1846. Upfest 2018 (87)

When I write these posts, I like to think about an audience that probably doesn’t know too much about what they are looking at and maybe, just maybe, want to find out more. I started blogging about street art in Bristol because I found it almost impossible to find out anything about what I was seeing on the streets where I live, and as an inquisitive person I found this mind blowingly irritating. So I had to dig deep and spent many hours finding out what I could. The massive leaps in learning come from actually meeting the artists and getting a little under the skin of what they do. This is all a bit of an aside, but one that was prompted by a train of thought that arose because I had to do a fair bit of research before posting this piece.

The Real Dill, Upfest, Bristol, July 2018
The Real Dill, Upfest, Bristol, July 2018

This is by The Real Dill who is a co-founder of Gums and tongue crew/collective/magazine. Based in London, this collective have made the trip to Bristol for Upfest for at least the last two years, in fact I still have a whole ton of their work to post from Upfest 2017! Sticking to The Simpson’s brief, The Real Dill has turned out an absolute gem with this piece, and one that really sticks in my mind. Bright green and pink always a winning combination .

1845. Upfest 2018 (86)

Octofly Art is the creation of an Italian artist called Sylvia who likes to paint monsters and creatures, and let’s face it, who doesn’t love a cuddly monster? Reading the profile of the artist in the Upfest programme, it would seem that she has only recently started using spray cans for her street pieces when previously she used to use brushes.

Octofly Art, Upfest, Bristol, July 2018
Octofly Art, Upfest, Bristol, July 2018

There is a definite style here with strong clean lines and solid fills, and it is really interesting to see from the ‘in progress’ picture how she is building up the layers before adding in the outline and details.

Octofly Art, Upfest, Bristol, July 2018
Octofly Art, Upfest, Bristol, July 2018

I notice that she was painting next to Stelle Confuse (Stelleconfuse) another Italian artist whose Upfest 2018 piece I have already posted on Natural Adventures.

Tea or Spray? – not entirely sure I know what she means, but surely there is only one answer to that question at Upfest.

1844. Upfest 2018 (85)

About Ponny is an artist I had not come across before Upfest 2018 and what a wonderful set of wheatpastes he left for us to admire this year. This is the second one I have posted, and like the first it best described as poignant.

About Ponny, Upfest, Bristol, July 2018
About Ponny, Upfest, Bristol, July 2018

There is a sadness, but also a really touching humanity about this piece, and the tones used for the stencil work give the whole wheatpaste a sombre and yet very powerful presence. I can honestly say that About Ponny was probably my favourite discovery of Upfest 2018 – now I just need to travel around a bit to find more of his great work.

1843. Upfest 2018 (84)

I think I might have said this last year, but somehow Upfest wouldn’t feel like Upfest without a presence from Cheo. One of Bristol’s most established graffiti writers and character street artists, his work is always of the highest quality. Judging from his Instagram account, I think he prepares these pictures on his computer and then recreates scaled up versions, which lends itself to his very clean style with solid fills.

Cheo, Upfest, Bristol, October 2018
Cheo, Upfest, Bristol, October 2018

I have seen these characters a few times before. I never quite know what they are, frogs? toothless crocs? monsters? your guess is as good as mine. The writing has a feel of Japanese script to it and from time to time Cheo uses this. I really don’t know what it says, but would guess at CHEO, although I can’t see it myself. He finishes the whole thing off, of course, with one of his signature bees. All good.

1842. Upfest 2018 (83)

I remember at Upfest 2017 really loving a piece by Lauren Maria Hill and she has come up trumps again in 2018. A fine artist, who is probably more at home in the studio, Lauren Maria Hill manages to use these smaller boards to showcase her stunning portrait work.

Lauren Maria Hill, Upfest, Bristol, October 2018
Lauren Maria Hill, Upfest, Bristol, October 2018

Unfortunately I never saw the finished piece, I think it must have been taken away and protected from the showery weather, but you can get the general idea from these pictures. This is another work from Upfest 2018 to feature a leaf from a Swiss cheese plant – Maybe they are fun to paint.

