Although she doesn’t hit the walls all that often, it is always a treat when Nips produces one of her pieces of writing. She tends to have a fairly consistent approach to her letter shapes, but like many other artists who demonstrate this consistency, it is the fills that are king.
Nips, M32 roudabout, Bristol, July 2024
Tucked away on the M32 roundabout the graffiti writing is filled with a wonderful selection of green tones that transition beautifully with a combination of shape changes and blending. Nips creates great depth to her letters by using white accents on the right hand edges them, and using this device the letters pop really well. This is a very nice, in not a little modest, piece by Nips.
This piece by Grimes once again confirms how he is establishing himself on the Bristol street/graffiti art scene and becoming part of the furniture round here. There is an incredible amount of energy that is emitted by his pieces, which is difficult to pin down, but the combination of colours and design really hit the mark.
Grimes, Brunel Way, Bristol, July 2024
I don’t know where Grimes came from before he became really active in the city, but his Instagram feed which goes back to 2019 suggests he has always been here, perhaps just waiting for the moment and confidence to hit our walls big time. He painted this as part of a four-way paint jam with Sage, Zaxer One and Alker. Bright, colourful, vibrant and very welcome, I am convinced you’ll be seeing plenty more from Grimes on Natural Adventures.
For the last year or two, Hypo has been turning out terrific pieces of a consistent high quality and on a pretty regular basis. His letters HYPO lending themselves to a certain degree of symmetry, which often comes across, which is well demonstrated here and can be spotted if you focus on the positions of the five light blue arrows.
Hypo, M32 roundabout, Bristol, May 2024
The colours are nicely presented and transition well in the fills. There is also a lot of depth to the letters created with mid-lines, shading and accents. Hypo is a specialist at creating this kind of energy and effervescence in his writing, perhaps learned from and shared with his friend Hemper, who is a master of this kind of wildstyle graffiti writing.
There is something really charming about Zeks’ work that makes it accessible and enjoyable. I don’t quite know how he achieves it, but perhaps it is the naive graffiti writing style that makes it so welcoming, and in this piece there is a kind of narrative around the letters.
Zeks, M32 roundabout, Bristol, April 2024
The stylised letters spelling ZEKS form the core of the piece, and the story unfolds around that core. It almost feels like a travel diary, with houses, snow-capped mountains and octopus tentacles all featured. The design of the houses have a South American appearance – it would be great to know the backstory to this one. More from Zeks to come.
Soap, Zake, Face 1st and Chill, Coach and Horses, Bristol, April 2024
This production collaboration from the PWA crew was photographed in April this year, and nearly got left behind, had I not carried out one of my occasional archive ‘sweep ups’. Soap, Zake, Face 1st and Chill have combined to create this zany and energetic piece.
Soap, Coach and Horses, Bristol, April 2024
Starting off with Soap, who has been a little quiet of late, and this writing/character combination. I have spent way too long trying to find out who the character and cat are and what cartoon series they belong to (possibly Adventure Time?). Some beautiful blue letters here spelling SOAP set on a green and pleasant background that Chill has enhanced with his silhouetted plants along the ground.
Zake, Coach and Horses, Bristol, April 2024
Next up is a very curious character piece by Zake, which unusually has the whole character and not just the head. The character’s body is brilliantly drafted, with some lovely detail around the knuckles, stitching on the trousers and shoes, but then you get to the head… What has happened here. Expressive it might be, but I find it slightly grotesque, but that is the joy of cartoon characters, you can make them do unreal things.
Face 1st, Coach and Horses, Bristol, April 2024
Face 1st gives us a classic laughing girl piece with the letters FACE staked up in her hair. The letters follow the recent interest that Face 1st has shown in creating 3D blocks, and works very well in this piece. It is so good to observe Face 1st pushing his boundaries and expanding his repertoire.
