Flour

 

Mission accomplished

after four weeks of searching

flour emporium

 

by Scooj

 

2916. Sandbed Road

Here is another of those old ones, that inexplicably ended up on the cutting room floor. It is hidden away in St Werburghs and is by the hugely talented 3Dom. I think that I might have held back on posting it because the light is all wrong in the photographs and in my mind may have considered returning to take some better pictures. Of course, that never happened. The piece is much older than the pictures.

3Dom, Sandbed Road, Bristol, May 2019
3Dom, Sandbed Road, Bristol, May 2019

I envy the owners of this house having a lovely clean 3Dom piece on their wall and it certainly is a bit of a landmark in this quiet backwater. I’m not at all sure I know what the story is here, but there is a definite connection with nature going on, which is a very topical subject just at the moment. It is a beautiful piece with tranquility and menace in equal measure.

2915. Hereford Street (1)

What an absolutely gorgeous sunny morning it is in Bristol today, deep blue skies and optimism in the air. This is an old photograph (consistent with all my recent lock down posts) of an even older piece by Smak. It is on a curious hoarding on the southern edge of Bedminster that leads to a tunnel under the railway.

Smak, Hereford Street, Bristol, April 2019
Smak, Hereford Street, Bristol, April 2019

It is all too easy to run out of superlatives when describing Smak’s work, and it is a rare thing indeed to find anything to be critical of. This is a thing of beauty, and I rather like the juxtaposition of urban graffiti writing set against greenery on the other side of the hoarding, like a scene from the Terry Gilliam film Brazil. Did I ever mention that my dad was the stage manager for Monty Python during their Drury Lane shows?

Lock down days

 

Time to change my hat

headset for mortar board

office to classroom

 

by Scooj

2914. Stokes Croft

Another archive piece, this time from #DFTE, on the famous wall on the corner of Stokes Croft and City Road. This is one of #DFTE’s framed pieces, and if I am honest, I’m not entirely certain that it is still there.

#DFTE, Stokes Croft, Bristol, April 2019
#DFTE, Stokes Croft, Bristol, April 2019

The words ‘We are all in this together‘ have a certain poignancy about them today as we sit in the midst of a global pandemic. I like the sentiment, but I dislike the way our government have rolled out this slogan (as if it was their invention) to try and inject some patriotism and collective responsibility for the fallout of coronavirus. I feel a monumental rant cominng on, so I will end the post now before I bore the living daylights out of you. In cheerier times I would appreciate the words more. I am a big fan of the artist and his alternative style.

2913. M32 cycle path (58)

This is a gorgeous piece of block lettering on the M32 cycle path from Dott Rotten. I took the photograph on 30 March 2019, and the photo label is ‘Brexit Day’. How my heart still bleeds about the unbelievably bad decision our country has taken, now amplified by the need to work together following the coronavirus outbreak. I suspect our folly (or otherwise) will be scrutinised by our grandchildren, by which time we might have recovered from the economic shock.

Dot Rotten, M32 cycle path, Bristol, March 2019
Dot Rotten, M32 cycle path, Bristol, March 2019

Meanwhile, this beautiful piece is expertly sprayed and demonstrates the crossover between graphic design and spray painting. Dott Rotten has used the brick lines to get the proportions of his letters correct, but this piece excels in its 3D letter depth off to the bottom right and the block letter shadow off to the bottom left. Take a good long look to see how this works. A nice clean piece and something a little different.

Late afternoon

 

Sunlit afternoon

through the blinds dancing patterns

tell a spring story

 

by Scooj

 

2912. The Bearpit (187)

Looking back to May last year when The Bearpit was nearing its end as a street art spot, (shame on Bristol City Council) and the visiting French wheatpaster Tian, left us several fabulous pieces in Stokes Croft and the roundabout.

Tian, The Bearpit, Bristol, May 2019
Tian, The Bearpit, Bristol, May 2019

This fabulous piece, printed from a stencil, is of a boxer, I have no idea who, and is one of his larger paste ups at about three-quarters life size. The yellow tones work really well on the red background and the piece is full of life and movement. If and when Tian returns to Bristol he may struggle to find as many spots to paste his work as he has been used to on previous visits as the pace of gentrification accelerates.

2911. Dean Lane skate park (306)

There is no order or plan with which I am going through my archive (during lock down) I am simply skipping from monthly folder to folder, spotting something and thinking, ‘ah yes, this needs posting’. This exact process has happened several times with Slim Pickings (TES) and each time I put the moment back to be returned to another time. Well, enough is enough. Here is a rather lovely TES from March last year, that didn’t get posted first time round.

Slim Pickings, Dean Lane, Bristol, March 2019
Slim Pickings, Dean Lane, Bristol, March 2019

As I would always expect from Slim Pickings, this is a really tight and clean piece, painted in pillar box red set on a dull bronze background with some green gunge and drips for good measure. The white highlight lines are just enough to give the letters a 3D feel. Clever and consistent. Note to self… high time I did a gallery.

Blur

 

Difficult to tell

where week ends and weekend starts

and vice versa

 

by Scooj