continues to improve, with strong fills and sharper lines, getting better with each new piece. It is interesting that most times (but not always, as I have learned to my deep embarrassment) you can spot the gender of the artist. For example, it would be a rare thing for a male artist to put a heart instead of a dot on top of the “i” as Desi has done here. It is almost as if handwriting is transposed onto the wall in some way.

Lee Roy is a writer whose work I really rather enjoy. His writing is a little unconventional and always interesting to look at. This recent piece in the tunnel is an immediate attention-grabber on account of its use of orange on a turquoise background.

The letters are uniform in size, and the letter design is exceptional. The fills and fill patterns are quite subtle, but beautifully worked. This is one of the best Lee Roy pieces that I have seen – a true beauty.
A gallery of imaginative monsters and creatures by Bristol artist Mote
Instagram: @mote_zx
All photographs by Scooj
























































More writing on the roundabout, this time from Corupt. Over the last month or so, I have come across far more graffiti writing pieces than street art or character pieces, and that will necessarily be reflected in my posts. I usually try to get a fairly even balance of different artwork, but it can be a struggle sometimes.

Corupt, writing his STICK letters, has chosen a rather low-key colour palette for this piece, and it doesn’t quite hump off the wall as much as some of his other pieces, but the handiwork is just as expert. The letters pull out from the wall, thanks to the grey vertical 3D drop shadow. The letters themselves are notable for the colour transitions and decorations in which there is an organised pattern, but unless you look for it, the whole thing looks a bit random. Another fine piece from the Hungarian artist.

The first time I photographed this lovely Pooh Bear piece by Haka was a complete fail. There were shadows cast halfway across the piece, and half was overexposed and the other half underexposed. I returned on a duller day, and these pictures are altogether a bit on the dull side and don’t really do the piece justice.

Haka has been taking us on a nostalgic journey in recent months, to our own or our children’s favourite picture book characters, and Winnie the Pooh must surely be one of the most iconic. Haka has lovingly portrayed Pooh nestled inside the letters CK and NE, a tribute to CKone, or Dan Fenlon who died in a motorcycle accident in 2011. Amazingly, Haka remembers him in every piece he paints. A good friend indeed.
.
House of Lords slow march
protect the right to protest
right-wingers thwarted
.
by Scooj

This is another outstanding piece of writing from Kosc in his current series of greyscale pieces. In this piece, we have a familiar element of styling in the shape of ‘rivets’ holding the ‘metal’ pieces of the letters in place. This is a technique that the artist has used quite a lot in the past.

These letters are strong, solid and uniform, and generally have a presence – some pieces just ooze style and confidence, and this is one of them. I have to say that I am very much enjoying this greyscale series… more to come I hope.

A small, quick one from Mote at the end of the long wall under Brunel Way from Mote. Mote is an artist who designs and creates a new monster character every time he paints, which could make identification of his work troublesome, but his style and colour selections are so unique that no signature is needed on his work.

This cheeky little piece is sweet and simple, and was probably an ‘end of day’ bonus piece. Since first hitting the walls of Bristol in early spring of 2022, Mote has been tireless, come rain or shine, in his monster mania. Long may it last.