Tag: Urban

1075. Greville Road (7)

I am struggling a little about how to categorize this piece. It is by Sonic Oner, whose official Upfest piece I posted a little while back, but I think that this appeared a few days later, and so I am not classifying it as an Upfest piece, preferring to think of it as an extra gift to Bristol.

Soniconer, Greville Road, Bristol, July 2017
Soniconer, Greville Road, Bristol, July 2017

Located on a wall outside the Hen and Chicken, the piece is in great company, being next to a Pelmo piece. I love reptile street art, and this Iguana is really rather special. There is a lot of attention to detail in the scales, and the eye is beautifully worked.

Soniconer, Greville Road, Bristol, July 2017
Soniconer, Greville Road, Bristol, July 2017

I think he probably used the spray paints that he had used for his other piece, since the colour scheme is the same; green, white and black. It was a lovely surprise to find this after the main event of Upfest was over.

1074. Upfest 2017 (80)

OK, so this is one of those pieces that seems to have become quite iconic in the wake of Upfest. Everything about it is contemporary with the mood of the nation and other nations. It is bright and colourful but hides a more sinister discontent behind the hoodie and mask. My interpretation, which might be very wrong, is of resistance and revolution, of clawing back some decency, some freedom.

Tysall, Upfest, Bristol, July 2017
Tysall, Upfest, Bristol, July 2017

The piece, by Tysall, is one of the most memorable of the festival, however, I am not familiar with the artist at all. I believe that he is Bristol-based, and have found a rather nice interview with him here.

Tysall, Upfest, Bristol, July 2017
Tysall, Upfest, Bristol, July 2017

I think his entry in the Upfest biographies is one of my favourites:

‘Just trying to make my own mark… or mess, I’m still not sure which it is.‘

He has made his mark with me, no messing.

Thursday doors

Door two.

Door, Bedminster, Bristol
Door, Bedminster, Bristol

Bedminster, Bristol.

 

by Scooj

Thursday Doors – Norm 2.0

1073. Upfest 2017 (79)

There is a pretty strong and obvious message in this morbidly humorous piece by El.Viz. Smoking makes you sick. I used to smoke quite a lot, but it was imagery like this that helped me to kick the habit almost twenty years ago now. Good thing too.

El.Viz, Upfest, Bristol, July 2017
El.Viz, Upfest, Bristol, July 2017

El. Viz is an Irish artist working out of Dublin and is a studio artist as well as taking to the streets. I like the following line from his Upfest biography, because it tells you all you might want to know:

‘Heavily influenced by 80s cartoons and punk rock, he blends lowbrow culture with surreal pop art‘

And there you have it.

1072. Upfest 2017 (78)

I think that this is a bit of a cheeky Upfest piece from Jee See, a Bristol graffiti artist that I have featured on this blog many times before, and one whose work I particularly like. The suggestion that it is a bit cheeky is because I can’t see his name on the artist list for the festival, and this board was erected outside one of the venues, almost as if it was a bit of a teaser.

Jee See, Upfest, Bristol, July 2017
Jee See, Upfest, Bristol, July 2017

I am guessing that there were a few ‘no shows’ for the festival and that spare boards were available for some local artists. This is all based on my own assumptions, and as I was once told, to assume things is to make an ‘ass of u and me‘.

Anyhow, I am pleased that Jee See managed to present his work and combine his trademark seismic writing alongside a beautiful portrait…all so very Jee See.

1070. Upfest 2017 (76)

For the second year running I managed to miss (probably by moments) Aspire at work during Upfest. Actually I have not yet met him, and now that he operates out of London, the chances of that happening are rather remote.

Aspire, Upfest, Bristol, July 2017
Aspire, Upfest, Bristol, July 2017

Aspire was allocated one of the really nice walls this year and by the time I got there on the Saturday morning, he was finished and his gear was neatly piled up ready to go. I always know with Aspire that he never fails to delight with his brilliant birds and trademark pixellations.

Aspire, Upfest, Bristol, July 2017
Aspire, Upfest, Bristol, July 2017

In this piece he features a rather charming  male bullfinch in all his finery.

 

 

1069. Dean Lane skatepark (81)

A great hold the microphone piece by one of Bristols great writers, Soker. This piece is a little unusual, because Soker usually writes ‘SOKEM’ and I think this is the first picture I have where he has written smething else.

Soker, Dean Lane, Bristol, September 2017
Soker, Dean Lane, Bristol, September 2017

The colours are ones he has used before and he works the gradient between the colours skilfully with a kind of bubble effect, which is repeated in the deep purple background to the piece. I am not too sure what the piece refers to, there may have been an event or something, or maybe it was just for fun.

1067. Bedminster

Fish and chips, horse and carriage, Morecambe and Wise…these are all things that we are accustomed to seeing together and so it is with Ryder and T-Rex. This is a rather nice little collaboration in Bedminster by these two painting buddies.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

The radioactive R on the left is an icon that Ryder uses quite a lot, particularly when he is doing a quick throw-up. This one is a little more elaborate than some I have seen recently.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

The dinosaur is obviously by T-Rex, this time opting for a rather fetching lilac colour, which seems to be in vogue at the moment in Bristol. There is something familiar and comforting about a collaboration between these two.

Ryder and T-Rex, Bedminster, Bristol, September 2017
Ryder and T-Rex, Bedminster, Bristol, September 2017

1066. The Bearpit (96)

I have always liked the work of Object… and his unswerving political ideology that cuts through all of his work. In this small piece in The Bearpit his message is clear ‘Plant more, chop less…’.

Object..., Moon Street, Bristol, August 2017
Object…, Moon Street, Bristol, August 2017

I am not too sure what the figure in this work represents, it looks a little like an alien to me. However I subscribe to the overall sentiment.

1065. Moon Street (36)

Right up at the north end of Moon Street you will still find this nice writing from Whysayit. Unfirtunately, every time I pass it, which tends to be in the mornings…these days I get the bus home…it is in shadow, so these pictures don’t really bring out the full colour Whysayit has used.

Whysayit, Moon Street, Bristol, July 2017
Whysayit, Moon Street, Bristol, July 2017

His choice of colours is unusual, especially the lilac background. Maybe he buys his paint from the same place as Face F1st. The writing spells out YSAE, which I guess stands for ‘Why Say’. Always nice to find work by this modest graffiti artist.