2854. York Street (2)

This is a wonderful old piece (2014 I think) from Zase, that I have only just photographed. Due to thee Covid-19 lock down, this wall is clear of any parked cars in front of it and this is the first time when I have been passing on foot that I have been able to get a clean shot.

Zase, York Street, Bristol, March 2020
Zase, York Street, Bristol, March 2020

The whole thing is unmistakably by Zase and the 3D writing in the middle, which you’d normally expect to spell ZASE actually spells A&M, which is the name of the garage A&M Motor Services in York Street.

Zase, York Street, Bristol, March 2020
Zase, York Street, Bristol, March 2020

On the right of the piece is a pretty graphic crash-crumpled car, slightly on the macabre side, and on the left a rather snazzy Mercedes and dashboard. I think that this is an absolutely stunning piece and has weathered really well over the years with only a little bit of tagging.

Zase, York Street, Bristol, March 2020
Zase, York Street, Bristol, March 2020

This area is crammed with amazing work from Zase who lives nearby. We are very lucky to have him in Bristol. I think it is high time I produced a gallery of his work… watch this space.

2853. Dean Lane skate park (300)

Another nice piece of graffiti writing from a resurgent Turoe One, nice and heavy on the chrome. Turoe One is a highly versatile writer who explores different styles and scripts and colours so that if he were writing something other than his name, it could be a challenge to identify his work. Does that make sense?

Turoe One, Dean Lane, Bristol, March 2020
Turoe One, Dean Lane, Bristol, March 2020

This photograph was taken during March and was probably my penultimate trip down there before lock down happened. I can walk to the North Bristol spots from home and have been able to check them out, but Bedminster is a bit of a hike, so I’ve not seen whether there is much new there, but I doubt it. I’ll continue to trawl through my archives.

Digging

 

Each moment savoured

each crumbling of every clod

preparing the ground

 

by Scooj

 

Yesterday’s haiku from which the first line is taken:

 

Escaping their homes

to see a world through new eyes

each moment savoured.

 

Perhaps you’d like to join in.

2852. M32 cycle path (55)

A contemporary stencil from John D’oh on the M32 cycle path was completed shortly before the lock down and mocks the insane and irrational panic buying for toilet roll that obsessed the nation. In my lifetime I’ve not seeen anything like it. In one shop I went to in the early period of this madness I saw a woman send her young son to run into the shop as it opened and grab a couple of large multi-packs – I shouldn’t think they’ve even got through a quarter of it yet. There’s nowt as queer as folk as they would say in Yorkshire.

John D'oh, M32 cycle path, Bristol, March 2020
John D’oh, M32 cycle path, Bristol, March 2020

I haven’t seen much from John D’oh since the Cheltenham Paint festival so this was a rather pleasant surprise in a spot that I woudn’t ordinarily associate with him. In this commentary piece he brings together his slightly caustic wit and stencil skills to present us with a retro family, fully masked, clutching their trophies as if this were quite a normal situation. This piece reminds me of the satirical cartoonist Glen Baxter, which is a compliment indeed.

2851. Star and Garter (4)

Strictly speaking, this is not the Star and Garter but the building opposite it, but it is in the general area. This wonderful collaboration was completed shortly before the lock down and is between painting partners Sled One and Ments.

Sled One, Star and Garter, Bristol, March 2020
Sled One, Star and Garter, Bristol, March 2020

On the left is a beautifully sprayed pigeon in a style that you would instantly associate with Sled One. The bread thing going on? I’m not sure but it could be a pun on pigeon toast instead of pigeon post, but it might be something else altogether.

Sled One, Star and Garter, Bristol, March 2020
Sled One, Star and Garter, Bristol, March 2020

Sled One pieces are often quite mysterious and although there is pretty much always a story going on, understanding it can be tricky. The fabulous colours used and his technique of clever shading to create a 3D effect are of the highest quality in this piece.

Ments, Star and Garter, Bristol, March 2020
Ments, Star and Garter, Bristol, March 2020

Ments, whose work has always had an organic flavour to it, has been experimenting of late with a range of forms and textures, including spheres and metallic objects. This is a really unusual abstract piecem that looks slightly unfinished in the top left hand corner. I will be interested to watch where this new directtion for Ments will take us.

Circular tag

 

Escaping their homes

to see a world through new eyes

each moment savoured.

 

by Scooj

I thought I’d try something new… it might go nowhere. Every day I will take the last line of the previous day’s haiku as the first line of a new one. I’m sure it is far from an original idea, but I thought I’d give it a try.

This takes me back to my student days when a friend of mine, Jasper and I would spend our time in boring university lectures writing one line of a poem alternately for the entire lecture, and then continue the next day. I recall that occasionally we’d hit on something really good, but mostly it was puerile nonsense.

yesterday’s haiku was:

 

Gloom, it’s in the air

forlorn folk ‘exercising’

escaping their homes

 

 

 

 

2850. M32 roundabout J3 (203)

There is no question about it, I have seen a whole ton more work by Hemper in the last six months than I have over the previous five years. He seems to be free to paint more regularly for whatever reason. Unfortunately nobody can escape the Covid-19 lockdown and his productivity might be dented for a little while.

Hemper, M32 roundabout, Bristol, March 2020
Hemper, M32 roundabout, Bristol, March 2020

This is an all-round crowd pleaser with nice colours, gently curved letters and some very pretty fills. Clearly this is the work of a highly experienced graffiti artist and there is an ease and self-confidence about it.

2849. York Road (2)

Another old gem discovered on a ‘Covid-14 dog walk’ in Montpelier by very local artist Alex Lucas. This part of Bristol is liberally sprinkled with commissions by Alex Lucas and her murals have become part of the USP in this Bohemian district of the city. I had toyed with the idea of reserving this one for my Thursday doors post yesterday, but wanted to highlight it as a fine example of Alex’s work.

Alex Lucas, York Road, Bristol, March 2020
Alex Lucas, York Road, Bristol, March 2020

The front gate features a spider and a (Bristol) fox and the words:

“Yesterday is history, tomorrow is a mystery”

It is beautifully painted in her distinctive illustrative style and although looking a little weathered is a charming addition to her portfolio. My recent dog walks are proving to be fruitful in ways I would not have predicted.

Gloom

 

Gloom, it’s in the air

forlorn folk ‘exercising’

escaping their homes.

 

by Scooj

2848. St Werburghs tunnel (163)

This epic piece probably signals the last for a while from Bristol-based artist Fiva. Clearly Covid-19 related, the two breakout pieces of text spell out:

“Stay safe” and “look after your gran”

There has been a lot of this kind of language spoken and written in recent weeks and this I think captures the state of national compassion exhibited by the vast majoity of people with dissenting arseholes remaining silent or out of sight.

Fiva, St Werburghs, Bristol, March 2020
Fiva, St Werburghs, Bristol, March 2020

As with the previous post, less is definitely more although this less is also more, making it more less is more. This is the second epic piece by Fiva in recent months and I have a feeling that this one might last rather longer than the last one.

Fiva, St Werburghs, Bristol, March 2020
Fiva, St Werburghs, Bristol, March 2020

There is little that Fiva can do wrong in my eyes and I find this a thrilling and brave piece. A nice touch is the grey shadows just to the right of each letter giving the whole thing a bit of a lift. This piece oozes class and I love it.

Fiva, St Werburghs, Bristol, November 2019
Fiva, St Werburghs, Bristol, November 2019