Thursday doors – 28 March 2024 – Street art doors

Doors 258 – Street art doors of Bristol

It has been a while since I last posted street art and graffiti doors, such has been the growing stock of door images in my files from my travels around the country and abroad. I felt a little pause to combine passions was well overdue, so this week are some doors that have been posted previously on Natural Adventures, but not gathered together for a Thursday doors post. I hope you enjoy this selection, which were previously posted in December 2022, January and February 2023.

Conrico, Park Street, Bristol, December 2022
Conrico, Park Street, Bristol, December 2022
Taboo, Nelson Street, Bristol, December 2022
Taboo, Nelson Street, Bristol, December 2022
Sled One, North Street, Bristol, January 2023
Sled One, North Street, Bristol, January 2023
Sled One, North Street, Bristol, January 2023
Sled One, North Street, Bristol, January 2023
Tanith Gould, Cheltenham Road, Bristol, December 2022
Tanith Gould, Cheltenham Road, Bristol, December 2022
Cartoonneros, Moon Street, Bristol, February 2023
Cartoonneros, Moon Street, Bristol, February 2023
Cheba, North Street, Bristol, February 2023
Cheba, North Street, Bristol, February 2023
Rowdy, Cheltenham Road, Bristol, February 2023
Rowdy, Cheltenham Road, Bristol, February 2023

So that’s it for this week. Next time I think I might move on to some doors from Nottingham and a trip I made there last year. Until then, may I wish you a very happy Easter weekend.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

Thursday Doors 2024 logo

5912. Brunel Way (265)

Abbie Laura Smith, Brunel Way, Bristol, March 2024
Abbie Laura Smith, Brunel Way, Bristol, March 2024

It is such a pleasure to have a wheatpaster in Bristol, and one who pastes her pieces just often enough to make discovering each one an exciting event. This is a small one by Abbie Laura Smith on the bridge (Ashton Avenue Bridge) that crosses the River Avon, joining the south bank with Spike Island.

Abbie Laura Smith, Brunel Way, Bristol, March 2024
Abbie Laura Smith, Brunel Way, Bristol, March 2024

The black and white portrait is beautifully drawn and conceals a whole ton of writing in the hair, which I am guessing is a poem or lyrics to a song. I can make out some phrases, but not the whole thing. I have a feeling that the piece might be called “When you can’t sleep…”, as that is the label Abbie Laura Smith gave the piece on her Instagram, although that might be a reference to when she created the portrait. All good stuff and I am looking forward to finding more.

5911. River Avon (57)

Laic217, River Avon, Bristol, March 2024
Laic217, River Avon, Bristol, March 2024

Well I never! This is a really unusual piece, on several counts, the first of which is a bit of a Bristol thing. It is quite rare to find ‘saucy’ street art, and nudes are almost non-existent. I was chatting with Inkie and Sepr about this a week ago and they suggested that the reason for this is that such pieces get dogged and ‘censored’ very quickly – it would seem that the city is generously populated with prudish activists. Another reason that this is unusual is that I think it is by Laic217, but there is no signature, and it is without many of his usual trademarks.

Laic217, River Avon, Bristol, March 2024
Laic217, River Avon, Bristol, March 2024

I would say that I am about 95% certain that this piece is by Laic217, and I base this on the style of artwork, which includes the folds in the material of the girl’s jacket, the tones of the flesh and the thin white border around the piece. In my experience, though, this subject is something I have not seen from the artist before, and I very much welcome it. Laic217 is having something of a purple patch at the moment, and is definitely experimenting and pushing a few boundaries. An unusual find.

Race

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Bird feeder refilled

who will discover it first

squirrel or song bird?

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by Scooj

Ceus

A gallery of wonderful graffiti writing in Bristol from Spanish artist Ceus.

Instagram: @javiceus

All photographs by Scooj

Ceus, Dean Lane, Bristol, September 2023
Ceus, Dean Lane, Bristol, September 2023

Ceus, Cumberland Basin, Bristol, May 2023
Ceus, Cumberland Basin, Bristol, May 2023

Ceus, Dean Lane, Bristol, April 2023
Ceus, Dean Lane, Bristol, April 2023

Ceus, Dean Lane, Bristol, April 2023
Ceus, Dean Lane, Bristol, April 2023

Ceus, Dean Lane, Bristol, December 2022
Ceus, Dean Lane, Bristol, December 2022

Ceus, Dean Lane, Bristol, July 2022
Ceus, Dean Lane, Bristol, July 2022

Ceus, Dean Lane, Bristol, June 2022
Ceus, Dean Lane, Bristol, June 2022

Ceus, Dean Lane, Bristol, May 2022
Ceus, Dean Lane, Bristol, May 2022

Ceus, Dean Lane, Bristol, April 2022
Ceus, Dean Lane, Bristol, April 2022

Ceus, Dean Lane, Bristol, October 2021
Ceus, Dean Lane, Bristol, October 2021

5910. M32 Spot (183)

Evey, Pekoe and Bnie, M32 Spot, Bristol, March 2024
Evey, Pekoe and Bnie, M32 Spot, Bristol, March 2024

This is a pleasurable post to write because it involves one of my favourite walls with one of my favourite groups of artists. The RBF ladies have been a little quiet this month, but this collaboration from Evey, Pekoe and Bnie has laid that to rest pretty well.

