The winter sunshine
full of deceit, tempting us
to believe in spring.
by Scooj
The winter sunshine
full of deceit, tempting us
to believe in spring.
by Scooj
This is a little spot in a very narrow lane where Aspire likes to paint his birds. I recently posted a work from here of a couple of house sparrows. This, according to Aspire’s website is a coconut lorikeet. So very beautiful and nicely painted, as one would expect from Aspire.

The lane itself is so narrow, that taking decent pictures is really difficult. One note I would make though is that the pictures look ever so slightly out of focus. This is not in fact the case – Aspire manages to create a hint of soft focus on some of his pieces, and you can see this on both the lorikeet and the sparrows.

I will never tire of finding and reporting on Aspire’s work. I tried to find some in London’s Leake Street recently, but failed.
Alongside works by Voyder, Deamze and Soker sits this unusual and rather good collaboration by two great graffiti artists – Beastie and Decay. The Decay element is easy to identify, displaying all his concentric shapes and tones although this time in blues, rather than the usual reds, greys, whites and blacks that are his favoured colours.

Had the piece not been signed, it would have taken me a little while to identify Beastie’s contribution on the left. Some will remember his mischievous cat in Stokes Croft that had been tagged, but has now been resurrected. Because I only see occasional works by Beastie, I haven’t properly ‘got my eye in’ with his stuff, and his style is rather more broad than some other artists.

This is an interesting collaboration with a rather solemn message, but i think they have carried it off really well. Such a pity about the black line through the piece, but you have to be quick these days.
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My late night waking
draws me toward the window
dark skies, bright moonlight.
.
by Scooj
I took a stroll in Montpelier a little while ago and visited some streets I have not been to before, and some others that I haven’t been to for a long while. I was very pleased to find this Tom Miller piece on Richmond Road, and although it has been quite heavily tagged, it still conveys loads of movement and emotion in the world of Miller’s ‘imaginite’.


Although Face F1st’s work is, on first viewing, not as spectacular or striking as some of the other local street artists, there is something very cultured and empathetic about his work. The familiar technique of incorporating a girl’s portrait into the word ‘face’ combined with the soft colour schemes marks out Face F1st’s pieces as something rather special.


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Masters of the air
gulls soaring effortlessly
and pigeons dancing.
.
by Scooj
Well this pair is a rather good collaboration of wildstyle writing from Whysayit and Nero. Whysayit’s work can be found dotted all over Bristol, and as well as these more elaborate burners, he does his fair share of tagging too. The colours are very easy on the eye and the translucent effect really clever.



I have really grown to like the work of OHMS as it is markedly different from anything else on the Bristol graffiti art scene. I still haven’t tracked down the artist or crew, but will find something before too long I hope.

The work of OHMS usually appears to have an artistic theme based around the letters OHMS. They range from a ‘jungle‘ theme to a ‘cartoon space‘ theme for exmple. Always the filling of the lettering is ornate and colourful, and often includes artistic motifs. In this work an ancient Egyptian theme runs through it.

As the pictures were taken in a tunnel, they don’t really convey the vibrancy of this piece, but is is very good. Looking forward to loads more from OHMS as 2017 unfolds.
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At times, words won’t come
probably because my thoughts
are rather boring.
.
by Scooj