1681. Upfest 2018 (21)

To kick of the third set of ten posts from Upfest 2018 is this magnificent piece by the brilliant artist Annatomix. I have seen a few of her pieces and I have to say the more I see of them, the more I like them.

Annatomix, Upfest, Bristol, July 2018
Annatomix, Upfest, Bristol, July 2018

This piece was on a new wall for 2018, which it suited perfectly, in a little garden space behind an arched gateway on North Street. I wrote a haiku about this gateway some time ago.

Annatomix, Upfest, Bristol, July 2018
Annatomix, Upfest, Bristol, July 2018

I managed to have a quick chat with Annatomix during one of the several showers on the Saturday, and I think she was worried about getting behind schedule with the piece. It was such a pity that it rained during Upfest, especially as it was in the middle of a heatwave.

Annatomix, Upfest, Bristol, July 2018
Annatomix, Upfest, Bristol, July 2018

The choice of subject, a kingfisher, and the stunning colours – thanks largely to the kingfisher itself – was absolutely perfect for this space. Her origami style of painting is so clever and really attractive – a kind of abstract take on wildlife.

Annatomix, Upfest, Bristol, July 2018
Annatomix, Upfest, Bristol, July 2018

I think it would be nice to keep this as a permanent wall, but I don’t know it that is likely to happen – best to enjoy it while it is there I guess. Bravo Annatomix – one of the festival highlights.

1669. Upfest 2018 (20)

I was looking for the Andrew Burns Colwill piece (to follow soon) which I knew was a little off the beaten track for Upfest 2018 and spotted this brilliant little stencil by John D’oh on the wall of The Black Cat pub on the corner of West Street and Westbourne Grove.

John D'oh, Upfest, Bristol, August 2018
John D’oh, Upfest, Bristol, August 2018

When I see small ‘hidden’ gems like this, I wonder how many Upfest visitors might have missed it in their quest for the ‘marquee’ artists – I don’t suppose it matters really, but as a street art hunter, I like to work hard for my trophies, it is what I do. This is a really accomplished little stencil and one that really chimes for me – a great little find – Thank you John D’oh.

1668. Upfest 2018 (19)

I realise that this piece was not an official Upfest piece, but I don’t really care about that, because it is by one of Bristol’s finest artists, Tom Miller, and was painted in Dean Lane during the Festival – it counts in my book.

Tom Miller, Upfest, Bristol, July 2018
Tom Miller, Upfest, Bristol, July 2018

I managed to hook up with Tom Miller a couple of times over the festival, indeed we cowered from a heavy rainshower together on the Saturday morning under one of the skate park ramps.

Tom Miller, Upfest, Bristol, July 2018
Tom Miller, Upfest, Bristol, July 2018

Yet again, Tom Miller has absolutely ‘nailed it’ as he seems to do with every piece he creates. I only wish that my photography was up to the standard that he sets with his murals.

Tom Miller, Upfest, Bristol, July 2018
Tom Miller, Upfest, Bristol, July 2018

It is often difficult to fathom out what exactly is going on in Miller’s pieces and indeed, I think it is often open to interpretation – maybe only the artist really knows what this piece is about, but it incorporates all of his surrealist elements and the bright colours he uses. What is incredible about Tom Miller is that he seems to be just as adept with spray cans on walls as he is with paint brushes in the studio, and the end results are always unmistakably Miller pieces. Bravo two times over – I love this piece.

1667. Upfest 2018 (18)

Cheo is a Bristol (and beyond) street art legend, and his involvement in Upfest is always eagerly anticipated. In the last few years Cheo has been quite dominant at the festival, so this year’s rather modest participation came as a bit of a surprise, his piece however reached all the high standards you expect to see from him.

Cheo, Upfest, Bristol, July 2018
Cheo, Upfest, Bristol, July 2018

Are we supposed to guess at who is hidden under the paper bag? My immediate assumption, given the Simpsons theme of the festival is that it is the mischievious Bart, but I may be wide of the mark and there may be another story going on here.

Cheo, Upfest, Bristol, July 2018
Cheo, Upfest, Bristol, July 2018

Somehow Upfest simply wouldn’t feel like Upfest without some contribution from Cheo, and it is great to see his work on a wall that he obviously enjoys, as he has had several pieces on this wall outside the Bristol Standard, in the past. Great stuff.

1666. Upfest 2018 (17)

One of the great difficulties of writing posts from Upfest is that so many of the artists are new to me and it is difficult to comment on anything other than first impressions and a little bit about the artist. Often, as in this case, the piece is so good that my short ramblings don’t really do it any justice at all.

