6475. Dean Lane skate park (770)

Biers, Dean Lane, Bristol, October 2024
Biers, Dean Lane, Bristol, October 2024

Anyone who knows me will know that I am not a fan of ‘over-celebrating’ Halloween. The festival is so commercialised and has veered away from the modest affair that it used to be when I was a child. It is a generational thing, I know, but it doesn’t really ‘do it’ for me. One aspect that I am prepared to get excited about, rather predictably, is the Halloween-themed street art that always appears around this time of year, starting with this ghostly piece by Biers.

Biers, Dean Lane, Bristol, October 2024
Biers, Dean Lane, Bristol, October 2024

Biers has been writing his WD40 moniker quite a lot recently, although without his accompanying characters, which is a bit of a pity, because his combination pieces are part of his USP. The graffiti writing is accompanied on this occasion by a cute-looking ghost who looks a little embarrassed, judging from his red cheeks. The whole piece is nicely finished and achieved without the need for borders, which is great to see.

6474. M32 roundabout J3 (632)

Logoe, M32 roundabout, Bristol, September 2024
Logoe, M32 roundabout, Bristol, September 2024

More from the irrepressible Logoe, this time behind the bush on the M32 roundabout, where he has painted before. What is remarkable about Logoe’s most recent Bristol blitz, is that all of the pieces, and he painted many over a weekend, are really well finished, looking clean and crisp.

Logoe, M32 roundabout, Bristol, September 2024
Logoe, M32 roundabout, Bristol, September 2024

This piece of script writing is in yellow shades with a deep green drop shadow, and tidy white outline. The letters spelling LOGOE could easily be mis-read if you weren’t sure what you were looking at. As with most, if not all, of Logoe’s pieces, the writing is adorned with a scattering of brown, grey and yellow oval spots, complementing the colour palette perfectly.

6472. Greenbank (137)

Nips, Greenbank, Bristol, October 2024
Nips, Greenbank, Bristol, October 2024

There are several graffiti writers in Bristol who simply write their letters in a broadly similar style and format from piece to piece. Nips is one of these artists, and her forte is in the colours and fill patterns she chooses.

Nips, Greenbank, Bristol, October 2024
Nips, Greenbank, Bristol, October 2024

Photographed late afternoon on a rather sunny day, the photographs have a bit of glare and probably don’t do the piece justice. Nips has used yellows, oranges and pinks, and blended them skilfully throughout the piece. Some contrasting squiggles and fabulous white feature lines finish what piece well. I am an admirer of her work, and have yet to meet the artist… it is simply a matter of time.

6470. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, October 2024
Mr Draws, Cumberland Basin, Bristol, October 2024

At the time this post is published, I hope to be casting a line into the surf of Lantic Bay, and picking out the occasional bass. A man can dream can’t he? As I plod along from day to day, week to week, year to year, it is comforting to know that Mr Draws is doing the same, and his regular drumbeat of pieces has become something of a landmark or reference point for me.

Mr Draws, Cumberland Basin, Bristol, October 2024
Mr Draws, Cumberland Basin, Bristol, October 2024

Mr Draws has painted this wonderful chrome piece pierced with three chunky yellow arrows. A deep drop shadow and pink highlights help the letters pop, and the blue background works surprisingly well with the rest of the piece. All the colours of the piece are not in my view natural bedfellows, in particular pink and yellow, but mr Draws has carried it off, so I tip my hat in his direction. Nice work from Mr Draws.

6468. L Dub (57)

Grimes, L Dub, Bristol, October 2024
Grimes, L Dub, Bristol, October 2024

Oh what a beauty! I was beginning to wonder if Grimes might have moved away, as I hadn’t seen any new pieces from him for a little while, and then I came across this stunning new piece at L Dub. I can’t really put into words how good I think this piece is, and it is especially good, as I think it was his second attempt in this spot over a couple of days. The first one I think got painted over almost immediately, which was unlucky timing.

