Regular readers will know that I have a special liking for the work of Nips. It is difficult to pin down exactly what it is about her writing that I like, but it just somehow appeals to me. This chrome piece was painted under the M32, on the far bank of the River Frome, which involves crossing the river on a slender concrete beam, not one for the feint-hearted.
Nips, Frome Side, Bristol, January 2025
In this piece, Nips’ usual creative fills have given way to something much simpler (which is often the way with chrome writing). I like the double border, which creates just enough separation between the letters and the graffiti wall. The lasting thought though is I really want to know who ‘Evil David’ is.
Zed in the Clouds and J9449j, Sparke Evans Park, Bristol, January 2025
I sometimes wonder if anyone would notice if I stopped writing about the street/graffiti art pieces that I post, and simply presented the photographs, but then I have to remind myself that this blog is primarily for me and my mental health… that others might enjoy it is a joyous blessing. I cannot be certain that this vertically stacked pair are collaborative or simply adjacent. There are red drips running through both, but I think that has more to do with the lower piece by j9449j incorporating them into his piece.
Zed in the Clouds and J9449j, Sparke Evans Park, Bristol, January 2025
The top piece is by Zed in the Clouds, an artist who is ridiculously underrepresented on Natural Adventures, a situation I simply must remedy. His combination piece contains the letters ZED and his trademark character. With the incorporation of the background the piece is literally zed in the clouds.
Zed in the Clouds and J9449j, Sparke Evans Park, Bristol, January 2025
The lower piece is by an artist who seems to delight in changing his Instagram handle on a regular basis, making it rather difficult to know what to call him, so I stick with the first name I used, which is j9449j. Among his other monikers are Dr3amc0re94 and all_4_n0thing – this is someone who doesn’t want to leave much of a digital footprint like many other street artists. His letters, which I can never read, always have fills that I like to think have a natural emphasis with lots of leaves and plant shapes. This is a fine piece of writing that could so easily be dominated by the vibrant background, but actually complements it well.
I can’t believe that today is the last day of January… I swear that time is accelerating, or at least that is how it feels (it is my age you know). I recollect that Stivs told me a long time ago that he and Mest had shared a flat for a while, which might account for this coming together to paint this collaborative wall.
Stivs, M32 Spot, Bristol, January 2025
Stivs has been smashing it consistently for a long time, and his current penchant for painting characters from the Teenage Mutant Ninja Turtles franchise is a very welcome theme. A fun fact – did you know that ponds and lakes up and down the country (particularly in the south) are populated with terrapins (a non-native species) which were purchased by children and families thanks to the power of the movie franchise, as adorable exotic little pets. Little terrapins grow into big terrapins, and as these creatures outgrew their tanks, people released them into the wild (an illegal act without a licence). Some survived and have adapted to their new environment, and that is why you might spot them if you keep your eyes open.
Mest, M32 Spot, Bristol, January 2025
I have always liked the simplicity of Mest’s writing, and although he doesn’t paint all that often, he manages to retain his style and technique with ease. The letters, in an informal font, are nicely proportioned and filled without being fussy. There is a very nicely done drop shadow, which again is delivered without fuss. What lifts the piece, in my view, is the way the greys work with the background colour and the fabulous interface created with the subtle green border. A fine collaboration.
I have a sense that 2025 is going to be a good one for street art in Bristol. Already January, a month that is traditionally rather slow, has been a very active period with loads of artists hitting the ground running. A signal that we could be in for a treat this year is the early appearance of Kid Crayon and I am Ian in Dean Lane.
I am Ian, Dean Lane, Bristol, January 2025
This skull piece by I am Ian is full of joy and humour. Painted in a mischievous cartoon style, the grinning skull is accompanied by the slogan ‘Here today, gone tomorrow’, which I guess is a brief description of our existence. The character is expertly painted, with some great shading and fine lines to create features and depth. A wonderful way to start the year.
