I’ve noticed that Ryder’s work just seems to be getting better and better lately. His use of colours and textures in his writing has gone on to a new level in recent months and this is a prime example of a classy piece.
Ryder, Upper York Street, Bristol, June 2017
This is a more complex design than some of his previous work and it is only just possible to make out the letters in this wildstyle piece. both the top blue and bottom yellow portions go through a colour/shade gradient vertically which creates an impressive effect. I am liking =his work more and more. Expect further posts.
There is a big reveal to come here. I met T Rex for the first time a couple of weeks back and felt very stupid indeed. Nothing too sinister, just that I have been making that terrible mistake of assuming gender, before knowing it. T Rex is a woman, and not a man as I had thought. I apologised accordingly, and she was fine about it, or so she seemed. I however, being a sensitive soul about such things, cringe with embarrassment still.
T Rex, Upper York Street, Bristol, June 2017
Oh well you learn each day. One of the things I am learning is just how much I love Bristol street/graffiti artists. All have been so kind and chatty and indulge me in my rather boring conversation, often trying to learn a little bit more about what makes them do what they do.
This is a rather fun piece in a neat little alcove on Upper York Street. I believe the previous piece there was by Whysayit. Just to the left of her dinosaur is a piece by her great buddy Ryder.
This is the first interview I have posted on Natural Adventures and I couldn’t have hoped for a better start. I have long admired the work of Dice 67, and have featured several of his Bristol street pieces on this blog over the last two years. This interview was an idea hatched at Upfest 2016 when I met Dice 67 for the first time. Several emails have been exchanged and a year has passed – good things come to those who wait.
Who are you and where are you from?
Andy ‘Dice’ Davies aka Dice 67 / Dice Sixtyseven
Can you remember your first piece of street art? where was it? how did you feel?
I was working for a college for 16-24 yr olds with learning difficulties and, as the board of the qualification I taught changed, the new one had furniture upcycling in. The students all wanted to do Banksy style stencils on there pieces and it went from there.
A couple of years later and a student asked to do a local bus stop in Nailsworth which was a complete mess. We planned the wall and I learnt to go bigger. Part of the wall had a space on it and I put the stencil of my daughter on it as a kind of guardian. The picture of her when she first saw it (wearing the same clothes) got put on Reddit and it got half a million views and voted on by 40,000! This was quite some introduction and people started to contact me asking to buy copies of it, be in magazines etc.
Izzy. Picture courtesy of Dice 67
What techniques do you use and what is your favourite way of working?
Although I started out with stencils I have always wanted to try new techniques and have painted with acrylics, sometimes using brushes and often just using my hands! I have used an air brush on some paintings and done some completely free hand spray pieces now.
Freehand is definitely the most satisfying when it comes off but can be quite frustrating when it doesn’t! I’m still a newbie to it so still have a lot to learn, and can be a bit of a perfectionist, so find getting the fine details on portraits very difficult but its the way I want to go so Ill be doing a lot more.
Making your mistakes and learning in front of people can be quite daunting too! There will always be a place for stencils though – I love the cleanness of the lines and detail in smaller pieces so doubt Ill give them up completely.
Dice 67, The Bearpit, Bristol, April 2016
Why do you do street art, especially when you know it might be tagged or over-painted as soon as you turn your back?
Essentially because I love doing it! Having a creative outlet is a blessing and I love having the opportunity to paint. I was made redundant from the college last year and have now taken it up full-time which has been fantastic. I’m getting a lot of very diverse jobs in and each one is a new challenge.
I’ve turned a lamp post into a cobra, painted a shipping container for the Royal Philharmonic Orchestra’s Virtual Reality headsets for the Cheltenham Music Festival, painted a 30x10ft magazine cover and am also making a sculpture for the Tour of Britain cycle race as well as running workshops and doing murals for schools, library projects and festivals so I am pretty busy but loving every minute right now.
I’m also running the first Cheltenham Paint Festival where I shall be having around 70 artists coming and painting around 14 locations around the town so life’s pretty hectic at the minute!
It’s nice when your work stays up and is there for a time but getting painted over is the nature of the beast and keeps everything fresh. You’re constantly pushed to come up with something new and that’s an exciting prospect.
Dice 67, The Bearpit, Bristol, June 2016
Who are your artistic or life inspirations?
As I’m sure you’re aware my kids appear in a lot of my paintings and they’re definitely a big inspiration for me. I don’t like painting famous people and don’t like using other peoples photographs without permission so I guess its my way of saving on models fees!
As for artistic inspirations I just try to do my own thing – I love realism in street art, anamorphic styles and admire the form and colours of the writers but also love Da Vinci’s drawings, surrealism and abstraction. I’m a big fan of good sculpture and installation pieces too so my inspirations are pretty diverse!
Dice 67, The Bearpit, Bristol, March 2017
Whose work do you admire?
My favourites are undoubtedly Pichi and Avo. I love their mix of new and traditional styles. It was something I thought about doing myself a few years ago but when I did a google search and found a couple of their early pieces, I realised I was nowhere near their level and it would probably take me a lifetime to achieve where they already were so went back to the drawing board!
