Tag: Writer

1637. St Werburghs tunnel (35)

It would appear that when Inuk came to visit Bristol recently he may have painted two or three pieces. This is the second that I am posting, and the first that I found. I didn’t write about it straight away because at the time of taking the picture I didn’t know the artist.

Inuk, St Werburghs, Bristol, July 2018
Inuk, St Werburghs, Bristol, July 2018

The writing is big and bold and spells out INUcK, which I guess is a variation on his name. I very much like the little character at the right hand end of the piece, who offers a little additional interest and decoration on the work.

1635. New Stadium Road (5)

This spot is always impossible to photograph – I think the only solution is to come down at dusk and use a flash, and if I am honest I’m not sure I am fanatical enough to do that. The piece is, of course, by Deamze and shows off his angular puzzle-like wildstyle writing really well.

Deamze, New Stadium Road, Bristol, July 2018
Deamze, New Stadium Road, Bristol, July 2018

As is often the case, I am not at all sure who the character is, and think it might possibly be a figment of his fertile imagination. It feels strange, but of all the most productive Bristol artists painting at the moment, I still have yet to meet Deamze – our paths just haven’t crossed. I have a feeling he likes to keep himself to himself. Yet another consistently good piece.

1634. St Werburghs tunnel (34)

It feels like a while since I saw anything by Soge, so this writing in St Werburghs tunnel recently was a nice surprise. I think it was created during the paint jam which included a lot of PWA artists.

Soge, St Werburghs, Bristol, July 2018
Soge, St Werburghs, Bristol, July 2018

Soge, like Hire, uses a rather gothic style in his writing, which may be something they have brought with them from Poland, as it is not a style I see much of from any of the local artists. The letters SOGE are easy to pick out, although the lighting in the tunnel doesn’t really do the piece justice. Strangely I haven’t yet met Soge and so can’t really tell you too much about him.

1632. Dean Lane skate park (150)

An eye-catching piece in Dean Lane by Jee See (G.C. – Goshiku Chavu). On a black background, he has worked this neon green seismic piece really well. It reminds me of early green screen computers and video games like Space Invaders.

Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018

Jee See is another of those Bristol street artists who consistently turns out great work and furthermore he sprays in spots all around the city. Some artists prefer to stick to their own patch. More to come from Jee See soon.

1631. Dean Lane skate park (149)

I always look forward to Kleiner Shames’ visits to Bristol, because every time he leaves behind something to marvel at. This is a miraculous collaboration with Epok, and demonstrates what can be achieved by two street artists at the top of their game.

Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018

The first thing to notice is the fabulous colour selection, which is very much influenced by Kleiner Shames, as I have seen him use these colours several times before. The genius of the piece is in the letters. Epok always writes EPOK and Kleiner Shames writes FOIS. In this piece I can read both…how do they do that?

Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018

The highly designed style of the piece works to both of their strengths, but the execution is what makes this piece so good. Clean lines, incredible shapes and some really interesting shadows. It reminds me of so many fine artists of the twentieth century. I love this piece and it is without doubt my favourite writing work so far this year. Bravo boys.

1626. Devon Road (7)

Oh I just love it when I make new finds when I am actually looking for something completely different and stumble upon something like this. I was driving round Easton hunting down Andrew Burns Colwill’s new mural when I drove up Devon Road – a funny road that has a dog-leg layout, one part of which is a back street and the other a fairly busy main road.

Deamze, Devon Road, Bristol, July 2018
Deamze, Devon Road, Bristol, July 2018

This is of course by Deamze, and I just don’t know how it fell outside my radar, but I am glad I found it nonetheless. Even better is that I know who the character references are which can’t be said for a lot of the 80s and 90s cartoon characters that Deamze uses.

Deamze, Devon Road, Bristol, July 2018
Deamze, Devon Road, Bristol, July 2018

The character is the robot Bender from the TV series by Matt Groening (creator of the Simpsons – who have featured big time at Upfest 2018). It is all very good, and Deamze’s wildstyle writing is exceptional as always. I love the freshness of this piece.

1622. Park Street

We used to eat at Jamie’s Italian on Park Street reasonably often as it was a restaurant that the whole family liked. Sadly his business overstretched itself and had to close a whole ton of branches, including this one in Bristol. On the upside though, the hoarding on the outside has been beautifully decorated with a Cheba and Inkie collaboration.

Inkie and Cheba, Park Street, Bristol, July 2018
Inkie and Cheba, Park Street, Bristol, July 2018

This piece speaks volumes about the independent and individual culture of Bristol – that street art is sanctioned and even encouraged onto one of the most iconic shopping streets in the city and that the piece itself is bright and cheery and a bold statement of pride about the street itself. The work was sponsored by the Bristol Buisness Improvement District (BID) and was painted at the start of July.

Looking at the artwork itself, it is quite difficult to see an Inkie piece and not read the word Inkie in it. I swear I read Inkie whenever I see it. Cheba dose what Cheba does and provides a splendid cosmic backdrop for the letters. A fine collaboration and ‘in your face’ (in a nice way) piece of Bristol street art.

1621. Moon Street (51)

An old collaboration, the remnants of which can still be seen in Moon Street. The writing on the left obviously belongs to Ryder and the rather scary voodoo-like character is by the elusive 2Keen, both of RAW.

Ryder and 2Keen, Moon Street, Bristol, May 2016
Ryder and 2Keen, Moon Street, Bristol, May 2016

I have always been rather fond of this wall and can’t think why I haven’t posted it before. Ryder’s writing meets the high expectations one expects from his work, and the 2Keen piece is really rather special. His work is quite unlike anyone else’s and has a soft quality to it, almost blurry. A specialist in character teeth. Great at last to publish this one.

Ryder and 2Keen, Moon Street, Bristol, May 2016
Ryder and 2Keen, Moon Street, Bristol, May 2016

1617. St Werburghs tunnel (32)

I am loving this apparent renaissance by PWA’s brilliant Soap. I say apparent because He seems to have become much more busy on the streets in recent months and is posting like crazy on his Instagram feed. Whether this is a real thing or simply my perception is no matter really, he is putting out some great work at the moment.

Soap, St Werberghs, Bristol, July 2018
Soap, St Werberghs, Bristol, July 2018

This is a spectacular piece of writing, spelling out his name and incorporating some of his favourite themes, including the mouth and bones. The colours are perfectly selected and complement each other beautifully. I love the little bone cross decorations. Bravo!

1615. Dean Lane skate park (147)

On the left hand side of the long wall at Dean Lane is this lovely piece of writing from INUK. I have never come across this graffiti artist before, but have been able to find out a little bit about him from the Interweb thing. He comes from London and took his name from the Inuit of Greenland. He chose INUK because he used to get called Eskimo as a boy.

INUK, Dean Lane, Bristol, July 2018
INUK, Dean Lane, Bristol, July 2018

He seems to be a man on a mission to keep on doing something that he just really enjoys, and takes pride in what he has done. This piece is nicely done – great to have a background and then some real effort put into the letters and fills. There are some similarities with Inkie’s style, possibly the striped 3D fill and thick black outline on the letters. This Londoner is welcome to return any time.