As someone who photographs and writes about street and graffiti art, it can be quite a challenge keeping up with Instagram monikers and even the letters that artists write. Bbygwya, AKA Flux, writes Flux. Luxe and in this instance Lukz and you have to know her style and range of letters to be able to identify her work successfully.
Bbygwya, Frome Side, Bristol, January 2025
This piece was painted under the M32, alongside the River Frome early this month, and might signal a healthy presence from her and the RBF crew, who have all had a pretty busy January. Her letters have that unruly feel to them, being slightly irregular. The fills are nicely done and capped off with a couple of brilliant starbursts. Like other pieces painted during this session, there is some rain damage, which suggests that it was a wet paint day. There is a nice final touch… the shout out to Mena.
It is always a little sad when street/graffiti artists move away from Bristol, but some consolation that new artists are emerging or moving to the city, generally at a faster rate, growing the incredible pool of talent. PWA (Pirate Wall Art) took a double hit at the end of 2024, with both Face 1st and Chill leaving town and leaving behind a significant void. Face 1st, it should be registered, has returned several times to paint, just as he said he would. This piece by Chill, however, I think was painted before he left, which made it all the sweeter to find.
Chill, M32 roundabout J2, Bristol, January 2025
Chill has managed to squeeze one of his stylish cartoon characters onto a column with great skill and without making it look too distorted or contrived. I will miss his urban street-wise people with their caps and ear discs. If you miss them too, here is an updated gallery of his outstanding work.
This beauty was painted by Peggy at the RBF paint jam celebrating Desi and Even’s birthdays. She has adhered perfectly to the theme of the paint jam, which was the Japanese Studio Ghibli and presented this No Face character from Spirited Away.
Peggy, Sparke Evans Park, Bristol, January 2025
Of course, the central element of Peggy’s piece is the floral patterns, with each flower stem containing an eye, something of a signature in her work. Wrapped around the flowers is a black cloak belonging to the No Face character. Three cute little fluffy spiders finish the piece off nicely.
So Mind 49 gets the year off to a cracking start with this fine piece, combining two contrasting styles, demonstrating his awesome technical ability. Mind 49 has always had an activist streak, and many of his early pieces were themed along the lines of animal rights. This one appears to be more about peace, and might be a commentary on the overthrow of the Bashar al-Assad regime in Syria.
Mind 49, Greenbank, Bristol, January 2025
The character is beautifully painted, peering over a scarf that covers up the lower half of his face. The folds in the material are superbly painted. Superimposed over the portrait is a crudely drawn cartoon of a gun being snapped in half and a dove of peace flying off. The peace symbol to the right indicates quite clearly what this wonderful work is all about. I’m looking forward to a great year ahead from Mind 49, I also think it might be time for a gallery of his work.
I don’t get down to this spot underneath the M32 nearly as much as I’d like to, but I do get there often enough to capture most of the pieces that are painted there, because the turnover is quite slow. This is a wonderful Bloem piece that was painted alongside her friend Sub.
Bloem, Frome Side, Bristol, January 2025
I have noticed that quite a few of the pieces that have been painted over the winter in this spot are showing signs of rain damage, including this one. This piece is a bit of a ‘retro’ piece for Bloem, taking us back to some of her earlier themes when she was painting under the name Hiccup, such as the ‘brick’ mobile phone clutched in a hand with very long fingernails. It is always such a treat finding her work.
There are some artists in Bristol that I simply take for granted, in so much as I expect to find their work on a reasonably regular basis, while others may paint in fits and starts. Biers is one of those whose presence is always out there, and it is not difficult to stumble upon new work by him that I haven’t seen before.
Biers, River Avon, Bristol, January 2025
These rather nice WD40 letters in pink work really nicely on the green background, and the letters have been a little bit compressed into his short-form. When Biers incorporates characters to create combination pieces, the letters tend to sprawl out a little bit more. Some interesting fills, and a smattering of inverted crosses finish the piece off nicely.
Natural adventures 