Such a beautiful piece of wildstyle writing from Bristol legend 3Dom. This was part of a recent collaboration with fellow ASK artist Sepr on a wall in Wilder Street curated by Where the Wall.
The colour palette is rather unusual, although I do remember a piece by 3Dom some years ago that had some similar colours, but it was a character piece rather than writing. Always such high-quality work fromn this brilliant Bristol street/graffiti artist.
I have been waiting a long time to be able to post this piece. I have walked past it dozens of times, but cars have been parked in front, blocking anything like a decent picture. Obviously the writing is by Epok but I have a feeling, having seen some tattoo designs on Instagram, that the toadstool is by 3Dom. This is highly possible as the two do like to paint together.
Surrounded by street furniture and what is left of a bicycle it is virtually impossible to get as clean shot of this wall, so this is about as good as it gets. The rather touching thing about this piece is the three tributes to Mibzy, Buzz and CKOne each one a much loved and admired character from the Bristol street art scene.
Last week I was on a bit of a brownian motion walk in Bedminster following the scent of some pieces that Paul Harrison had mentioned to me. On one of my meanders, I walked past this piece by Sofly which I hadn’t seen before probably because it is on a workshop door that is usually open during daylight hours.
I can’t be certain that the whole thing is by Sofly or whether she had an accomplice who painted the cat on the right hand side (Yala? Tam?). Sofly’s Work is always so crisp and clean and shaded beautifully. It was a real unexpected treat to find this one.
Ordinarily I’d be a little irritated by the overpainting of a Kid Crayon piece, especially after such a short existence, but in this instance I am more than prepared to forgive Fiva. In fairness, I think the collaboration had already been bombed and so the wall was ready for a new look.
This is a vibrant pink FIVA set on a green bubbly background, which employs all the tricks used by the artist to give a 3D look and feel to the piece. Better still, and I am so utterly made up by this, Fiva has given me my first ever ‘shout out’ in the bottom left hand corner ‘Yo Scooj’. I am touched and honoured to have made it onto such a splendid piece.
I have never met Fiva, so I must conclude that he has at some point stumbled on this blog and read some of my posts about him. Definitely, definitely need to hook up at some point, although I don’t think he uses Instagram, so getting in touch could be a challenge. Great work, and many thanks.
There is no question about it, Rezwonk and Decay enjoy working together, and this collaboration really brings out the best in both. I took this picture while killing two birds with one stone…walking the dog and grabbing some pictures at the same time.
I think that this is one of my favourite pieces of writing from Rezwonk so far (spelling REZER) – some lovely letter shapes and nice clean lines. The colour selection for the collaboration as a whole is inspired and works really well on a sunny day.
I have said it before, but I am really enjoying Decay’s current writing period, each piece I see just seems to get better and better.The curves on the letters have a wonderful 3D feel to them and the cheeky Chuck grins on. A great collaboration that has managed to remain for a while in this high-turnover spot.
It is funny how some artists seem to favour walls, such as Laic217 in Moon Street and Hire in Dean Lane, and this spot at the north end of St Werburghs tunnel is often occupied by Mr Klue.
In fine deep colours, this piece looks like it is a bit of a tribute to Hoax. Both artists belong to the COM64 crew which I think also includes DNT, Akarat and Mr Sleven. Often the word KLUE is hidden in his works, but here it is quite clear that he has written HOAX. A nice friendly piece.
A gallery of extraordinary graffiti writing by Epok, Bristol artist.
All photographs taken by Scooj.
I got really lucky with this one, I was doing a bit of an evening tour of favourite street art areas, and stopped at the M32 spot. I almost couldn’t be bothered to walk along the M32 cycle path, because I had been there quite recently, but something made me go and take a look anyway. Who should I find but Nightwayss, finishing off this striking and rather brilliant piece.
This was fortuitous on two counts, firstly to be able to meet the artist, who seems to be a very nice chap and secondly to be able to photograph it as a finished piece. All too often I have work in progress photographs without a final completed piece, because by the time I return it has been buffed or tagged.
We chatted a little about his work and I asked Nightwayss why he likes to feature monkeys in his work, he told me it was because they are quite like us so we can identify with them, which I get. There is a lot to look at and admire in this piece, which is full of detail, like the dunce cap (what is that about?) and a wrist watch around the monkey’s head. An unexpected and most welcome surprise.
This brightly coloured piece by Soap looks almost good enough to eat. Lots of stuff in there that looks like delicious confections, and the trademark mouth/teeth seem to be getting stuck in.
I have said it before about his recent work, that Soap seems to have found a new spring in his step and there is a joi de vivre in his work over the last year or so. It is great to see this, and in my view his work just seems to be getting better and better.
I love it when it happens, when an unannounced collaboration appears as if by magic. This sensational work from Smak and Hazard is one of those special pieces, and I think they have absolutely smashed it.
Smak has again gone for one of his double burners, where he has cleverly crafted two versions of his name into one piece. If you look carefully, there is one in blue and one in mostly orange. Such an accomplished thing to do from an artist who seems to be at the top of his game at the moment.
Then to Hazard’s fabulous frog, which I have to say has come as a huge surprise because I am more used to seeing her portrait pieces. I am a naturalist by training, and I have always had a bit of a soft spot for amphibians, especially frogs, so this piece really chimes with me.
Everything about this frog is good, the colours and the shading and the light reflecting off the body and the eye. Such an unusual piece to find on the streets of Bristol, but a wholly welcome one. More of this kind of thing please! A great collaboration on Upper York Street, so utterly well worth a look.