Grimes, L Dub, Bristol, October 2024
Grimes, L Dub, Bristol, October 2024

The intricate fills in the blue letters are worthy of note on their own, but when you look at the whole thing, it is bursting with energy, movement and colour. The letters spell GRIME and are given centre stage through the deployment of a magnificent background of pink checks and an orange plasma beam. Totally brilliant. Bravo!

6467. M32 Spot (194)

ESKA, M32 Spot, Bristol, October 2024
ESKA, M32 Spot, Bristol, October 2024

This is an utterly magnificent piece taking up the whole board under the M32 by travelling artist ESKA. It is one of at least three pieces he has dropped while staying I;Bristol, and possibly more, but Being in Cornwall at the moment, I have lost touch a little.

ESKA, M32 Spot, Bristol, October 2024
ESKA, M32 Spot, Bristol, October 2024

This epic piece is a feast for the eyes, with a stunning colour palette of goods and silvers. There is so much going here with the combined writing and symbolism. To be appreciated fully it really needs to be seen up close because there is a lot of detail that isn’t captured with the full image, and I now rather regret not taking close-ups. ESKA has been a breath of fresh air o; the Bristol scene.

6465. St Werburghs tunnel (453)

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

Logoe payed us one of his visits a couple of weeks back, and this is a magnificent piece of writing he left behind, that has lasted longer than many of his pieces do. I think he painted at least six pieces on this particular visit, and I will be sharing those I found over the coming days and weeks.

Logoe, St Werburghs, Bristol, October 2024
Logoe, St Werburghs, Bristol, October 2024

The letters of this script writing are really bold and look quite chunky with a deep 3D drop shadow. Perhaps the most distinguishing feature of this one is the vertical stripes in oranges and greys in the background, which provide a strong foundation and springboard for the letters. Nice work from Logoe.

6463. Brunel Way (299)

 

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

Don’t expect too much from me today. I am on holiday and paradoxically have less time than usual to compose a blog post than usual. This is a rather nice piece from the anti-style graffiti writer Whos.

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

There is a charm about Whos work, and this chrome piece certainly makes an impact. The fills and chrome character provide a rather fun overall effect, and it is great to see Whos out and about again.

Whos, Brunel Way, Bristol, October 2024
Whos, Brunel Way, Bristol, October 2024

The letters spell out WHOS and include a little character portrait in what looks like a rather psychedelic piece. The most striking part in this chrome arrangement are the stars and tears that appear in the fill of the letters. A nice piece from Whos. 

6462. M32 roundabout J3 (630)

Corupt, M32 roundabout, Bristol, October 2024
Corupt, M32 roundabout, Bristol, October 2024

I prepared today’s posts yesterday, because I am (at the time of scheduled publication) on my way to Cornwall for a few days away with a fine friend who I have been fishing with every year for more than 35 years. My posts may become a little erratic over the next few days, but with the earlier dark evenings I should have a little time to write them.

Corupt, M32 roundabout, Bristol, October 2024
Corupt, M32 roundabout, Bristol, October 2024

I really don’t get to post enough work by Corupt, so it feels good when I do get round to it. This is a lovely piece spelling STICK, but this time he has taken a homonym approach and replaced the ‘I’ with a ‘Y’. The letters are blocky and rigid and beautifully filled with colourful spots, stripes and drips. The whole thing is bordered with a thick black line and then reinforced with a red outline a couple of inched further out, framing the piece nicely. It is always great to see Corupt’s work, and to chat when I bump into him, which seems to be quite frequently these days.

6460. St Werburghs tunnel (452)

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

One of the most powerful and energetic introductions to Bristol has been the emergence of Noise, over the last eighteen months or so. Since his arrival, he has been producing no end of pieces in his distinctive fat-letter style and collaborating successfully with several different artists. He is productive and talented, and fits into the Bristol way of things really well.

Noise, St Werburghs, Bristol, September 2024
Noise, St Werburghs, Bristol, September 2024

In this piece, in the tunnel, Noise has compressed his writing slightly, but has managed to do this without compromising his chunky letters. The colours work nicely, although being slightly on the dark side, they are a little difficult to do justice to in the murk of the tunnel. A gallery is long overdue… watch this space.