.
Caterpillar train
cocooned in a yellow mist;
countryside obscured.
.
by Scooj
Tag: UK
1031. Upfest 2017 (59)
Another set of three paste ups from the prolific Jimzina at Upfest this year. The first was the largest I saw and was A2 size roughly. The girl in glasses, clutching a ring doughnut can still be found on North Street just by the hoardings near the Standard.
All of Jimzina’s pieces carried the same theme, a young lady presented on the front of a menu or drinks list – very distinctive. The next one looks rather different to most of them, in that the girl doesn’t have black hair, instead she is wearing a pink flower to go with her pink lips.
The final one of these three looks a bit like what I would call ‘saucy-sophisticated’. Is that too much of a label seen through the lens of a middle-aged man?
More from this wheatpaster to come.
1030. Upfest 2017 (58)
It takes a little while to get to grips with this piece by Pref ID, but it is a really clever piece of writing. A quick look at his website indicates how he likes to disguise slogans by conflating all the words into one, creating something of a letter puzzle.
In this piece just off North Street Pref ID has written the words ‘Mind Bending’ – the blue letters say MIND and the white ones BENDING. It is a sophisticated work and has been really skilfully executed. Quite a different kind of piece.
My attempt to chat with the artist was not overly successful. I approached him and asked him who he was (a not unreasonable question at a street art festival), to which he replied “who the f*ck are you!” – so I told him who I was. He didn’t speak again. Maybe he was just having a bad hair day, or maybe he just took an instant dislike to me, who knows? It is a first though. I have met cagey artists and exuberant ones, modest ones, happy and sad ones, but this is the first time I have encountered such grumpiness. None of this however detracts from just how good this piece is.
I shall be more careful in future if I see Pref ID in town.
1029. Upfest 2017 (57)
I met Falko One in East Street on the Sunday of Upfest. It was early in the morning and showers were threatening. He had already started on the first of three commissioned elephants he was planning to complete in the day, but was doubtful because of the rain. This is a man who likes to paint elephants, and he does it really well.
Falko One it turns out is one of the most well known street artists in South Africa and has been working for almost thirty years inspiring others and growing the graffiti culture there. He is best known for his elephants.
As with several other pieces at Upfest, it was great to see the artist in action and how he went about creating his piece. I think what you see here is someone very much at ease with the subject. He has a great understanding of the proportions, shape and movement of elephants and can create these amazing pieces in no time at all.
The colours and shading, also bring a unique aspect to his art. I mean who ever saw a pink elephant before…hic?
1028. Upfest 2017 (56)
On the hoardings in Raleigh Road, there were some really high quality pieces, including this rather posh whale by Boaster. His Upfest profile reads:
‘Hailing from Nottingham,graffiti artist Boaster brings his own style to his quirky, gritty and sometimes macarbe characters. Part of crews The Shrunken Heads(SH) and In Living Colour(ILC), this long standing painter continues to ruin peoples walls up and down the country!!!’
Which all sounds rather fun.
There is a nice story here of a rather grumpy looking, well-heeled whale, and it is difficult not to admire the pipe, top hat and monocle. I am not familiar at all with Boaster’s work, but you can see more on this Global Street Art page.
Launderette
Plugged into Mozart,
the Shawshank Redemption scene,
and the dryer spins.
by Scooj
1027. Leonard Lane (12)
OK, so I know I have already posted this cheeky little rat before, but that was in North Street and this one is in my favourite Leonard Lane. I really am a bit dense sometimes…it has taken me until now to get the joke. The reference in the piece to Banksy relates to his signature rat that he used in many of his early works, and there is me thinking this was a squirrel. Thick, that’s me.
Chinagirl Tile really seems to get around Bristol when she comes for Upfest, which in my view is a pretty good thing. This rat is down the dingiest lane, the perfect spot for it, and will not have been seen or noticed by too many people. Still more to come from this brilliant ceramic specialist.
Bin day
The young boy looked out
and offered a bashful wave
to the old bin man.
by Scooj
1026. North Street (A38) (2)
I don’t know how many days these pieces had been up before I noticed them, but they are another gift to the city of Bristol from a visiting artist who was here for Upfest. Dabuten Tronko is from Tarragona in Spain, which I found out from his ‘couchsurfing’ profile. The Interweb is an incredible thing!
These pieces can be found either side of the main road on the vertical walls of the 5102 building overlooking The Bearpit. They are something of a before and after reflection and need to be seen in conjunction to hold any real meaning.
The boats on the left hand side of the road (heading North) are intact and jolly, while in stark contrast, those opposite are smashed up or deconstructed. I’m not sure what it all means, but I like the concept going on here.
The colour scheme is quite subtle and sort of blends in with the background blue. The boats somehow feel like they have always been there or were always meant to be there. I’ll bet I’m not the first person to have missed them first time round.
1025. M32 roundabout J3 (47)
A street artist I have long admired is Facef1st, about whom I still know practically nothing. He keeps a low profile and that’s that. I guess it is because he mostly does his work on illegal walls and hoardings (although such things are tolerated much more in Bristol than in other cities).
In recent months he has taken to using muted colours that are much more subtle than some of the work you see around the place. This particular work is also rather larger than most of his pieces. It is difficult to judge from this picture, but the wall is probably about 12ft high.
The wildstyle writing of this piece is much more disguised, but you can make out the word FACE if you look hard. As always, the simplicity of the face itself is part of what makes these pieces so effective. I still enjoy finding his work dotted about the place, and have quite a few in my archive yet to be published.