Other favourites are Smug, Kazland, Id:iom, Odeith and I love Carlos Martin Burgos’ drawings.
What makes you tick?
Leaving something for my kids to look back on and seeing that I stood up for kindness and social responsibility.
Dice 67, Upfest, Bristol, July 2016
What would you be doing (do you do) when you are not creating your art?
Trying to make my kids laugh or teach them something.
Do you have a ‘stand out’ piece that you are most proud of? what is it? is it still there?
I’ll always love my original Izzy piece as its taken me to where I am today. I often think if she had worn a different top or boots I might not be on the path I am now and would still be teaching. I find it crazy that the random choice of a 4 yr old has had such a huge impact on my career path! Yes the original is still up in Nailsworth as far as I know and is now four years old!
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
My recent SMILE piece is also a favourite as it forced me to go freehand due to time constraints and it came off and fitted the triple gatefold magazine cover! It was my goal to go freehand this year and this gave me the kick up the arse to do it. Its still there as we speak.
Smile. Picture courtesy of Dice 67
Do you have plans for your art? what will you be working on in the coming months?
Just to keep doing whatever opportunities come my way and finding some time for my own stuff in between! The paint festival is huge for me and I have a budget from the council to run 6 smaller festivals over the next three years so being able to paint the town is a huge honour and one I hope I can make people proud of.
Do you have any questions for me?
Would you like to buy a painting? 🙂
Nothing would give me more pleasure than owning a Dice 67 piece…a few more years down the mine earning shekels ought to do it. Many thanks to Dice 67 for giving us a window into his world.
I took a new route whilst going somewhere with the family a few weeks ago, and in my rear view mirror caught sight of this fabulous Shab piece. I made a mental note of its location and returned to photograph it a few days later.
Shab, Wade Street, Bristol, June 2017
I don’t think it is a new piece, but it certainly is a belter. There are four of his characteristic line drawn figures sprayed over a textured background created with a blue roller. The overall effect is quite stunning, and I think this is one of the best I have seen to date.
Shab, Wade Street, Bristol, June 2017
Of course, each figure has eyes, and oh, what eyes these are. There is a story here – maybe of love, indicated by then heart, or maybe other things going on. Overall it is simply spectacular. A lucky spot in my rear view mirror.
I wouldn’t have been able to post about this piece if I hadn’t been talking with Hire. He was finishing off a piece at the Deaner (to follow soon) and he pointed out this work to me as having been sprayed by one of his friends Soge.
Soge, Dean Lane, Bristol, July 2017
I have not come across Soge before, but it seems that he is another Polish graffiti artist hitting the streets of Bristol at the moment. This is a great piece of writing, spelling out SOGE in a rather Gothic style, sprayed over a blue brick wall backdrop. I am very much enjoying this cohort of young Polish graffiti artists in Bristol, they are bringing something different and interesting to the streets, and they seem to be very busy.
Another piece from the crazy few days organised by Inkie for the Boogie Down Bristol event in Stokes Croft. This piece on the PRSC outdoor gallery is actually by Boogie – a German street artist and designer who now lives in Switzerland. I am not sure, but I think that the event was centred around him.
Boogie, Jamaica Street Bristol, July 2017
From talking to other graffiti artists, I believe Boogie is held in high esteem and is up there with some of the best in Europe. I am pleased to say that he left a few presents for the people of Bristol during his short trip to the city.
Boogie, Jamaica Street Bristol, July 2017
This is a really beautiful clean piece with loads of character. Great colours and nice to see the contrast of styles with the pink bubbly ‘oo’ lifted out from the rest of the writing. Some really nice drips too. I love it when visiting artists show us what they can do. It mixes things up a bit.
Anthony Wedgwood Benn, or Tony Benn, will be forever remembered as the Bristol South East Labour MP who ruffled the feathers of the establishment with his hard left wing views. An adopted son of Bristol and much loved MP. This is a lovely tribute to Tony Benn by Stewy.
Stewy, Beaconsfield Road, Bristol, July 2017
I think I a several years late in posting this fabulous stencil, and it has faded a little over time, but I have only just discovered it, and felt it write to post it as soon as I was able. Stewy has a great track record of creating stencils of important popular figures from Bristol, some of which are recorded previously in the blog. I like his work very much, and this particular piece feels so very right.
It isn’t too long ago that I posted about a piece on this shutter by Telmo Miel, which had been from the time of Upfest 2015. Now, with only days to go until Upfest 2017, I am posting about a piece from 2016. This is the problem with shutters – it is all about timing.
Louis Masai, North Street, Bristol, July 2017
I had no idea that this piece was even here, but happened to pass by just when the shutter was down. What luck! This is a gorgeous sewing bumble bee by the irrepressible Louis Masai. His work with the natural world is a beacon of hope for us all, and I can’t imagine who wouldn’t be touched by his conservation themed work.
Louis Masai, North Street, Bristol, July 2017
‘One love’ he signs it – setting off an earworm which will take a while to shake off. A great find, and fun sharing it.
Natural adventures 