Urban – Page 54 – Natural adventures

6922. Dean Lane skate park (831)

There are a couple of things that are slightly unusual about this piece by Fade. The first is that it is a solo piece and not a collaboration with Dibz and second, it has unfamiliar letters, as it is a tribute to ‘the Mrs’ to use Fade’s words, although I can’t remember her name, and I am struggling to decipher the letters.

The graffiti writing is flawless, as you would expect, and stands out on the large wall with a black background. There is a little too much brown for my own personal taste, but I have spoken enough about that in recent posts. Really stand out work from Fade

6921. M32 roundabout J3 (679)

Short, M32 roundabout, Bristol, April 2025

This piece, by Short, is really easy to miss. It is in one of the tunnels under the M32 roundabout where the lighting is poor, and one’s mind is focussed on not being run down by a bicycle or e-scooter rather than stopping to look at the graffiti writing. If photographing such pieces is hazardous, I can’t imagine what it is like to try and paint in such a confined space.

The black, joined-up letters, spelling SHORT are somewhat augmented, deliberately or otherwise, by the background created by a previous artist’s large chrome letters, which creates the perfect backdrop. I am enjoying the way that Short is popping up in different places around the city, and offering us a type of graffiti writing that is a step up from throw ups, and developing all the time.

6920. Stokes Croft

Wilko, Stokes Croft, Bristol, April 2025

It isn’t all that long ago that I wrote about how Bristol, although it has a super-vibrant street art scene, is less well represented on the wheatpaste side of things. Of course, when you say something like that, life has a way of proving you wrong, and I have since found a whole bunch of wheatpastes, many of them by Wilko in the Stokes Croft area.

I haven’t come across Wilko before, but I have a feeling he might be from Birmingham. He certainly made the most of his visit to Bristol, and I will try to post more of his wonderful illustrations in due course. This orange and black piece has a feel of African-influenced art and cubism (which of course are related) about it. Great to see.

6919. East Street

Mr Penfold and Mul, East Street, Bristol, April 2025

This is a recent picture of a piece that I think was painted during Upfest last year, when Mul was visiting and dropped a few pieces about town. Here he has teamed up with Mr Penfold to create a fun and colourful collaboration.

Mul is known for his heart characters with legs and an eye. I’m not sure where Mul calls home, but occasional visits to Bristol are always very welcome. Mr Penfold is perhaps more commonly associated with his abstract commissions on shopfronts, but he intermittently produces these wonderful cartoon characters, presumably for fun. A tidy collaboration.

6918. M32 Cycle path (289)

Werm, M32 Cycle path, Bristol, April 2025

Now, regular readers will know that brown is my least favourite colour when it comes to graffiti writing, and it is a path I am unlikely to deviate from or be persuaded otherwise, so the selection of brown aside… this is a really nice tight piece by Werm.

I rather like this letter style, which while keeping up the symmetry theme that Werm enjoys so much, also has something of a feel of Marvel or DC Comics about it, as if it should say ‘blam’ or ‘whack’ or something like that. Definitely a fun piece, well presented. Pity about the colour.

6917. Stokes Croft

Hemper, Stokes Croft, Bristol, April 2025

There are some newish hoardings at the bottom end of Stokes Croft, as the gentrification of the area once more picks up momentum. Kid Krishna has, as you would expect, pounced on these blank canvasses, but he left this space for Hemper, and what a banging piece it is too.

Overall, the piece has a copper metallic feel to it, with the highly illustrated letters spelling out HEMS. The piece is obviously an homage to DJing and to sound systems, perhaps a reference to the Blue Mountain Club that was knocked down behind these hoardings. There is too much to describe in this sensational piece, so perhaps the best way to enjoy it is to spend a moment looking at each element of it.

Of course, you can take a horse to water, but you can’t make him drink. These two are symptomatic of the world we live in, where shutting yourself off and hiding behind headphones is the norm – no effort required, no thought given to exploring the world right in front of your eyes. C’est la vie I suppose.

6916. Dean Lane skate park (830)

Painted on one of Bristol’s most iconic walls, the curved wall in Dean Lane skate park, this is a birthday tribute piece to Soker by Dibz. Pieces like this have the capacity to confuse, because the letters do not spell the artist’s name, and I have in the past misidentified pieces because of it.

Dibz really is a master of graffiti writing and is at the top of his game, something he has maintained for such a long time now, without any dip in form. The letters are filled with a solid black fill, and finely written ’50s’ indicating it was Soker’s 50th birthday. Great to see one of Dibz’ small signature tags in red at the top right too. Excellent work, and a fine birthday tribute.

6915. Stapleton Road

Nice One, Stapleton Road, Bristol, April 2025

In terms of content, Nice One is one of the most dynamic artists in Bristol, he has created characters, landscapes, animals and here he offers up a dust cart, I mean… who’d have thought it?

The piece reminds me very much of Merny’s trucks and cars, in so much as the style is quite naive, with some interesting wheels for example. I love this piece, it is just so unusual, but demonstrates Nice One’s love for art and creativity in his inimitable style. I also love it that he kind of ‘owns’ this hoarding, like it is his private gallery.

6914. St Werburghs tunnel (495)

Mr Draws, St Werburghs, Bristol, April 2025

This is an interesting wall at the entrance to St Werburghs tunnel. It is a space that can be filled with one or two or even more pieces, because of its length. There is a bit of a difficulty with the full length pieces, like this beauty from Mr Draws, and that is there is quite a bit of street furniture in the way that makes it a little challenging to photograph.

The spot also suffers from shading on sunny days, so being there at the right time is quite important. On the day I took these pictures, it was dazzlingly bright, indicative of the remarkable spring we are enjoying. Mr Draws has written his joined up letters DRAWS with a very nice horizontal striped fill pattern of magenta, turquoise, blue and yellow, which works remarkably well. The letters are broken up with a shower of ‘leopard’ spots, which offer a really interesting texture to the piece. There are some nice drips too. This is a really good large piece from Mr Draws, no messing.

6913. M32 roundabout J3 (678)

Eatz, M32 roundabout, Bristol, April 2025

This piece is from another out-of-towner, Eatz, the second post featuring a visitor in a row, which is one of the wonderful aspects of Bristol street art. Because Bristol is nationally and internationally known for its street art and graffiti culture, and its most famous contemporary son, Banksy, a lot of artists from about the place will visit and drop a piece while they are here.

Eatz has created a rather interesting monster, with multiple eyes and a hand holding a glowing stick of some kind, emerging from a puddle of blackness. Lots of great colours and a bit of a story behind this alien in a spacesuit. The piece was painted alongside a Lupa piece, and I wonder whether they are friends/acquaintances, or whether they met of the first time as part of the paint jam.

	scooj on Foksymoron
	dennyho on Foksymoron
	scooj on 7414. Cumberland Basin
	scooj on 7412. BB Gallery (11)
	Cethru Cellophane on 7414. Cumberland Basin

	scooj on Foksymoron
	dennyho on Foksymoron
	scooj on 7414. Cumberland Basin
	scooj on 7412. BB Gallery (11)
	Cethru Cellophane on 7414. Cumberland Basin

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