Convenient lies
trotted off with abandon
electioneering
by Scooj
Convenient lies
trotted off with abandon
electioneering
by Scooj
I only make occasional trips to L Dub, which is OK, because the turnover isn’t quite up to the same level as it is in places like Dean Lane for example. Those rare visits though are totally worth it, and the dog rather enjoys the trip too.

This lovely piece of writing by Smak was alongside the Sled One mermaid which I posted a little while back, and the subtle colour selections work so well placed on the cloudy sky background. I am a fan of clouds, and since I started playing around with spray paint I have been looking at clouds a whole load more to make sure I don’t make silly mistakes (for example clouds that are darker on the top than on the bottom – it just doesn’t happen). Nice to see this Smak piece, it feels like a while since his last one.
How fantastic to see these two PWA artists hooking up again after what feels like way too long. Soap and Face 1st have been painting buddies for a long time, but lately have been doing their own thing. I was beginning to think that they might have fallen out and may maybe they had, so it was with some relief that I came across this fine collaboration on the M32 cycle path.

The collaboration itself is a lovely crisp piece, which is tapping into Face 1st’s recent theme of a crying face, which I interpret as a metaphor for the desperate state of our nation. This collaboration is really tight and one of my favourites that this pair have produced. The yellow boundary contains the two elements into a ‘proper’ collaboration of shared paint and merged ideas rather than the loose collaboration of when artists paint different things together.
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Dog ice cream for him
lemon drizzle cake for me
Sunday dog walking
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by Scooj
Another day, another Fiva piece in St Werburghs tunnel. This piece is perhaps a little less elaborate than some we have seen recently and there is no accompanying character, but it retains all the great hallmarks of Fiva’s fabulous work.

Brick walls in street art are something of a ‘thing’ and are painted as a backdrop by many Bristol (and other) artist to great effect. Fiva’s large full caps letters stand out from the brick background and are beautifully filled with a graded colour scheme and spots. All in all a lovely addition to this artist’s growing catalogue of pieces.
I’m on a roll now with another wheatpaste to share with you, this one from a session about a month ago is by Jimmer Willmott who went out on a spree with Kid Crayon. Jimmer’s surreal style is instantly recognisable and obviously influenced by great artists such as Magritte.

I think that this might be an original hand drawing that he has pasted up, rather than a print which is what many wheatpasters do. If it is, it makes the piece all the more valuable to me at least. Earlier on in the year at a small art event I remember talking to Jimmer Willmott and Kid Crayon expressing my thoughts that there was not enough wheatpaste work in Bristol and that it was a bit of a neglected art. I would like to think that in my small way I might have in part influenced this paste up session. I probably didn’t though.
Recently there has been a little bit of an increase in the number and variety of wheatpastes that have been appearing in Bristol from a few different artists. This, of course, pleases me because I am very fond of this form of street art.

This couple of paste ups by Georgie are quite small and hidden away and could easily be overlooked, but they are little gems. The print shows a heart being set upon by a group of ants, set on a dotted background. One in in pink base colours, the other in blue.

Georgie is a wonderfully talented artist who works in a range of different media and is equally happy with studio or street work. There are more paste ups from Georgie to come soon, so watch this space. Great stuff, and fun to find.
There is something about Morny’s naive style of street art that I find really appealing and it reminds me a little of an artist we had in Bristol a year or two back called J. Dior. These pieces are not clean or sharp but nor are they contrived, they simply tell stories that we can relate to.

In this piece, Morny has a policeman or perhaps I should say cop with his arm out saying ‘stop that’. We could read a hundred different meanings into this, but my immediate conclusion is this is an anti-graff cop. Whatever the story, I like the piece very much. It is vibrant and fun and that works for me.

With all guns blazing
and excitement running high
hunting down the pack.
by Scooj
Slumped on the sofa
in silent meditation
outside the rain falls
by Scooj