Thursday doors – 9 April 2020

Doors 101 – More Montpelier doors.

The new world in which we all find ourselves is taking a little getting used to. I have managed to get out and walk the dog every day (the dog I never really wanted, but wouldn’t be without now) and have found something of a routine, which helps to maintain some kind of sanity. Recently, Montpelier and St Werburghs have been destinations of choice, not least because of the rich seam of doors to be found there.

This selection from a couple of weeks ago are typical of the Montpelier area. Montpelier is an interesting district and is at the heart of middle/working class alternative thinking and alternative lifestyles sometimes rather romantically depressed up as a Bohemian hub. Certainly the area is artistic and there is a real mix of housing from rather grand to not so grand. For door lovers this eclectic mix provides so much opportunity. Expect more doorscursions from me in Montpelier in the coming crazy weeks ahead.

No more chit chat (relief all round). Some doors:

Worn and weathered garage door, Montpelier, Bristol, March 2020
Worn and weathered garage door, Montpelier, Bristol, March 2020
Garden gate, Montpelier, Bristol, March 2020
Garden gate, Montpelier, Bristol, March 2020
Garden gate, Montpelier, Bristol, March 2020
Garden gate, Montpelier, Bristol, March 2020
Door within a sliding door, Montpelier, Bristol, March 2020
Door within a sliding door, Montpelier, Bristol, March 2020

This garage/workshop door really is my kind of door. It has everything… character, door within a door, function, age, neglect all round interest. My pick of the week.

A pair of doors with beautiful stained glass widows above, Montpelier, Bristol, March 2020
A pair of doors with beautiful stained glass widows above, Montpelier, Bristol, March 2020
Door with beautiful stained glass widows above, Montpelier, Bristol, March 2020
Door with beautiful stained glass widows above, Montpelier, Bristol, March 2020

The last two pictures of doors were included not so much for the doors themselves, but more for the very stylish stained glass triptych above. I can feel myself thinking ‘they just don’t make ‘em like they used to’ when I see door architecture like this. Modern design and materials are all well and good, but cost has compromised so much in the way of decoration.

That’s your lot for another week – there will be more next time. May I take this opportunity to wish you all a happy Easter and happy Passover

If you have made it this far, you probably like doors and you ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.

by Scooj

 

 

Afternoon tea

 

Offered sparingly

biscuits and cakes at tea time

traditional fare

 

by Scooj

 

Yesterday’s haiku from which the last line was taken to create the first line of today’s:

 

Somewhat overused

the term genius should be

offered sparingly

2859. Cheltenham 2019 (30)

My Dog Sighs, a hugely popular and talented artist from Portsmouth was extremely busy at the Cheltenham Paint Festival last September. His main project, painting a small lorry (yet to be posted) was accompanied by a number of smaller pieces dotted around town. This ceramic tile was one of those ‘extras’.

My Dog Sighs, Paint Festival 2019, Cheltenham, September 2019
My Dog Sighs, Paint Festival 2019, Cheltenham, September 2019

The little everyman character was hiding near the entrance to a car park. The shattered and fragmented tile has the word ‘broken’ across the top and everyman is looking a bit sad. This is an imaginative piece and characterises the influx of art that festivals bring in addition to the sanctioned and legitimate works.

Genius?

 

Somewhat overused

the term genius should be

offered sparingly

 

by Scooj

 

Yesterday’s haiku from which the last line was taken to create the first line of today’s:

 

Look on the bright side

for a Pythonesque Cliché

somewhat overused

2858. Cheltenham 2019 (29)

One of the upsides to the Covid-19 lock down is that I get to catch up a bit on my inexhaustible archive material, and the next five posts are all from the Cheltenham Paint Festival that I visited in September of last year. This wonderful Disney influenced genie from Aladdin is by Nol.

Nol, Painnt Festival 2019, Cheltenham, September 2019
Nol, Painnt Festival 2019, Cheltenham, September 2019

Nol is a real festival favourite and I have had the pleasure of meeting him on a couple of occasions at Upfest. His cartoon monsters in bold colours with solid fills are real crowd-pleasers and he is capable of producing small pieces to entire building walls with his characters. A gentle giant of a man whose work is greatly admired and who is popular in the street art community.

2857. St Werburghs tunnel (165)

This beautifully proportioned REZER from Rezwonk was painted alongside frequent painting buddy Nightwayss in St Werburghs tunnel about two or three weeks ago. Crikey, so much has happened since then, it is unimaginable.

Rezwonk, St Werburghs, Bristol, March 2020
Rezwonk, St Werburghs, Bristol, March 2020

Like so many of the talented street artists in Bristol, Rezwonk’s work is always on point, and even his throw ups have a touch of class to them. The overall design is great and looking closely at the letters it looks like the ER at the end might have been switched to RE or even something else. I expect there will be a creative outburst when all this is finally over.

Glass half full

 

Look on the bright side

for a Pythonesque Cliché

somewhat overused

 

by Scooj

Yesterday’s haiku from which the last line was taken to create the first line of today’s:

 

Preparing the ground

life will never be the same

look on the bright side

2856. Dean Lane skate park (301)

This is what can happen when two outstanding writers combine their efforts. This supreme collaboration is by Dibz and Shade One, painted in Dean Lane on the same day that Rusk, Soker, Inkie and Hemper painted on the other long wall back in March. A red letter day indeed. The whole collaboration is set on a clean blue background with a magnificent silhouetted cityscape running horizontally through the piece.

Dibz, Dean Lane, Bristol, March 2020
Dibz, Dean Lane, Bristol, March 2020

On the left is an absolutely faultless piece from Dibz as we have become accustomed to expect. The fills are really subtle, dradig from a lighter blue at the top to a slightly darker one at the bottom, and the letters have just the right amount of accents in red to set the piece off nicely. This is what great graffiti writinng looks like.

Shade One, Dean Lane, Bristol, March 2020
Shade One, Dean Lane, Bristol, March 2020

On the right we have some equally high-class writing from Shade One, an artist I know relatively little about. In this piece I particularly like the tiny ‘cracks’ in red through the letters and the stellar accents on the first and last letters. Magnificent. I am not too sure what the letters say, nor their significance, it looks like JOBE or TOBE. The only other post I have made from this artist was an Upfest piece from 2018.

Shade One, Upfest, Bristol, July 2018
Shade One, Upfest, Bristol, July 2018

 

2855. St Werburghs tunnel (164)

This is the second piece recently painted by Rapt in St Werburghs tunnel of at least three I know about from March. The Newport artist paits alongside Elvs and his style is characterised by the upside down T and the very clear lettering.

Rapt, St Werburghs, Bristol, March 2020
Rapt, St Werburghs, Bristol, March 2020

All the basic elements of a developing writer are here, a nice design, imaginative background, nice fills with some creativity. I look forward to seeing the artist develop all of these skills. I believe alcohol might have been involved in the general concept of the piece.

Seeds of change

 

Preparing the ground

life will never be the same

look on the bright side

 

by Scooj

Yesterday’s haiku from which the last line was taken to create the first line of today’s:

 

Each moment savoured

each crumbling of every clod

preparing the ground