Klashwhensober, M32 roundabout, Bristol, October 2024
Klashwhensober is as busy as ever, and I only tend to post a fraction of the pieces he produces, I expect I’ll need to go back through the archives and do a couple of sweep-ups of his work in due course. Every now and then one of his pieces catches the eye, and this one on the roundabout is one of those.
Klashwhensober, M32 roundabout, Bristol, October 2024
This modest spot is tucked away behind a tree, and isn’t easily seen without looking for it. Klashwhensober has written the word SOBER in ribbon letters, filled skilfully in blue and yellow, with a variety of well-painted patterns and features. There is some menace lurking in the form of clutching hands and fingers wafting from the cloudy background. I think that Klashwhensober’s pieces often indicate a busy and cluttered mind, and it would be interesting to see if he could create a piece of writing that was simpler in structure and could show off his skill as an artist. Unlikely to happen methinks.
Kosc and Humor, St Werburghs, Bristol, October 2024
Every now and again, something very special appears on the walls of Bristol, without warning or fanfare, and when you find them they blow your socks off. This collaboration between Bristol artist Kosc and Tunbridge Wells-based artist Humor is one such collaboration.
Kosc, St Werburghs, Bristol, October 2024
The collaboration, I gather, celebrates the birthday of actor Jenna Ortega, who I must admit is a little bit off my radar, although I faintly recognise her from her Wednesday Addams character, and the 2021 film The Fallout looks like it might be worth watching. She clearly has a large fan base, which I assume would include Kosc and Humor. Kosc has painted a gorgeous piece of graffiti writing which picks up the colours used for the birthday candles.
Humor, St Werburghs, Bristol, October 2024
I haven’t come across Humor’s work before, but this photorealistic portrait of Jenna Ortega is quite stunning, and something we don’t see nearly enough of in Bristol, outside of festivals or commissions.
Humor, St Werburghs, Bristol, October 2024
On the day I originally photographed this collaboration, there was quite a lot of glare on the wall, it can be a difficult wall to photograph, because it gets impacted by shadows and sunlight at all times of the day. I did return on a duller day, and think I got a slightly better picture with less glare (and a few more autumn leaves on the ground). Stunning work, especially when you consider it is a greyscale portrait. I would love to think that this might be the first of many visits to Bristol by Humor, but I won’t be holding my breath.
Logoe and Silent Hobo, Stapleton Road, Bristol, October 2024
Logoe and Silent Hobo are good friends and on his most recent visit to Bristol, it looks like Logoe found time to hook up with his mate and collaborate on this wonder wall. The combination of writing and story telling is original and eye-catching, and goes straight into one of my favourite collaborations of 2024. Logoe has pulled out all the stops with his distinctive script writing and produces a very tight and tidy piece with transitional coloured stripes filling the letters.
Silent Hobo, Stapleton Road, Bristol, October 2024
Sitting on top of the writing, Silent Hobo is telling us a story of what looks like heart break, but without the context is difficult to be sure. Rather ominously, the first panel has a woman saying ‘We’ve been through this already…’
Silent Hobo, Stapleton Road, Bristol, October 2024
In the next frame, a woman, is it the same woman, is saying ‘love is not enough’, a phrase that would wilt the heart of anyone on the receiving end of the comment
Silent Hobo, Stapleton Road, Bristol, October 2024
The final part has a man, looking a little worse for wear, saying ‘OK’, which probably means not OK. The three panels could be stand-alone pieces, or part of a continuous conversation, and I guess that it is for the viewer to decide which. A magnificent collaboration from this pair.
I arrived at Bristol Temple Meads station a little early recently, on my way to a football match in London, and had a few minutes to kill in the area around the station and managed tom photograph some pieces that I have been meaning to capture for quite a while, one of which was this monster piece by Mote.
Mote, Redcliffe Way, Bristol, October 2024
I have given up hunting down Mote pieces, and tend to embrace them as and when I come across them, so sometimes they are already quite old by the time I get to photograph them. This is a rather attractive looking character with the trademark cross lines for pupils in the eyes, a very Mote motif. This whole panel was decorated a while back by various artists, I think to celebrate the Bristol Tattoo Festival.
Keeping up with Dibz and Fade can be a difficult thing to do… they are a combined force of nature with an energy and enthusiasm for graffiti writing that is unsurpassed in Bristol. This piece, entitled ‘Explosive material’ kind of does what it says on the tin, and contains writing from both artists amidst an explosion.
Dibz and Fade, Dean Lane, Bristol, September 2024
Dibz on top in blue and Fade below in red complement one another perfectly with their styles, and the fills are nothing short of miraculous, incorporating the clouds of the explosion behind. This is a well-worked graffiti writing piece from two artists who keep raising their level notch by notch.
