Mission accomplished
after four weeks of searching
flour emporium
by Scooj
Mission accomplished
after four weeks of searching
flour emporium
by Scooj
Here is another of those old ones, that inexplicably ended up on the cutting room floor. It is hidden away in St Werburghs and is by the hugely talented 3Dom. I think that I might have held back on posting it because the light is all wrong in the photographs and in my mind may have considered returning to take some better pictures. Of course, that never happened. The piece is much older than the pictures.

I envy the owners of this house having a lovely clean 3Dom piece on their wall and it certainly is a bit of a landmark in this quiet backwater. I’m not at all sure I know what the story is here, but there is a definite connection with nature going on, which is a very topical subject just at the moment. It is a beautiful piece with tranquility and menace in equal measure.
What an absolutely gorgeous sunny morning it is in Bristol today, deep blue skies and optimism in the air. This is an old photograph (consistent with all my recent lock down posts) of an even older piece by Smak. It is on a curious hoarding on the southern edge of Bedminster that leads to a tunnel under the railway.

It is all too easy to run out of superlatives when describing Smak’s work, and it is a rare thing indeed to find anything to be critical of. This is a thing of beauty, and I rather like the juxtaposition of urban graffiti writing set against greenery on the other side of the hoarding, like a scene from the Terry Gilliam film Brazil. Did I ever mention that my dad was the stage manager for Monty Python during their Drury Lane shows?
Time to change my hat
headset for mortar board
office to classroom
by Scooj
Another archive piece, this time from #DFTE, on the famous wall on the corner of Stokes Croft and City Road. This is one of #DFTE’s framed pieces, and if I am honest, I’m not entirely certain that it is still there.

The words ‘We are all in this together‘ have a certain poignancy about them today as we sit in the midst of a global pandemic. I like the sentiment, but I dislike the way our government have rolled out this slogan (as if it was their invention) to try and inject some patriotism and collective responsibility for the fallout of coronavirus. I feel a monumental rant cominng on, so I will end the post now before I bore the living daylights out of you. In cheerier times I would appreciate the words more. I am a big fan of the artist and his alternative style.
This is a gorgeous piece of block lettering on the M32 cycle path from Dott Rotten. I took the photograph on 30 March 2019, and the photo label is ‘Brexit Day’. How my heart still bleeds about the unbelievably bad decision our country has taken, now amplified by the need to work together following the coronavirus outbreak. I suspect our folly (or otherwise) will be scrutinised by our grandchildren, by which time we might have recovered from the economic shock.

Meanwhile, this beautiful piece is expertly sprayed and demonstrates the crossover between graphic design and spray painting. Dott Rotten has used the brick lines to get the proportions of his letters correct, but this piece excels in its 3D letter depth off to the bottom right and the block letter shadow off to the bottom left. Take a good long look to see how this works. A nice clean piece and something a little different.
Sunlit afternoon
through the blinds dancing patterns
tell a spring story
by Scooj
Looking back to May last year when The Bearpit was nearing its end as a street art spot, (shame on Bristol City Council) and the visiting French wheatpaster Tian, left us several fabulous pieces in Stokes Croft and the roundabout.

This fabulous piece, printed from a stencil, is of a boxer, I have no idea who, and is one of his larger paste ups at about three-quarters life size. The yellow tones work really well on the red background and the piece is full of life and movement. If and when Tian returns to Bristol he may struggle to find as many spots to paste his work as he has been used to on previous visits as the pace of gentrification accelerates.
There is no order or plan with which I am going through my archive (during lock down) I am simply skipping from monthly folder to folder, spotting something and thinking, ‘ah yes, this needs posting’. This exact process has happened several times with Slim Pickings (TES) and each time I put the moment back to be returned to another time. Well, enough is enough. Here is a rather lovely TES from March last year, that didn’t get posted first time round.

As I would always expect from Slim Pickings, this is a really tight and clean piece, painted in pillar box red set on a dull bronze background with some green gunge and drips for good measure. The white highlight lines are just enough to give the letters a 3D feel. Clever and consistent. Note to self… high time I did a gallery.
Difficult to tell
where week ends and weekend starts
and vice versa
by Scooj