Chill, Coach and Horses, Bristol, April 2024
Chill, I feel, is an underrated and underrepresented artist on the Bristol scene. I rarely see his pieces shared on social media, and I feel he doesn’t get the recognition he deserves. His characters are always on point, full of fine detail and comic expressions, and he combines his urban ‘geezers’ so well with his beautiful and fragile nature silhouettes that accompany this entire production and others. This is a fine collaboration from the PWA boys.
Another quick rifle through my archive turned up this beautiful chrome piece by Elvs in Dean Lane from March this year. There was a time not so long ago that Elvs was a regular visitor to Bristol from his native Wales, but his appearances have dwindled lately, and I guess he has other things on his plate that makes travel and painting more challenging.
Elvs, Dean Lane, Bristol, March 2024
I like to think that this wonderfully elaborate graffiti writing is archetypal Elvs, a complex and beautifully picked out design simply delivered. Everything here is on point, a fine chrome fill, superb fine line detail, great black 3D drop shadow, tidy light blue border, white starbursts, a bubble background set on a blue buffed wall and a little yellow halo to finish with. Certainly worth waiting for.
There are many pieces I see every day, and I look at them and I am left wondering who painted them. These tend to remain in my archive folders and get left behind… until some time later, it may be months or sometimes years, after I have established the identity of the artist, I will take a quick scan of an old folder and drag out the piece for posting. This is one of those pieces by 3GV from March this year.
3GV, St Werburghs, Bristol, March 2024
The combination piece features a flat combination piece of the letters 3GV bookended by a couple of street characters. 3GV has an unusual style, that suggests he is a self-taught artist, but I have no evidence for that, just my intuition. There is not a lot of depth to the piece, but it is nicely filled and bordered with a thin yellow line. I think I may have several more 3GV pieces lurking in my archive somewhere.
At the end of each month I tend to dig out a few pieces that have managed to get trapped in my vast archive, which is organised into monthly files, and this is a piece by Grimes that I photographed back in March, but never quite got round to posting.
Grimes, M32 roundabout, Bristol, March 2024
I think it is fair to say that Grimes has now fully bedded down as a Bristol graffiti writer, and his lively style is appearing reasonably frequently in most of the main graffiti spots in town. This yellow piece is full of energy, which is created by the shapes of his letters, highlights, and in this instance a dynamic background of cartoon pink flames. Two or three starbursts also create a sense of movement and dazzle. It won’t be too long before I have enough Grimes pieces to create a gallery.
This year, we haven’t really had to wait too long before being treated to a Laic217 piece on a reasonably regular basis, and this is one of his most recent works on the M32 cycle path. What Laic217 has presented us with here is a rather trippy, and slightly menacing (those black fingernails like talons) piece that plays into his penchant for face distortion.
Laic217, M32 Cycle path, Bristol, June 2024
Although the piece is nicely executed, I personally find it a little unsettling, which I am sure is the point. Laic217 will push the boundaries in a way that his art can. His solid, tight, block letters contrast really well with the unconventional character portrait. Not my favourite piece by Laic217, but a great example of the way he challenges us to see things.
Face 1st and Zake, M32 roundabout, Bristol, June 2024
Although it didn’t last a very long time, this is a nice collaboration from PWA’s Face 1st and Zake. I think that I would be the first to say that it is an unusual collaboration, but in the same breath a really interesting one too.
Face 1st, M32 roundabout, Bristol, June 2024
Face 1st has been experimenting a lot lately, especially with his 3D block writing, and this piece demonstrated perfectly the kind of writing he is producing at the moment. The writing appears to be cut in to a long block of machinery or a device, indicated by the numerous red filament bulbs along the length. The letters spell out FACE, of course, and although a little rough at the edges, the concept is a great one. I love the light bulbs.
Zake, M32 roundabout, Bristol, June 2024
Zake has painted one of his cartoon character faces, full of depth and relief. I don’t feel that the two pieces work terribly well together, but they don’t need to, because each stands alone perfectly well. I do enjoy the constant creativity and unrelenting effort from the PWA crew – and ever-present heart-beat of the Bristol scene.
Natural adventures 