This piece by Zake is something a little different, a variation on a theme from the artist. It is rare to see Zake paint anything approximating to letters, but here we are with an unusual combination piece.
Zake, Cumberland Basin, Bristol, May 2025
Two letters and two faces, making up the vowels, are nicely designed and set on a grey background with watery bubbles. For once, I will forgive the use of brown paint, because it is subtle and in keeping with the ‘slatey’, earthy, feel of the whole composition. It is always a pleasure to see artists try something new.
There is something rather special and unique about Dun Sum’s incredible creations. He doesn’t come into the centre of Bristol often, but when he does, his work always makes an impact. Often, Dun Sum will paint approximations of real creatures, but there is usually a bit of a twist, and sometimes complete fantasy. This chameleon, however, is identifiable as such, with only a little artistic cartoon licence.
Dun Sum, M32 roundabout, Bristol, May 2025
Having had a household chameleon pet ‘George’ a few years back, I am rather partial to any piece representing the charming little lizards. There is plenty of charm and humour in this piece, something Dun Sum excels at, and great to see him paint on the roundabout for Hypo’s birthday paint jam.
I feel like I ought to have posted far more pieces by Neddy Ned Neddy than I actually have, and I can’t really be too sure why that is. Anyhow, this is a superb piece painted in his unique style as part of the very well-attended birthday paint jam for Wispa.
Neddy Ned Neddy, St Werburghs, Bristol, May 2025
Rather confusingly, Neddy Ned Neddy writes WISKA, which is coincidental to it being a celebration for Wispa, some of the other artists involved in the paint jam have altered their letters to read Wispa, but not the most obvious candidate, and I think he probably missed a trick here. This is a wonderfully worked piece with a sumptuous blended fill, looking like a kind of swirly marbling. A distinctive and really cool piece of graffiti writing.
It barely needs repeating, but Hypo has been smashing it for at least a year now, and each of his pieces brings to the fore another aspect of his technical ability and creativity. This rhapsody in blue was one of a couple of recent pieces painted on this wall by Hypo.
Hypo, M32 roundabout, Bristol, May 2025
To manage to get a piece to ‘pop’ when it is painted in the same colour as the background is a skilful thing to do and Hypo has managed to do it well here with a clever use of a deep 3D grey drop shadow and some deft white highlights and starbursts. The tones are really lovely and his fills intricate with blue stars and yellow spots. A very fine piece of graffiti writing.
Scrapyardspec has been back in town with a raft of new wacky faces, including this long piece just outside St Werburghs tunnel. Over the last week or two, I have been finding more and more of these goofy monsters, which has been rather fun, and you can expect to see more here soon.
Scrapyardspec, St Werburghs, Bristol, May 2025
This piece fits the size and shape of the wall perfectly, being squashed and elongated, affording space for three eyes, and a very long toothy smile. I love the way that Scrapyardspec manages to maintain an incredibly consistent style with all different shapes and sizes of characters. A creative idea/theme nicely executed.
I have recently met Mesk (@lazureness) a couple of times recently, and he is a lovely chatty bloke. I am sure I have seen his work before, and feel like I have posted it, but it looks like this is the first piece of his that has appeared on Natural Adventures. Furthermore, I am hoping to photograph another oner today, if it is still there and I can park nearby.
Mesk, Dean Lane, Bristol, May 2025
I watched as Mesk started this piece off. It is a small spot, but I think he has done a brilliant job with it. Such tidy presentation is assisted by buffing out the wall first with a neutral grey. Great letters, straightforward colours (three horizontal yellows) and a nice deep red and black 3D drop shadow. What’s not to like?
There was a fabulous turnout for Hypo’s birthday paint jam a little way back, and one of the highlights for me was this small piece by occasional artist Posh. By occasional, I mean that he doesn’t paint the streets all that often, which is a real pity, because his work is refreshingly different.
Posh, M32 roundabout, Bristol, May 2025
Posh has painted a collection of curious characters who seem to be having a fun time. I think the monocles and top hats are part of the whole posh thing. Is that a cake the girl is holding? And who is the dude in the aeroplane? There is lots happening in this busy sketch piece. Looking forward to seeing more from Posh.
Although I see a little bit of his work around the place, this is only the third piece by Kush that I have posted on Natural Adventures. His selection of ‘fruit salad’ colours gives his writing an uplifting presence. The letters KUSH are nicely designed and uniform with nicely graded fills.
Kush, Cumberland Basin, Bristol, May 2025
Some nice depth is achieved with his orange 3D drop shadow, but the piece is probably most notable for the message ‘Free Palestine’ which is a common theme in street art in Bristol. Kush has also filled his letters with loads of shout-outs, and a smaller message in case you didn’t get it first time, ‘stop arming Israel’. While the world disintegrates and wars dominate the headlines, these guys modestly protest and document the world around them.
This is a fine collaboration from two artists who never seem to stop, both totally dedicated to their art and sharing it with us. This is the kind of collaboration which is more about artists painting together rather than any kind of fusion between their styles, colours or design.
Conrico, Greenbank, Bristol, May 2025
On the left, Conrico presents a portrait of a woman in the foreground, who looks like she is taking a selfie in front of an island paradise – probably a Japanese island in the East China Sea. Conrico’s portraits are improving all the time and becoming more of a feature of his work. Of course, he has enough paint to add in his letters, with a feint reflection in the inviting sea.
Werm, Greenbank, Bristol, May 2025
To the right, Werm’s letters are beautifully presented, with the middle two letters a little smaller and ‘sitting on top’ of the rest of the piece. Lots of depth and intricate design work in this graffiti writing. Both artists have very different technical styles, but this collaboration works incredibly well.
There is an unwritten rule in street/graffiti art that suggests that you shouldn’t paint over a piece that is better than the one you are covering it with. Of course, this is unenforced (it is a jungle out there) and also is subjective. The logical conclusion is that you end up with every wall having high-end pieces that remain forever. This is where taggers and bombers come in – they have little regard for conventions and bring every wall back to square one. The ecosystem seems to work.
Bloem, Peel Street Green, Bristol, May 2025
I mention this in passing, because I was surprised to see this Bloem piece appear on this particular wall only a matter of days after it had been painted by 3Dom. In the grand scheme of things, there are few better artists than 3Dom in Bristol, and seeing this Bloem piece certainly raised my eyebrow. Fortunately, I don’t think 3Dom is at all precious, and Bloem is rising up the ranks of Bristol artists with each new piece she paints.
To have replaced 3Dom’s piece with this superb flower character/design certainly softens the blow. Bloem has a keen eye for design and matches it up with superb technical ability. I have to remind myself that she really only started painting walls a couple of years ago and has progressed at an alarming rate. This is a real beauty, and she has perfected chrysanthemum petals to a tee.
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