For good measure, they both left behind quick throw ups painted at the same time as this piece:
Dibz, Dean Lane, Bristol, September 2024Fade, Dean Lane, Bristol, September 2024
Doors 282 – Doors of Central London – Part III – March 2024
This is the last selection of doors from a visit to Central London back in March this year. It is an especially poignant and nostalgic collection for me because it takes me to the front door of my home where I lived with my parents in the early 1980s. I was the last of my siblings to leave home and when my parents moved to the fashionable address of 1A Montague Place, WC1E, I was starting at Newcastle University, but this was my home out of term-time, and for a little while after I left University, before I moved out properly. To be living in the heart of Bloomsbury and a heartbeat away from Soho and the West End was pure heaven for a twentysomething.
Breaking from tradition, I will write a little bit of commentary beneath some of these doors.
British Museum back door, Montague Place, London, March 2024
Our immediate next door neighbour was the British Museum, where my father would visit on a very regular basis, I only wish I had made more of the opportunity, but as is always the case when something is so readily available, my mind was elsewhere. My father had a ‘dinner party’ joke, which was to say that “on a clear day we can see the Elgin Marbles” – I can hear him saying it now, and chuckling.
My old home, 1A Montague Place, London, March 2024
Our little maisonette was dwarfed by the surrounding buildings, but it was rather cosy. The large and rather imposing gates were the delivery entrance for the museum, and I guess exhibits would come and go through these gates.
My old home, 1A Montague Place, London, March 2024
So here it is, a place where I have some very happy memories spending time with my parents (without having to share them with my siblings – an advantage of being the youngest). It feels a little strange looking at it now… it was a lifetime ago.
Black front door of my old home, 1A Montague Place, London, March 2024
The front door was nothing to write home about, but it was a decent black front door, and I don’t think it has changed at all except perhaps for a lick of paint.
Bedford Square Gardens gate, London, March 2024
As residents of the immediate area, we had the keys to the private Bedford Square Gardens, much to the envy of locals and visitors alike. It was a fabulous place to picnic and drink in the heart of the city without the gathering crowds.
Senate House, University of London, London, March 2024
Nearby is the famous London University Senate House, built in the Art Deco style of a New York high-rise. It is a stunning building which looks much taller than it is by clever positioning of smaller windows the higher the building goes, and the stepped ‘wedding-cake’ arrangement. I never made it into the Senate House, but I’ll bet it has some wicked doors, fixtures and fittings of the period.
Art Deco doors of the Senate House, University of London, London, March 2024
It also has some glorious Art Deco doors
The wine bars and coffee houses of Soho were my ‘go to’ watering holes, and my friends, most of whom lived in North London, would come in to town on our evenings out. I discovered where all the late night drinking places were, such as the Beaujolais wine bar, The 100 Club, and a funny little basement flamenco club just off Tottenham Court Road.
Underwhelming door on a beautiful shopfront, Soho, London, March 2024Beautiful sculpture above the doors of The Resident Hotel, Soho, London, March 2024Gardener’s hut (1925) and black door, Soho Square, London, March 2024
In Soho Square itself, there is a funny little hut, which I always thought was ancient, but was actually built in 1925 (so I found out today) as an access portal for an electricity sub-station. Who knew?
I hope you enjoyed this little tour of a part of London that will forever be very special to me, and I feel privileged to be able to share it with you via Thursday Doors.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
Werm is a graffiti artist who can divide opinion with his carefully thought out and intricate pieces. I am rather enjoying his recent designs though and I consider this to be a first-class piece of graffiti writing.
Werm, River Avon, Bristol, September 2024
The curves Werm has designed in to the letters take away the stark edges that the letters WERM naturally have. He has also endeavoured to create some clever bilateral symmetry to the piece, which is a device he has been working on for a little while. The fills are coherent throughout the letters, and the colour scheme works well. This is an admirable piece from the versatile artist.
Northbanksy, (Mikel Arteta), Hornsey Road, North London (Forever), September 2024
A short while ago I went up to London for my first football match of the season, to watch the mighty Arsenal play at home to Leicester City. I had arranged to meet a friend in a pub before the match and passed by a wall of black and white stencil pieces by the brilliantly named artist Northbanksy. The North Bank was the north stand at Highbury, the former home of Arsenal FC, where the nosiest home fans would congregate. You can see what Northbanksy has done with his name. This first piece features the Arsenal Manager Mikel Arteta, and the quote is from his song, which is as follows:
We’ve got Super Mik Arteta,
He knows exactly what we need,
Kieran at the back, Gabi in attack,
Arsenal on the way to Champions League.
I have seen better stencils if I am honest, but I can’t help loving this.
Northbanksy, (Emile Smith-Rowe and Bukayo Saka), Hornsey Road, North London (Forever), September 2024
There are about a dozen or so stencils and this one features two of Arsenal’s home grown players, starboy Bukayo Saka and Emile Smith-Rowe, who moved to Fulham at the start of this season. Northbanksy has selected a shot of the two that epitomises their friendship and reproduced it for all fans to admire. More to come from Northbanksy soon.
Natural adventures 