Urban – Page 36 – Natural adventures

7084. Brunel Way (326)

Visiting artists are very welcome in Bristol and inject excitement and variation into what is already a vibrant community. Squarms visited in July and left a few skeletons about the place for us to find and admire.

These skeletons are on the recently buffed columns at the southern end of the Brunel Way Spot, known as Daveside by skaters (Correction, this little area is called Curb Side, a few meters away and across the road from Daveside). These sketched designs of dancing skeletons are most endearing, and capture a sense of energy and fun. The design formula works really well with the black and white bones set on a pink drop shadow. These characters stand out nicely of the grey buff (thank you, Bristol City Council!). More to come from Squarms.

Metallic Harpalus

A beetle scuttles

it is what beetles do best

catching the old eye

by Scooj

7083. Dean Lane skate park (854)

It is always a great pleasure for people like me, who spend a bit of time looking for and critiquing street art, when an artist floods the streets with their work, and Zinso has certainly done that in June and July this year.

This is a really nice piece of graffiti writing set on a great splash of blue, masking the underlying graffiti. The light cream letters are nicely shaped with a red border and deeper red drop shadow. The colour combinations are superb. Although I posted a couple of pieces by Zinso a few years ago, his new lease of life has been a revelation.

7082. Peel Street Green (45)

It really isn’t that long ago that Bloem was painting rather basic fingers, cellphones and devilled cherries in some of the less popular spots all around Bristol, but her accelerated progress means that her work is more than comfortable alongside some of the best writers in the city.

Bloem, Peel Street Green, Bristol, July 2025

This is a wonderful and complex combination piece, with some amazing writing and a cartoon-style hand (long nails of course). The weave pattern used to fill her letters is beautifully worked, and very neat and tidy. Every element of the piece has been nicely thought out and has come together really well. This is one of those pieces that actually looks better in a photograph, than it does in situ, perhaps because of its complexity. What a talent.

7081. M32 Spot (206)

Noise has been painting in Bristol for a little over two years now, and I haven’t yet had the pleasure of meeting him. I guess our clocks just aren’t synchronised – I tend to go for my exploratory dog walks at lunchtime or after work usually on weekdays, so I imagine Noise’s paint time pattern doesn’t match… or maybe we just haven’t been at the same place at the same time. It can happen that way.

This is a big fat piece with big fat letters, which is what Noise does best. His letters are like a visual version of onomatopoeia, in so much as their size and imposition looks like noise to me. Does any of that make sense? The letters are filled with yellow, and some murky muddy colour, I suppose I would describe the piece as mustard noise. Great stuff.

7080. Sparke Evans Park (137)

Pekoe, Sparke Evans Park, Bristol, July 2025

This is a tribute piece, one of many to the late Paroe, on the long wall at Sparke Evans Park. Pekoe’s stylised portrait pieces are no stranger to Natural Adventures and I have observed over the years that emotions underpin her pieces and that is for sure the case here.

The woman has a sorrowful expression, somewhat amplified by the tear of sadness. Tears used to be a common feature of Pekoe’s pieces, but of late they have been less common, perhaps reflecting her own happier disposition.

This piece is archetypal Pekoe, and that is a wonderful thing. A beautiful portrait with strong features, especially eyes and lips, and some great shading. The wonderful hair is a trademark element of Pekoe’s work which is nicely coloured with green and yellow bands. Another fine portrait piece from Pekoe.

7079. River Avon (88)

Werm and Scrapyardspec, River Avon, Bristol, July 2025

In my mind, some collaborations were just meant to be, and this magnificent joint venture from Werm and Scrapyardspec is simply awesome. Two utterly different styles, a writer and a character artist, have combined with skilful design and colour sharing to create a piece that just works brilliantly.

There is nothing pretentious about this combination piece, just two artists comfortable with what they do where the resulting whole is greater than the sum of the parts. The letters by Werm are nicely executed with straightforward fills and a bold white border. Scrapyardspec’s goofy character replaces the ‘E’ of ‘WERM’ and is integrated into the word with the clever use of an orange border bringing everything into the single piece. Excellent work, full of the joy of street art friendship.

7078. M32 roundabout J3 (698)

Sub had a busy month in July and appears to be pushing the boundaries with his work. This piece tucked away on the M32 roundabout seems to be a practice for a combination piece he followed up with in Peel Street Green (to follow soon).

Sub’s chunky letters and deep drop shadows in icy blues, together with a couple of decorative cracks, are accompanied by a Mario character which I would describe, perhaps a little harshly, as a good first effort. It doesn’t help that the eyes are a bit untidy. What you might notice, when I post the next version of the character in a few days the vast improvement. The learning journey with Sub continues.

7077. Knowle West (4)

I haven’t seen anything from Mudra for an age, so it was so good to find this piece as part of the extraordinary paint jam in this sleepy cul-de-sac in Knowle West. Unfortunately, the parked cars presented a bit of a photography challenge, but I think I just about got away with it.

Mudra has spelled out his name in his distinctive style of treating each letter as a discrete ‘mini-piece’ that when combined all come together very nicely. Lots of colour, and the character face on the letter D has something very special and quite chilling about it. I hope this signals a return to the streets for Mudra.

7076. Brunel Way (325)

Scrapyardspec, Brunel Way, Bristol, July 2025

This is something the same, but also a little different from Scrapyardspec under Brunel Way. He has used a buffed pillar (a crazy scheme devised by Bristol City Council to eradicate graffiti, which only serves to create nice clean new ‘canvasses’) to act as a solid backdrop to one of his wobbly characters.

Instead of filling the piece with colour, like all of his other pieces, he has gone for a simple white fill which works so well against the grey. The piece is clean and almost looks like a giant sticker, rather than a painted piece. Scrapyardspec has injected some great creativity into his standard character.

	Cethru Cellophane on 7414. Cumberland Basin
	Cethru Cellophane on 7412. BB Gallery (11)
	scooj on 7408. Greenbank (177)
	Cethru Cellophane on 7408. Greenbank (177)
	scooj on Thursday doors – 15 Janu…

	scooj on 7414. Cumberland Basin
	scooj on 7412. BB Gallery (11)
	Cethru Cellophane on 7414. Cumberland Basin
	Cethru Cellophane on 7412. BB Gallery (11)
	scooj on 7408. Greenbank (177)

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