Sait Bare, Cumberland Basin, Bristol, October 2023
Another debut on Natural Adventures – there seem to have been dozens of these this year – this time from Sait Bare, and it is quite some introduction. There is an awful lot going on in this busy piece of heavily disguised writing, but have a closer look, and you can start to unpick the piece.
Sait Bare, Cumberland Basin, Bristol, October 2023
The letters spell SAIT, although they are disrupted by two contrasting horizontally placed colour palettes. One scheme is made up of purples blues and reds and the other with chrome and blues with DayGlo green cosmic borders that looks like it has crashed down from above. The overall effect is stunning, if not a little confused. Possibly not one for those not well acquainted with graffiti writing. I’ll be looking out for more from Sait Bare.
This was the piece by Smak that I had intended to post yesterday, but my system (a bit like a production line) got all into a muddle. This is a really classy piece with some hints of 1930s design in some of the letters, given a contemporary twist.
Smak, Sparke Evans Park, Bristol, October 2023
The piece was painted alongside a mammoth Halloween paint jam from two all-female crews, RBF and FKB (Full Killer Burners). Note to self – post the FKB pieces in a single post. Smak’s work is simply so classy, both in his overall design and in his extraordinary talent and skill. The colours used in this piece are rich and sumptuous, giving a commanding and confident aura to the piece. Brilliant work from Smak.
Abbie Laura Smith, Brunel Way, Bristol, October 2023
Paste ups are a much underused street art form in Bristol, which is a real pity, they just don’t seem to gain any traction here at all, so I am really pleased to see that we have a new wheatpaster in our midst. I have found a handful of paste ups by Abbie Laura Smith lately, and her black and white social commentary pieces. Her work contains tidy artwork and punchy messages. To see what she has to say in this one, you need to get a closer look.
Abbie Laura Smith, Brunel Way, Bristol, October 2023
The portrait of a young woman, conceals the words (profanity warning) “Fuck you, I won’t do what you tell me” in the features of her face and in her hair. There is anger and attitude in the words, and sadness in the image. This is what public street art is all about, and I love it. I am constantly on the look out for more from Abbie Laura Smith.
I have managed to confuse myself with my pipeline of pieces in preparation for posting. This was meant to be a graffiti writing piece by Smak at Sparke Evans Park, but something has gone wrong with my system, so it is in fact this wonderful writing /character piece by Haka in Cumberland Basin.
Haka, Cumberland Basin, Bristol, October 2023
In this piece, we see Haka returning to Julia Donaldson and Axel Scheffler for inspiration with this brilliantly recreated witch from their book ‘Room on the Broom’. The writing demonstrates an interesting feature of paint quality. The red fills, there are two have different strengths. The upper red is strong and requires only one coat. The lower red is thinner and unless several coats are applied, the patterns already on the wall will come through. This happens a lot with yellow colours too. There is usually a little guide on the spray can that tells you the strength of the paint. This would explain why some paint cans run out much quicker than others. One solution is to buff the wall first, but Haka rarely does that. Really nice work from Haka.
Aah, the comforting and aesthetically pleasing letter form of Phour graces the pages of Natural Adventures once again. There are some arrangements of letters that just seem to work, and lend themselves to being written at scale on walls. Phour, Pl8o, Mest and Tes, are all good examples of this.
Phour, M32 roundabout, Bristol, October 2023
Although rather underrepresented on this blog, Phour is one of my favourite throwie writers, although his work spans the spectrum from quick and dirty pieces through to rather more considered and tight works like this one. Phour has painted strong black letters with a white drop shadow, a subtle horizontal line of bubbles and a red contrasting bubble backdrop. Overall a really nicely presented piece.
Dibz, Awkward and Fade, Dean Lane, Bristol, October 2023
This is a rather interesting collaboration in Dean Lane, in which Fade and Dibz have done their thing, but have been joined by Awkward, whose big-eyed character faces are in stark contrast to Dibz and Fade’s sharp graffiti writing.