Lauren Maria Hill, Upfest, Bristol, July 2017
Lauren Maria Hill, Upfest, Bristol, July 2017

1841. Upfest 2018 (82)

Anyone reading this will know that I am a big fan of Kid Crayon. His bright and unusual pieces always contain an element of wit, charm or mischief and this pink crocodile demonstrates this sense of fun with a commmentary on the rain that fell throughout the Upfest festival.

Kid Crayon, Upfest, Bristol, October 2018
Kid Crayon, Upfest, Bristol, October 2018

This shutter piece was the second that he did at the festival, both using this colour scheme, so I am guessing that he got a job lot of these colours especially for the weekend. There is something really endearing about this crocodile and there is a gentleness to the way he is holding the little umbrella. A lovely piece.

Kid Crayon, Upfest, Bristol, July 2018
Kid Crayon, Upfest, Bristol, July 2018

1840. Upfest 2018 (81)

It wasn’t until Upfest this year that I discovered that I already knew The Hass, but under another name (there is a clue in the piece itself). It would seem that he has two street personas, one for his profession as a designer, and the other for recreation. I can tell you now that all of his work under whatever name is brilliant, and this piece is emblematic of that.

The Hass, Upfest, Bristol, October 2018
The Hass, Upfest, Bristol, October 2018

I am always going to favour an underwater scene and this one takes some beating. It really creates the impression of being under the sea, with the skylight creating a small shimmer at the top of the piece. There is a great story here, although it rather defeats me…the diver’s face looks like a carved pumpkin, but might be a skull.

The Hass, Upfest, Bristol, October 2018
The Hass, Upfest, Bristol, October 2018

There is a ship in a bottle that morphs into the diver’s helmet and octopus tentacles all over the place. Another nice touch are the goofy three-eyed fish from The Simpsons that also make it into Louis Masai’s coral reef piece from this year’s festival. There is another The Hass piece just off Park Street that I must photograph when I get a chance.

1820. Upfest 2018 (80)

An enormous doodle with plenty of detail for you to feast your eyes on by artist Daub. This is an artist who likes detail and is prepared to spend time working it up. I am guessing that this is a Posca pen piece, but if I am honest, I am a real novice when it comes to artist’s materials.

Daub, Upfest, Bristol, July 2018
Daub, Upfest, Bristol, July 2018

The whole piece resembles something aquatic or coralline interspersed with human features such as the eyes and the hand on the right hand side. I don’t know what it is about, if indeed it is about anything, but I rather like it, and the whole thing plays with your eyes a bit.

Daub, Upfest, Bristol, July 2018
Daub, Upfest, Bristol, July 2018

This was yet another piece that was finished by the time I got to it, so I never had the pleasure of meeting the artist…maybe next year.

1819. Upfest 2018 (79)

This portrait is a highly memorable and unusual piece by Mazcan. The artist is from Brighton and she is known for painting portraits of women about the place. She is perhaps equally well-known for her crochet work, which she appears to enjoy very much judging from her Facebook feed.

Mazcan, Upfest, Bristol, July 2018
Mazcan, Upfest, Bristol, July 2018

There is a lot of mystery in this piece, and it seems to be as much about what you can’t see as what you can. Certainly, this was a piece that I couldn’t take my eyes off. I’m not sure I like it as much as some of the pieces on her Facebook pages, but it is a great introduction to her work.

1818. Upfest 2018 (78)

I have no idea who this little piece was by, but when I passed it, it was attracting rather large crowds – unusual for such a tiny piece, but maybe it was the humour and subject matter that made it appealing.

Unknown, Upfest, Bristol, July 2018
Unknown, Upfest, Bristol, July 2018

I have seen an awful lot of Trump street art, and not a single one, a single one (…as Trump would say, because he loves to repeat his sage-like words softly) is in any complimentary. I think this little piece speaks for most of us. Interestingly a short time later it had gone – a street art hunter’s trophy.