As someone who has spent most of my career working for the public, I am sick of the abuse this government hurl at public sector workers, the very people who are ‘delivering’ Brexit , who teach, who heal, who care, who got this country through the pandemic, who protect the environment and regulate those who would do harm to people and nature, those who keep our streets safe and run fair courts, local service providers… the list goes on.
One thing you can be pretty sure of is that when Stivs creates a piece, it is never sloppy or rushed, the calligraffiti style lends itself to accuracy and precision, and anything that deviates from that simply wouldn’t work. This is a lovely recent piece on the M32 roundabout.
Stivs, M32 roundabout, Bristol, June 2022
The colours are reminiscent of those used in fun fair art, and the style too. The letters are beautiful, spelling out STIVS, and the colours wonderfully matched, but it is the fills and decorations that steal the show on this one. A truly magnificent piece from Stivs
I was in Cumberland Basin yesterday and this piece by Whysayit was being buffed over to make way for the latest Bristol Womxn Mural Collective paint jam, which is all part and parcel of the street art wall recycling process, without which the whole scene would simply die. I haven’t posted much work by Whysayit (YSAE) since his painting partner, Kleiner Shames, moved to London, which is a pity, because I really like his letter style – I might have to dig a few photographs out of my archive.
Whysayit, Cumberland Basin, Bristol, June 2022
Whysayit’s letters are irregular, but they also are quite easy on the eye, with their curvy shapes. The solid ills are in strongly contrasting colours – no fades here. Painted at the back end of the Queen’s platinum jubilee, I don’t thing there is much doubting what Whysayit’s views on the monarchy are. It is nice to be able to post this piece after such a long gap since the last one, (about four years).
It feels like an age since I last saw a collaborative piece by Daz Cat and CDTC, probably because it has been an age. Neither artist has been out and about much this year, certainly nowhere near as much as during the lock down periods.
CDTC and Daz Cat, St Werburghs, Bristol, June 2022
This is rather a nice piece, working to both artist’s strengths. To the left is an exploding head with a comic book orange ‘KAPOW’ burst across the character’s eyes by CDTC, painted with nice clean lines and interesting feature shading in the face. To the right, a rather sullen-looking cat wearing a fetching blue hoodie looks to be prepping a wall with a long roller. Again, care and attention have gone into this piece which is very nicely finished. This was a pleasant surprise to stumble across in the tunnel.
I have said it many times, but it is worth repeating, that one of the additional benefits of Upfest is that artists often leave a little bit extra, over and above their ‘official’ pieces. This shutter piece is a ‘quick one’ by Irony that he painted before leaving Bristol. How privileged we are.
Irony, North Street, Bristol, June 2022
This piece is so good, and leaves us guessing so much about the woman in the portrait. We are teased by Irony, and it is what we can’t see that is as important as what we can see. I have spoken repeatedly on Natural Adventures about the talent of Irony, and this piece reinforces his status as a world class street artist. A magnificent portrait piece.
Weekends, early mornings and evenings reveal a whole extra opportunity for viewing street art, with the expanse of shop front shutters on view. In North Street, Bedminster, probably about a third of all the pieces on view are on shutters, and if you aren’t there at the right time they are pieces you simply will not see.
Taboo, North Street, Bristol, June 2022
This fine shutter piece from Taboo is the second I have posted recently and is only a stone’s throw from his first. Taboos unconventional writing style presents an unusual TABOO, with a distorted Mickey Mouse face making up the first ‘O’. This is classic taboo and so good to see. I like his work and his style which is a shift from more conventional works we are used to seeing, and keeps things fresh.
When Zake first appeared on my radar a few years ago, I managed to pretty much keep on top of his work, only rarely missing a piece in Bristol. These days, he is painting so much in so many spots, it is difficult to keep up. I have been meaning to photograph this one in the Full Moon in Stokes Croft for some time, and finally got round to it a week or two ago.
Zake, The Full Moon, Bristol, June 2022
Zake has sprayed this fine monkey in a spacesuit (a theme I have seen before) with a happy moon behind on a gate at the back of the pub courtyard garden. As ever, the faces are beautifully painted and Zake has used his highlighting technique to great effect, with blue shadowing in the creases of the features on both faces. Very nice work from Zake.
I genuinely thought that this wall would become redundant when work began on redeveloping the building about a year ago, a suspicion exacerbated when they put some windows in the wall. My fears may have been unfounded, as the wall appears to be intact and has regular makeovers, many of them quite fantastic, like this PWA collaborative wall from a short while ago.
Face 1st, Dean Lane, Bristol, June 2022
The three artists are Face 1st, Chill and Soap, and together they have created an upbeat and rather fun triptych. Face 1st on the left ha painted one of his traditional smiling face characters whose hair is made up of the letters FACE – full of joy.
Chill, Dean Lane, Bristol, June 2022
In the middle, Chill has created one of his cartoon-style line drawings with quite a story going on. I don’t know what the story is, but it includes a bird, a rose and a scroll with the artist’s name on it. More mischief and fun.
Soap, Dean Lane, Bristol, June 2022
To the right is Soap’s contribution in which he continues the colour selections, backfilling his letters spelling SOAP and featuring (a many of his posts do) the Ice King from Adventure Time – a cartoon series that sadly passed me by. Nice work from this PWA trio.
Natural adventures 