Akse, Upfest, Bristol, July 2018
Akse, Upfest, Bristol, July 2018

Akse started as a graffiti artist back in 1992 in ther suburbs of Paris. He now lives in Manchester and is known for his photorealistic portraits. This incredible portrait of Frida Kahlo is one of the most memorable of this year’s festival and mirrors the great piece from Alexander Tadlock last year. As a subject, Frida Kahlo seems to hold interest for artists and I look forward to many more portraits of her in the future.

Alexander Tadlock, Upfest, Bristol, July 2017
Alexander Tadlock, Upfest, Bristol, July 2017

1665. Upfest 2018 (16)

I think that Stewy owns this wall. The Bristol-based stencil artist has had one of his pieces on this little wall in North Street for at least three years now. The ram is a fine successor to the Bristol Pounds £5 that was there before.

Stewy, Upfest, Bristol, July 2018
Stewy, Upfest, Bristol, July 2018

I am and will continue to be a keen supporter of Stewy’s work, which is a cool mix of celebrity work and wildlife stencils. This was not his only stencil at this year’s Festival, and I’ll save one of his others for a future post. Let’s hear it for this extremely intricate single-layer stencil of a ram…

1664. Upfest 2018 (15)

There were a great many fabulous paintings of eyes at this year’s Upfest, but I think that this one was probably the finest. It is by an artist called Justinks who gives little away about himself in the programme notes other than to say this:

I’m into movemental detailed artwork, I always put the wind element into my pieces and cold colors to show the power of nature.’

Justinks, Upfest, Bristol, July 2018
Justinks, Upfest, Bristol, July 2018

I was lucky enough to photograph the artist in action, probably on the Saturday, before the cold colours he speaks of were added. This is a fine work executed brilliantly. I’ll certainly be looking out for Justinks in the future.

Justinks, Upfest, Bristol, July 2018
Justinks, Upfest, Bristol, July 2018

1663. Upfest 2018 (14)

I think this is the one, my favourite piece of Upfest 2018. The reason this works so well for me is that I have long admired this wall for all its textures and character and have photographed it before when it had no graffiti at all (I have searched through my pictures, but can’t find the ones I have taken here in the past, which is really annoying).

Kowse, Upfest, Bristol, July 2018
Kowse, Upfest, Bristol, July 2018

The artist, Kowse One, is not even mentioned in the Upfest programme, and this certainly isn’t an official wall, but he did work on a fabulous collaboration with Braga Last One ( to come). I think he comes from Marseille, but beyond that I know little of him.

The piece itself is perfect in every way. The use of the rendered part of the wall and its juxtaposition with the bare brickwork, the colours used contrasting so well with the surrounding, the accomplished portrait work and the lettering on the face reflecting some of the tags nearby make this an enchanting and exciting piece. There is some real edge and brilliant improvisation. I love it, I love it.

1662. Upfest 2018 (13)

J. Sharples, Upfest, Bristol, July 2018
J. Sharples, Upfest, Bristol, July 2018

I really could kick myself sometimes. I never actually got a final picture of this piece by J. Sharples, because I think that I had assumed that I had already got one. The best I have is the feature image of the artist still at work but nearing completion.

J. Sharples, Upfest, Bristol, July 2018
J. Sharples, Upfest, Bristol, July 2018

The piece is very similar in style and subject to the fabulous work that he created for Upfest 2017. This time there are two gorillas in bold pink and blue colours in a highly stylised form, and splendid they are too. Always great to see work from this artist.

Jay Sharples, Upfest, Bristol, July 2017
Jay Sharples, Upfest, Bristol, July 2017

1661. Upfest 2018 (12)

To celebrate 10 years of Upfest (I can’t believe I have only been to three of them) D7606, a wheatpaster and I guess unofficial artist at the festival scattered ten paste up balloons, each with a famous face, high up on the main streets of Bedminster.

D7606, Upfest, Bristol, July 2018
D7606, Upfest, Bristol, July 2018

These are the first two that I found, one with Twiggy and the other with Elizabeth Taylor. Finding each was like a prize, and the hunt was great fun. I bumped in to D7606 several times over two days and as ever, he was very happy to talk about his work and experiences.

D7606, Upfest, Bristol, July 2018
D7606, Upfest, Bristol, July 2018

I love the addition of a string to each of the balloons which was loose and able to blow around in the breeze. D7606 told me he had to paste them high up, so that they didn’t get pulled down. Several of them have gone already, but not to trophy hunters, rather, they have been pasted over with new advertisements. These balloons were a worthy addition to the 10th Upfest…hats off to D7606.

D7606, Upfest, Bristol, July 2018
D7606, Upfest, Bristol, July 2018