Dibz, Awkward and Fade, Dean Lane, Bristol, October 2023
Dibz has written DIBZ and has a downwards and left facing drop shadow. Fade has written FADE and his writing has a drop shadow that goes up and to the right, which creates some imbalance in the piece (to my mind). Add to that the crazy character by Awkward and you have a collaboration made up of three great individual pieces, but the golden thread or flow is a little absent. Having made that observation, I still very much like the three core elements on this wall.
Every time I post pieces that have been painted on this wall (one of my favourites in Bristol), I am reminded that I have published a gallery of pieces from the wall over time (part of the ‘One Wall – Many Faces‘ series). I have just updated the gallery to include this lovely collaboration from Bnie and Wispa.
Bnie, M32 Spot, Bristol, October 2023
Both pieces have incorporated a wild and wonderful almost psychedelic fill patterning and colours and on the left, Bnie’s letter shapes also lend themselves very well to that trippy feel. This piece from Bnie is absolutely stunning and so tight, all the lines and borders are perfect and the fills magnificent.
Wispa, M32 Spot, Bristol, October 2023
To the right, Wispa gifts us another of her brilliantly conceived and busy pieces. As well as reflecting the colours in Bnie’s piece, Wispa has also introduced some of her own colours and touches, which doesn’t surprise me. I think, from observing her work, that Wispa has a very individual approach to her work and style, and even when collaborating, will stand out with some individualism. This is wonderful work from these two busy artists.
One of the ways to enter the hilltop City of Perugia is via an underground escalator which begins at a car park at the bottom of the hill upon which Perugia is perched. I hadn’t really done much homework about the city and was utterly blown away by what we saw at the top of the series of escalators. You don’t emerge into the blinding light of the Umbrian sunshine, but instead enter a subterranean city, upon which Perugia is built.
I won’t give you the full history as to how this came about, but there is quite a useful quick guide on the Invitation to Tuscany and Beyond website. In short the original 16th century streets were augmented with high vaulted ceilings, on top of which a fortress was built – Rocca Paolina. The fortress was subsequently destroyed following the unification of Italy in 1860, but some of the streets below were left untouched, and this week’s doors, or rather doorways and ghost doors, are to be found in this extraordinary, dimly-lit underground place. Something a little different this week, which I hope you enjoy.
Subterranean archways, gates and ghost doors, Perugia, Umbria, Italy, July 2023Archways, a ghost door, Perugia, Umbria, Italy, July 2023Vaulted ceiling, archways and doorways, Perugia, Umbria, Italy, July 2023Two ghost doors, one inside the other, Perugia, Umbria, Italy, July 2023Archways and doorways, Perugia, Umbria, Italy, July 2023Towards the gate, Perugia, Umbria, Italy, July 2023Marzia gate and door, Perugia, Umbria, Italy, July 2023
More to come from the ‘above ground’ city of Perugia next time. May I wish you a pleasant weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
Mr Crawls and Mote, Brunel Way, Bristol, October 2023
How could I not have seen this coming? Perhaps one of the most obvious collaborations in Bristol has happened, and it has taken place right under our noses. Mr Crawls and Mote have painted their distinctive birds side-by-side in this wonderful and ‘made-in-heaven’ collaboration.
Mr Crawls and Mote, Brunel Way, Bristol, October 2023
Mr Crawls’ bird head is one of several versions of his bird, this one having horns and a hooked beak. His style is rather cartoony and the expression of the bird enhanced by the use of heavy eyelids. Mote’s style is a little bit more doodle-based and his bird is tending to the monstrous. The hatch markings in the eyes and downturned beak create a slightly grumpy appearance. It is amazing that although the basic elements are similar in the two birds, my/our response to each of them is quite different. I’m definitely looking to more collaborations from these two.
It is always a huge and genuine pleasure to see work by T-Rex, and to know that she manages to find time to paint occasionally, which is probably very good for her own contentment, and definitely makes me and other admirers of her work happy.
T-Rex, Cumberland Basin, Bristol, October 2023
This piece which appeared about a month after her last one in this spot follows the same format of the letters TREX and the end of the ‘X’ incorporating a dinosaur character. The piece as a whole is very nicely finished, and the colours and fills full of vibrancy and energy. Fun, joy and humour come across very strongly in this piece, and are characteristic of much of T-Rex’s wonderful work.
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