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Lazy summer’s day
warmth reflected from the shrubs
peacock butterfly
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by Scooj

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Lazy summer’s day
warmth reflected from the shrubs
peacock butterfly
.
by Scooj

L Dub (Lawrence Weston) is a funny old spot, really. It involves a 15-minute walk alongside the M5 motorway on a pathway which runs through a kind of brownfield site of scrub and thickets. The place is absolutely bursting with wildlife, which thrives in and around the drainage ditches, which I presume take excess water away from the motorway. It is interesting that these dilapidated ‘forgotten’ spots are often some of the most biodiverse in the country. The place is festooned with all sorts of interesting plants, dragonflies, beetles and butterflies,,, an unlikely nature hot spot.
It also plays host to a water pumping station which offers several walls for painting, and a pedestrian underpass which takes you under the motorway and some other roads and provides plenty of graffiti opportunities, for those that can be bothered to find the place. Acer One has recently painted a couple of pieces here, away from the crowds.

This is a complex piece, which demonstrates how his mind works (in his own words) and is also a little bit experimental. The letters spell out ACERONE, but are alternately coloured, so it starts with a dark blue A, followed by a gold C, then a blue E and so on. Fascinating stuff that can take a little while to work out and keeps those brain cells ticking over.

It is always great to see work by Inkie, but especially so when outside Bristol, it feels like a home from home. This is an outstanding piece of writing with some flat pink, stylised portraits and silhouetted urban landscape in the background.

The letters BTP, which form a kind of print backdrop, stand for Bring the Paint, a street art festival hosted in Leicester every now and again. This piece was painted by Inkie for this year’s festival, and accompanies others that he has painted in previous festivals here. This a really nice, tight graffiti writing, and a superb example of Inkie’s work.

I am quite fortunate that my job takes me around the country from time to time, and I get to visit different cities. Of course, while I am passing by, I never pass up the opportunity to stroll about the place and take a few photographs. I have visited Leicester twice recently. Once before the Bring the Paint 2024 festival, and once afterwards. These pictures were taken afterwards, so the pieces are recent – unlike many pictures that I take as a visitor, which are often of old pieces. This is a fabulous collaboration from Philth and N4T4, who have teamed up at Upfest on several occasions.

Philth is known for his large floral repeating pattern pieces, which remind me so much of my childhood in the 1970s and the rebirth of elaborate wallpaper, mimicking our Victorian predecessors. This piece, in sumptuous colours is absolutely stunning and would look amazing if scaled up onto a larger wall, revealing more of the repetition.

This gorgeous portrait is by N4T4, who, like Philth, is no stranger to Natural Adventures. There are actually two musicians featured in the piece, Gladys Knight (spelling?) and Jon1st, both painted with N4T4’s unusual patterning style that underpins and adds vibrancy to his work. A special and beautiful collaboration on the High Street for shoppers and visitors to enjoy.

I have encountered many pieces on the concrete walls at the WWII gun emplacement in Purdown by artists I have never heard of before, and some never since. I believe that this is the first time I have seen anything by Noods, and given that he operates out of Berlin/Glasgow, I’m not sure if I will see anything of his again.

This silhouette piece relies almost entirely on shadows cast to create depth and interest. I don’t know why, but it reminds me a little of the work of Giorgio de Chirico, I think it must be the shadows. There is a lot of atmosphere and drama in the piece, but an absence of movement, perhaps another de Chiricoesque feature. Nice one.

This wall on the side of the Veeez shop is becoming something of an advertising hoarding for the shop’s wares and events, and offers an opportunity for artists to paint a legal wall. It comes at the cost of painting an advert, and regular readers will know that that doesn’t sit all that comfortably with me.

I am a hypocrite if nothing else, and couldn’t pass up the opportunity to share this advertisement by Cheo, mainly because it is by Cheo. Everything about Cheo’s work is pretty close to perfection. His compositions are always on point, and his artwork execution exceptional. He is at the very top of his game, and seems to be painting a little more often lately.

What better way to start the day than with a nice, crisp chrome piece from Nips. What a pity I didn’t get there before the tagger, but that is all part of the way of life in this jungle. Everyone knows what the rules are, and whatever existing rules can be broken at any time by anyone.

There is an uncomplicatedness about this piece that speaks of an artist who is comfortable with their work. No need to embellish or over-decorate. Sometimes less is more, and I would suggest that is the case here. I haven’t yet met Nips, and look forward to the day when I might just be in the right place at the right time to do so.
Doors 274 – Doors of Manchester, UK, November 2023 (Part III)
A quick one from me this week. I have a meeting in London today and had to prepare this post last night, along with several other posts. This is the third and final instalment of doors from my November trip to Manchester last year with my daughter.
As with last time, nothing too out of the ordinary, just doors that I saw on my ramblings. I particularly like the four-story building, not for its nor its neighbour’s doors, but because I’d love to know more about the merchant who originally had it built, showing off their wealth with four whole floors compared with the two-story buildings either side.
I hope you enjoy.








Well that’s all folks for another week. I’m not too sure what I’ll be posting next time. Prepare for a surprise (for me as much as for you).
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj

Conrico has been so productively lately with commissions, painting walls and the Cheltenham Paint Festival. It is lucky really that he is so passionate about what he does and that he really enjoys it. He is currently going full tilt on his Japanese influenced pieces, including this lovely landscape/writing combo.

Conrico has a great story behind his moniker, which is essentially a school corruption of his name which has stuck, a bit like Scooj which I use as my pseudonym. The letters CONRICO are dominant in this piece and are influenced by the katakana alphabet, and float over a stunning landscape of a snow-clad volcano (Fuji?) and cherry blossoms in the foreground. A wonderful piece.

The FUA (From Up Above) boys are at it again, although this time they are joined by Awkward, and have opted for a smaller wall for this collaboration. In this piece we see our two main protagonists getting closer and closer to fusion in their work.

Fade on the left and Dibz on the right have opted to use the same colours, 3D drop shadow, decorations and background, and it is only their stylistic differences that separate them. Dibz’ work tends to be a little bit more angular than the smoother edges of Fade. The colour transitions in the fills are excellent in both halves.


The central piece is book-ended by two characters by Awkward, who has painted with Dibz and Fade in Dean Lane not all that long ago. Messages contained in the speech bubbles are ‘roll the dice’, ‘Awkward’ and ‘Stop the war’. The characters look typically alarmed/animated with their exaggerated eyes and wobbly outlines. A rather nice collaboration from the three artists.