Tag: Urban

808. Dean Lane skate park (50)

On 20 April each year, there is a legalise marijuana protest, or smoke-in if you like, where weed smokers will overtly disobey the law and rely on the theory of safety in numbers to avoid arrest or prosecution. In the UK, the main ‘celebration’ is held in Hyde Park, but in Bristol there is a parallel exercise held on the Downs.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

This piece is dedicated to the 420 campaign and is unmistakably by Kid Crayon, who demonstrates his knowledge of marijuana admirably in this protest work.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

I always like a good political or protest bit of street art, and this one ticks all the boxes. Colourful, illustrative and subversive. The piece remained untagged for a long period in an area where street art tends to have a very short lifespan, possibly indicating a general respect and support from taggers and other artists.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

It has, of course, gone now.

807. Moon Street (30)

I have no idea who this is by, but it really tickled me when I saw it. This is one of those pieces that you really have to keep your eyes peeled to be able to see. Low down and quite small. A dog on a skateboard. A paste up. What is not to like here?

Unknown, Moon Street, Bristol, May 2017
Unknown, Moon Street, Bristol, May 2017

If anybody might know who the artist is, I would be eternally grateful. Pure class as far as I am concerned.

806. Dean Lane skate park (49)

This is a small piece from Shab down at Deaners from a couple of weeks back. It is a wonderful abstract piece with great eyes…oh those eyes. I discovered another much larger piece by Shab in another part of Bristol, and am itching to go and photograph it.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

It is always a pleasure to see his work, every one feels like a little present. I feel very lucky to be able to access the free galleries that are the Bristol walls. My task is to make these treasures accessible for all.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

805. Raleigh Road, Tobacco Factory (7)

I had had a tip-off, via Stephen Quick’s Instagram feed that he and Hannah Adamaszek would be doing a collaboration at the Tobacco Factory, on the weekend of 13-14 May, so I managed to sneak over on the Saturday to see what they were up to.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

What a treat. Stephen had organised for a few established, up and coming and debutant artists to spray the car park bays during what was a bit of a Bedminster festival. This work is really interesting because it brings together two distinct styles into a synthesis that joins them. The subject matter is the same, but the techniques quite different.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

Stephen Quick works mostly with stencils and Hannah with freestyle paints and spray. It was interesting watching them concentrating on their respective halves of the collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

It is possible to see that some elements of the original piece obviously didn’t work too well for the artists, so they were removed, for example the purple birds in the background.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

I love the work of both of these artists, and I love the way they have collaborated on this piece. Does it work? I am not sure. Has it enhanced their styles or cramped them? On balance, I consider it a triumph, but it brings into sharp perspective the difficulties of working together. A bit like being married I guess…different styles, a collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

802. M32 roundabout J3 (38)

I haven’t seen much of Epok’s work of late, so it was great to see this trademark piece on the M32 roundabout back in April. His wildstyle writing is always perfectly executed, and the precision and geometry betrays the large amount of care that goes into his works.

Epok, M32 roundabout, Bristol, April 2017
Epok, M32 roundabout, Bristol, April 2017

He has made great use of accent colours and patterns in green and white, to make the black and brown lettering stand out. Another high quality piece from one of the best writers in town.

Epok, M32 roundabout, Bristol, April 2017
Epok, M32 roundabout, Bristol, April 2017

801. Stokes Croft, the Carriageworks (25)

A couple of weeks back, we were blessed. Aspire made a trip back to Bristol, from his new home in London, and while he was here, he sprayed a couple of pieces, one of which was this magnificent pigeon in one of the Stokes Croft arches.

Aspire, Stokes Croft, Bristol, May 2017
Aspire, Stokes Croft, Bristol, May 2017

Although Aspire himself talked this piece down…’painted with some dregs from a recent job in Bristol this week’, I happen to think it is yet another example of his mastery of his craft.

Aspire, Stokes Croft, Bristol, May 2017
Aspire, Stokes Croft, Bristol, May 2017

The gold background is inspired, and actually draws the piece closer to the breakdancing Jesus by Cosmo Sarson which has gilt paint stretching high on a wall some 50 metres away.

Aspire, Stokes Croft, Bristol, May 2017
Aspire, Stokes Croft, Bristol, May 2017

This was not the only spraying Aspire managed on his short trip, and I will be posting about another piece soon. So glad he could make time to brighten up our streets again.

799. Upfest 2016 (130)

Recently, I have posted quite a few pieces from the magnificent Georgie (artist), including a wonderful Michael Caine portrait in The Bearpit. However, when I took these pictures back in July 2016, I don’t think I really knew too much about her.

Georgie, Upfest, Bristol, July 2017
Georgie, Upfest, Bristol, July 2017

This is a fabulous stencil, impactful and eye-grabbing. The contrast of the grayscale stencil and the bright and colourful background work really effectively for the subject matter of the piece. I am too lazy to find out what it is called, but it seems many of her works have an obvious name. I like this very much.

798. Upfest 2016 (129)

I met Annika Wilkinson, who paints under the name of Annika Pixie, for the first time a couple of weeks ago at a local festival in Bedminster. She is a lovely, chatty and talented artist who is from Sweden (although I have to confess I thought her accent Scottish) but is now based in Bristol.

Annika Pixie, Upfest, Bristol, July 2017
Annika Pixie, Upfest, Bristol, July 2017

She tends to paint portraits that have a mysticism or dreaminess about them, which I rather like. I have found several of her pieces around Bristol, so it was lovely to finally meet her. Great news is that she will be back at this year’s festival,. which is easy for her, as she lives very locally.

Running the gauntlet

 

The walk to my school

filled my heart with a deep dread;

cap and bag held tight

I was an easy target

for bullies on the estate.

 

by Scooj

 

797. Upfest 2016 (128)

This piece was one of the most mysterious and moving of the whole festival. It depicts, in a stained glass window style, a mother and child wrapped in a blanket. On first glance it looks like a Virgin Mary and Jesus depiction, and the mother has a halo effect around her head. Look closer and for a little longer and the horror of the image becomes clear. This is a contemporary study of the terrible refugee crisis of people from many of the world’s most troubled regions desperately crossing the Mediterranean Sea to get to mainland Europe.

Unknown artist, Upfest, Bristol, July 2016
Unknown artist, Upfest, Bristol, July 2016

The child is not dressed in swaddling clothes as one so young should be, but strapped into a life jacket and the pair of them are enveloped in a silver sheet to keep them warm. This is both distressing and compelling, and pretty much my favourite piece of the whole festival. One big hitch…The picture was not there on the second day, and I never got to find out who it was by. I scoured the Interweb but drew a blank. If anyone might know, I’d love to find out. I am still really moved by this piece. Brilliant. Bravo.