Evey, M32 Spot, Bristol, March 2024
Evey, M32 Spot, Bristol, March 2024

Evey continues to smash it each time she paints and her improvement from piece to piece is so gratifying to witness. The letters here are nicely designed and cleanly finished, with good fill transitions and well organised spotty details. She appears to be building her confidence with is an important part of improvement.

Pekoe, M32 Spot, Bristol, March 2024
Pekoe, M32 Spot, Bristol, March 2024

In the middle is another Pekoe portrait piece, full of fun and style. The subject has beautifully painted big hair and a rather smart yellow cap or beret. The blue face is rather RBF, if you know what I mean and the whole piece has an interesting dot – dash border. For me though, the hoop earrings steal the show, they are brilliant.

Bnie, M32 Spot, Bristol, March 2024
Bnie, M32 Spot, Bristol, March 2024

Finally, Bnie never ever disappoints with her beautiful letters. This is classy writing, with stunning fills, a wonderful drop shadow and yellow border complete with drips. The colour selection of pinks and oranges works really well against the green patterned background. It is good to note a small Palestinian flag under the ‘B’, should we forget what is happening in Gaza right now. A wonderful collaboration from this RBF trio.

5909. Brunel Way (264)

Fade and Dibz, Brunel Way, Bristol, March 2024
Fade and Dibz, Brunel Way, Bristol, March 2024

I am so far behind with my posts that since this piece by Dibz and Fade was painted, the left hand side has gone, and the right hand side augmented. The more these two work together, the more difficult it becomes to determine who has painted what, and I was lucky enough to meet them yesterday and Fade said that the both contribute to both bits of their work, and that it might be easier to attribute the pieces to both of them, rather than trying to isolate one artist from the other.

Fade, Brunel Way, Bristol, March 2024
Fade, Brunel Way, Bristol, March 2024

Having said all of that, on the left, the writing is the work of Fade, containing plenty of spots from the cheetah. Some great letter shapes and the crossover fade from orange to black is expertly handled.

Dibz, Brunel Way, Bristol, March 2024
Dibz, Brunel Way, Bristol, March 2024

On the right the letters spell out Dibz, and the character, which I have only just realised as I write this, is the cheetah from the Cheetos snacks brand, hence the words “it’s not easy… being cheesy”. The cheetah and the writing have been incorporated into a full wall Alice in Wonderland piece from the pair, which I hope to be able to stitch together from several visits. There is no stopping this Dibz/Fade juggernaut.

Merlin Bird ID

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Bird song ID app

six birds in sixty seconds

garden paradise.

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by Scooj

I heard some sweet birdsong this morning while I was washing up, so I went into the garden with the app (Merlin Bird ID, which I cannot recommend highly enough) and within a minute I had recorded birdsong from six species:

Great tit, Wren, Wood-pigeon, Carrion crow, Blackcap and Magpie.

Magical.

5908. Greenbank (113)

Rozalita, Greenbank, Bristol, March 2024
Rozalita, Greenbank, Bristol, March 2024

You might have sensed my excitement a few posts ago with the return of Rozalita (Rozilitaa), and here she is again with another outstanding portrait piece, in the same venue, and again featuring Frida Cahlo, who has come to represent so much about female art, strength and vulnerability.

Rozalita, Greenbank, Bristol, March 2024
Rozalita, Greenbank, Bristol, March 2024

This time, the portrait is painted in shades of blue and turquoise, which contrasts brilliantly with the four surrounding orange flowers. There is a lot of passion and emotion in Rozalita’s work which works hard to combine people with the natural world. This is another belter, and there is still more to come soon.

5907. Easton Road

 

Caryn Koh, Easton Road, Bristol, March 2024
Caryn Koh, Easton Road, Bristol, March 2024

Another diversion away from my usual routes took me to Easton Road where I came across this magnificent mural from Caryn Koh, possibly the last thing I might have expected to see in this part of town. What is disappointing is that my son’s work is very close to this mural, and he never thought to let me know it was there.

Caryn Koh, Easton Road, Bristol, March 2024
Caryn Koh, Easton Road, Bristol, March 2024

This is a powerful portrait of a woman superimposed or floating over a pond with beautiful water lilies in it, but look a little closer and you can see that the pond is polluted with plastic bags and bottles and straws, a commentary and observation in the state of our environment. One day it would be nice to think that people, those in power and citizens alike, would learn to value nature and habitats because we live here and now. Who wants to live on a planet with diminishing beauty and wildlife?… let’s watch the hands go up. Nobody. So we must do what we can do to live in a better world, and that doesn’t have to equate to one where financial wealth is the only goal.

Thank you Caryn Koh for using your art to socialise the issue.